Pietrusiak-Kasprzyk - Chamber Music - COMPACT DISCS [CD]

Album Tracks 1. Tempo Giusto 2. Allegretto Non Tanto 3. Allegretto 4. Moderato 5. Doloroso 6. Scherzando 7. Con Passione 8. Con Moto 9. Nd/O.B 10. Nd/O.B 11. 1. Allegro 12. 2. Allegretto 13. 3. Lento 14. 4. Vivo 15. 5. Agitato 16. 6. Allegretto 17. 7. Moderato 18. 8. Allegretto 19. 9. Mesto 20. 1. Allegro 21. 2. Piacevole

Persian folk music is a very old traditional music, mostly played and recorded with Persian instruments. However, we have chosen to record this collection with modern instruments such as the oboe and the piano. At a time when many people in the world are bound by the borders of their countries and crossing borders has become an important issue, I decided to record this collection. I want to express in my own language and with my music that music belongs to all countries of the world and knows no borders, and that one can clearly hear and realize similarities in the music of different countries. Antonio Pasculli's very special ideas and creativity shine through in his works. He challenges the musician in various ways, such as high tempi or the use of circular breathing. Perhaps for this reason, the works of this great Italian composer are very rarely performed and recorded. The Persian composer Reza Vali wrote several collections of Persian music for orchestra and chamber orchestra, including a collection of new Persian folk music. The second collection consisting of nine Persian folk songs was composed in 1981. The folk songs are based on traditional Persian melodies. In this collection Reza Vali uses the quarter-tone technique. These Persian folk pieces are performed and recorded here for the first time with the oboe. I would like to express my sincere gratitude to the composers of this collection with this recording of their works. (Aryan Gheitasi) Album Tracks 1. Concerto Sopra Motivi Dell'opera 'La Favorita' Di Donizetti 2. 9 Persian Folk Songs 3. Palinderome 4. 3 Dialogues 5. Andante and Allegro

Trumpet and organ has us immediately thinking of trumpet tunes and trumpet voluntaries, of majestic, bombastic music by Henry Purcell and George Frideric Handel, of mixtures and reed stops that resound so strongly as to make church walls tremble. The music on this album does not adhere to those stereotypes it is very delicate, light, transparent, elegant. If one was to pigeon-hole it, the choice of genre would be difficult. From a musical point of view, it is located between the Baroque and the Classical eras, a period whose various art forms are given numerous labels early Classical, sensitive style, Rococo, Sturm und Drang. In addition to numerous performances as a soloist and chamber musician, Immanuel Richter is also principal trumpet player of the Sinfonieorchester Basel. Together with Hans Jürg Bättig on the organ, the trumpeter has slowly approached the works of this , often playing them in concerts in order to become completely familiar with the music. There is no instrument in his eyes that fits the trumpet better than the organ. The timbres merge into each other and complement each other wonderfully. Album Tracks 1. Trompetenkonzert Nr. 1 in Es-Dur~I. Allegro 2. Trompetenkonzert Nr. 1 in Es-Dur~II. Larghetto 3. Trompetenkonzert Nr. 1 in Es-Dur~III. Vivace 4. Trompetenkonzert Nr. 1 in C-Dur~I. Adagio 5. Trompetenkonzert Nr. 1 in C-Dur~II. Vivace 6. Trompetenkonzert Nr. 2 in Es-Dur~I. Allegro ma moderamente 7. Trompetenkonzert Nr. 2 in Es-Dur~II. Largo 8. Trompetenkonzert Nr. 2 in Es-Dur~III. Allegro 9. Trompetenkonzert in D-Dur~I. Adagio 10. Trompetenkonzert in D-Dur~II. Allegro moderato 11. Trompetenkonzert Nr. 3 in D-Dur~I. Allegro ma non troppo 12. Trompetenkonzert Nr. 3 in D-Dur~II. Largo 13. Trompetenkonzert Nr. 3 in D-Dur~III. Vivace 14. Trompetenkonzert in Es-Dur~I. Allegro moderato 15. Trompetenkonzert in Es-Dur~II