pôt-pot - Warsaw 480Km - Red - VINYL LP
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Warsaw 480km is the debut LP from Irish/Portuguese quintet pôt-pot, who infuse the propulsive grooves of krautrock with a phosphorescent psych-rock radiance, all underscored by harmonium drones, hypnotic male-female vocal harmonies, and deep layers of rough-hewn texture. Evolved primarily from demos by multi-instrumentalist and lead vocalist Mark Waldron-Hyden during a period of grief and personal upheaval, the album came to life through a series of live, full-band studio sessions that document an exceptional array of talents, unified in an embrace of raw catharsis with a sweetly sinister edge.A defining element of Warsaw 480km is it's impressive range of influences and atmospheric topographies. As Waldron-Hyden describes, InchI wrote the first batch of songs while not really living in one place, so I think they have a kind of transient feel to them - developing them with the band helped me process an era in which I was emotionally freewheeling, so they remind me equally of the beautiful experience we shared as a creative unit and the difficult times that inspired them.Inch Lead single, InchWRSWInch, exemplifies this complexity, as it's rugged rhythmic backbone carries tremolo guitars, woozy harmonium, and a half-spoken, Lou Reed-indebted vocal line in which the verse and chorus beautifully blur together.Above all, Warsaw 480km is an album that achieves it's richness and aura from deliberate economy, as Waldron-Hyden explains, InchOllie [Oliver Smith] and Sara [Sara Leslie] are experts at getting the most out of one pedal, a shitty amp, and a guitar they borrowed, a result of innate talent and years of experience; they use some modulation for dronier passages, but it's their playing styles and understanding of 'the vibe' that are the secret ingredients.Inch This kind of intuitive connection and collaboration is incredibly rare, and with these ten pieces, pôt-pot accom
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- GenreRockDescriptionWarsaw 480km is the debut LP from Irish/Portuguese quintet pôt-pot, who infuse the propulsive grooves of krautrock with a phosphorescent psych-rock radiance, all underscored by harmonium drones, hypnotic male-female vocal harmonies, and deep layers of rough-hewn texture. Evolved primarily from demos by multi-instrumentalist and lead vocalist Mark Waldron-Hyden during a period of grief and personal upheaval, the album came to life through a series of live, full-band studio sessions that document an exceptional array of talents, unified in an embrace of raw catharsis with a sweetly sinister edge.A defining element of Warsaw 480km is it's impressive range of influences and atmospheric topographies. As Waldron-Hyden describes, InchI wrote the first batch of songs while not really living in one place, so I think they have a kind of transient feel to them - developing them with the band helped me process an era in which I was emotionally freewheeling, so they remind me equally of the beautiful experience we shared as a creative unit and the difficult times that inspired them.Inch Lead single, InchWRSWInch, exemplifies this complexity, as it's rugged rhythmic backbone carries tremolo guitars, woozy harmonium, and a half-spoken, Lou Reed-indebted vocal line in which the verse and chorus beautifully blur together.Above all, Warsaw 480km is an album that achieves it's richness and aura from deliberate economy, as Waldron-Hyden explains, InchOllie [Oliver Smith] and Sara [Sara Leslie] are experts at getting the most out of one pedal, a shitty amp, and a guitar they borrowed, a result of innate talent and years of experience; they use some modulation for dronier passages, but it's their playing styles and understanding of 'the vibe' that are the secret ingredients.Inch This kind of intuitive connection and collaboration is incredibly rare, and with these ten pieces, pôt-pot accomArtistpôt-potTitleWarsaw 480Km - RedFormatVINYLLabelFelte Records
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Warsaw 480km is the debut LP from Irish/Portuguese quintet pôt-pot, who infuse the propulsive grooves of krautrock with a phosphorescent psych-rock radiance, all underscored by harmonium drones, hypnotic male-female vocal harmonies, and deep layers of rough-hewn texture. Evolved primarily from demos by multi-instrumentalist and lead vocalist Mark Waldron-Hyden during a period of grief and personal upheaval, the album came to life through a series of live, full-band studio sessions that document an exceptional array of talents, unified in an embrace of raw catharsis with a sweetly sinister edge.A defining element of Warsaw 480km is it's impressive range of influences and atmospheric topographies. As Waldron-Hyden describes, InchI wrote the first batch of songs while not really living in one place, so I think they have a kind of transient feel to them - developing them with the band helped me process an era in which I was emotionally freewheeling, so they remind me equally of the beautiful experience we shared as a creative unit and the difficult times that inspired them.Inch Lead single, InchWRSWInch, exemplifies this complexity, as it's rugged rhythmic backbone carries tremolo guitars, woozy harmonium, and a half-spoken, Lou Reed-indebted vocal line in which the verse and chorus beautifully blur together.Above all, Warsaw 480km is an album that achieves it's richness and aura from deliberate economy, as Waldron-Hyden explains, InchOllie [Oliver Smith] and Sara [Sara Leslie] are experts at getting the most out of one pedal, a shitty amp, and a guitar they borrowed, a result of innate talent and years of experience; they use some modulation for dronier passages, but it's their playing styles and understanding of 'the vibe' that are the secret ingredients.Inch This kind of intuitive connection and collaboration is incredibly rare, and with these ten pieces, pôt-pot accom
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Orenda is one half of Georgia's Azure Ray. INVISIBLE ONES is her first solo album that weaves empatheitc tales of her travels around the world. Featuring appearances by members of The faint, Antibalas, Bright Eyes, Drive-By Truckers among others. Album Tracks 1. Leave It All 2. Invisible Ones Guard the Gate 3. Bloodline 4. Blind Asylum 5. Invisibles 6. Miracle Worker 7. No Evolution 8. Dirty South 9. Easter Island 10. Animal 11. Invisible Ones [Short Film] 12. Bloodline [Multimedia Track]
BLACK VINYL REPRESS. The highly acclaimed U.K. post-punk band Joy Division was originally called Warsaw. Formed in Manchester, England in the late 1970s, the group consisted of Ian Curtis on vocals, Bernard Albrecht (aka Sumner, aka Dicken) on guitar, Peter Hook on bass and Stephen Morris on drums. Hook, Albrecht and Curtis hooked up at a local concert and later formed the group Warsaw. The band's name was taken from a David Bowie-Brian Eno composition, InchWarszawaInch. The 5 bonus tracks on this album are demos cut by the group at Pennine Studios in Manchester on July 18, 1977 with Steve Brotherdale on drums. The first eleven tracks presented here were the result of a recording session for that album that took place in early May of1978. Rehearsals leading up to the session resulted in two new songs being added to the group's existing repertoire InchInterzoneInch and InchTransmission.Inch InchInterzoneInch was based on the backing track of the song InchKeep On Keepin' On, Inch to which the band added their own lyrics. The result was a song distinctively their own. InchTransmissionInch was written by the band during the final week of rehearsals. The first verse contains a quotation from Alistair Crowley's The Book Of Thoth. The two recordings are interesting renditions of songs which would later became famous. Album Tracks 1. The Drawback 2. Leaders of Men 3. They Walked in Line 4. Failures 5. Novelty 6. No Love Lost 7. Transmission 8. Living in the Ice Age 9. Interzone 10. Warsaw 11. Shadowplay 12. As You Said 13. Inside the Line 14. Gutz 15. At a Later Date 16. The Kill 17. You're No Good for Me
Album Tracks 1. The Blog 2. Give It Up 3. True Stories 4. Dance! 5. Molly 6. Do It Your Way 7. In the Red 8. Fear of Death 9. Amarillion 10. The Pretender 11. Back in the Seventies 12. Not Me 13. New Days Dawn
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