Rokinon - CINE DSX 14mm T3.1 Cinema Lens for Canon EF - Black
$399.00
$399.00
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Specifications
- Lens Mount CompatibilityCanon EFLens TypeWide Angle PrimeMinimum Focal Length14 millimetersMaximum Focal Length14 millimetersMaximum Aperturef/2.8
- Key Specs
- Lens Mount Compatibility: Canon EF
- Lens Type: Wide Angle Prime
- Minimum Focal Length: 14 millimeters (The minimum distance between the lens and the image sensor that allows the subject to be in focus. The shorter the focal length, the greater the area of scene captured.)
- Maximum Focal Length: 14 millimeters (The maximum distance between the lens and the image sensor that allows the subject to be in focus. The greater the focal length, the smaller the area of scene captured.)
- Maximum Aperture: f/2.8 (The limit to how wide a lens can be open, typically expressed in f-numbers. The smaller the number, the larger the aperture and the more light that can enter the lens. A larger aperture creates a shallower depth of field, helpful for keeping subjects in focus and blurring background details.)
- General
- Brand: Rokinon
- Model Number: DSX14-C
- Product Name: Rokinon CINE DSX 14mm T3.1 Cinema Lens for Canon EF
- Color: Black
- Compatibility
- Compatible Devices: Mirrorless Camera
- Brand Compatibility: Canon
- Lens Mount Compatibility: Canon EF
- Dimensions
- Product Weight: 1.9 pounds (The out of box weight of the item.)
- Product Length with Lens Closed: 7 inches
- Product Diameter: 5 inches (The out of box diameter of the item, measured as a straight line passing from side to side of the item, through its center.)
- Imaging
- Lens Type: Wide Angle Prime
- Auto/Manual Focus: Manual
- Exposure Control
- Minimum Focal Length: 14 millimeters (The minimum distance between the lens and the image sensor that allows the subject to be in focus. The shorter the focal length, the greater the area of scene captured.)
- Maximum Focal Length: 14 millimeters (The maximum distance between the lens and the image sensor that allows the subject to be in focus. The greater the focal length, the smaller the area of scene captured.)
- Maximum Aperture: f/2.8 (The limit to how wide a lens can be open, typically expressed in f-numbers. The smaller the number, the larger the aperture and the more light that can enter the lens. A larger aperture creates a shallower depth of field, helpful for keeping subjects in focus and blurring background details.)
- Minimum Aperture: f/2.8 (The smallest opening of a lens, typically expressed in f-numbers. The larger the number, the smaller the aperture and the less light that can enter the lens. A smaller aperture creates a larger depth of field, which keeps both foreground and background in focus.)
- Constant Aperture: true (Has a fixed aperture (typically expressed in f-numbers), which means the barrel of the lens does not extend or retract when the focal length changes.)
- Warranty
- Warranty - Parts: 1 year
- Warranty - Labor: 1 year
- Other
- UPC: 084438767148
The Rokinon 14mm T3.1 DSX Cine Lens for Canon EF delivers ultra-wide cinematic shots with minimal distortion. Ideal for landscapes, architecture, and creative visuals, it features geared focus/iris rings, a de-clicked aperture, and multi-coating for reduced flares and increased contrast.
- Ultra-Wide T3.1 Aperture: This ultra-wide 14 mm lens delivers dramatic perspectives with its fast T3.1 aperture. Ideal for architectural, landscape, and immersive storytelling shots. Enables edge-to-edge clarity in cinematic scenes.
- Color-Matched DSX Series: Designed for color consistency across DSX and Cine DS lenses—perfect for multicam setups. Simplifies your color workflow. Keeps footage visually coherent.
- Long Focus Throw & De‑Clicked Iris: Equipped with a long 250° focus throw and 36° de-clicked iris ring. Allows precise, silent pulls for cinematic control. Tailored for pro follow-focus systems.
- 9-Blade Smooth Bokeh: The rounded nine-blade diaphragm produces rich circular bokeh and striking starbursts. Adds visual elegance to narrative shots. Enhances emotional depth.
- Weather-Sealed Mount: Lens mount is sealed against dust and light moisture (except Nikon F). Built for reliable outdoor filmmaking. Dependable in varied environments.
- 115° Full‑Frame Coverage: Covers a massive full-frame diagonal field of 115.7°. Captures expansive scenes with cinematic impact. Ideal for wide-angle storytelling.
- Optical Clarity With Specialty Elements: Uses ED, high-refractive-index, aspherical, and hybrid aspherical elements for sharp, aberration-free images. Maintains clarity across the frame. Professional-grade rendering.
- No‑Front-Rotation Design: Front element does not rotate, allowing seamless use with filters and matte boxes. Keeps composition and exposure consistent. Crane- and drone-ready.
- Dual‑Side Markings: Clear focus and T-stop markings on both sides of the barrel. Designed for focus pullers to read easily from either side. Ergonomic workflow improvement.
- Compact Matte Finish: A sleek, matte black design blends professionalism with portability. Lightweight yet durable for rugged use. Reliable on set and on the move.
- Same Gear Layout: Uniform focus and iris ring positions match other DSX lenses. Speeds up lens swaps on rigs and follow-focus setups. Efficient and production-friendly.
- Rear Filter Holder (RF Mount): Certain mounts (like Canon RF) include rear filter holder without vignetting. Offers creative control with gels and ND filters. Flexible for lighting effects.
- Small 11” MFD: Get close with an 11.02” minimum focusing distance for dramatic close-ups. Enhances foreground storytelling. Adds dynamic depth to wide scenes.
- Both-Side Scales: Displays focus and aperture scales on both sides of the lens. Supports multi-operator setups and smooth hand-offs. Practical and intuitive.
- Calibrated T-Stops: Lens is calibrated in T-stops for reliable exposure matching. Essential for multicam or scene consistency. Smooth exposure transitions.
- Enhanced Build Quality: Solid mechanical construction built for professional use. Withstands the rigors of frequent use on-location. Built to last.
- Rich Cine Aesthetic: Textured metal finish and precise mechanical rings deliver a cinematic look and feel. Inspires creativity on set. Professional ergonomics.
- Minimal Distortion: Lens design minimizes perspective warping even at ultra-wide angles. Maintains architectural fidelity. Clean, precise framing.
- Low-Light Versatility: T3.1 aperture supports shooting in low-light without heavy lighting. Great for moody or night scenes. Flexible lighting conditions.
- Great Value in Cine Lens: Delivers cinema-style features at a budget-friendly price. Ideal for indie filmmakers and creative projects. A high-impact, accessible wide-angle option.
- Ultra-Wide T3.1 Aperture: This ultra-wide 14 mm lens delivers dramatic perspectives with its fast T3.1 aperture. Ideal for architectural, landscape, and immersive storytelling shots. Enables edge-to-edge clarity in cinematic scenes.
- Color-Matched DSX Series: Designed for color consistency across DSX and Cine DS lenses—perfect for multicam setups. Simplifies your color workflow. Keeps footage visually coherent.
- Long Focus Throw & De‑Clicked Iris: Equipped with a long 250° focus throw and 36° de-clicked iris ring. Allows precise, silent pulls for cinematic control. Tailored for pro follow-focus systems.
- 9-Blade Smooth Bokeh: The rounded nine-blade diaphragm produces rich circular bokeh and striking starbursts. Adds visual elegance to narrative shots. Enhances emotional depth.
- Weather-Sealed Mount: Lens mount is sealed against dust and light moisture (except Nikon F). Built for reliable outdoor filmmaking. Dependable in varied environments.
- 115° Full‑Frame Coverage: Covers a massive full-frame diagonal field of 115.7°. Captures expansive scenes with cinematic impact. Ideal for wide-angle storytelling.
- Optical Clarity With Specialty Elements: Uses ED, high-refractive-index, aspherical, and hybrid aspherical elements for sharp, aberration-free images. Maintains clarity across the frame. Professional-grade rendering.
- No‑Front-Rotation Design: Front element does not rotate, allowing seamless use with filters and matte boxes. Keeps composition and exposure consistent. Crane- and drone-ready.
- Dual‑Side Markings: Clear focus and T-stop markings on both sides of the barrel. Designed for focus pullers to read easily from either side. Ergonomic workflow improvement.
- Compact Matte Finish: A sleek, matte black design blends professionalism with portability. Lightweight yet durable for rugged use. Reliable on set and on the move.
- Same Gear Layout: Uniform focus and iris ring positions match other DSX lenses. Speeds up lens swaps on rigs and follow-focus setups. Efficient and production-friendly.
- Rear Filter Holder (RF Mount): Certain mounts (like Canon RF) include rear filter holder without vignetting. Offers creative control with gels and ND filters. Flexible for lighting effects.
- Small 11” MFD: Get close with an 11.02” minimum focusing distance for dramatic close-ups. Enhances foreground storytelling. Adds dynamic depth to wide scenes.
- Both-Side Scales: Displays focus and aperture scales on both sides of the lens. Supports multi-operator setups and smooth hand-offs. Practical and intuitive.
- Calibrated T-Stops: Lens is calibrated in T-stops for reliable exposure matching. Essential for multicam or scene consistency. Smooth exposure transitions.
- Enhanced Build Quality: Solid mechanical construction built for professional use. Withstands the rigors of frequent use on-location. Built to last.
- Rich Cine Aesthetic: Textured metal finish and precise mechanical rings deliver a cinematic look and feel. Inspires creativity on set. Professional ergonomics.
- Minimal Distortion: Lens design minimizes perspective warping even at ultra-wide angles. Maintains architectural fidelity. Clean, precise framing.
- Low-Light Versatility: T3.1 aperture supports shooting in low-light without heavy lighting. Great for moody or night scenes. Flexible lighting conditions.
- Great Value in Cine Lens: Delivers cinema-style features at a budget-friendly price. Ideal for indie filmmakers and creative projects. A high-impact, accessible wide-angle option.
Whats Included
- Lens
- Front Lens Cap
- Rear Lens Cap
- Lens Pouch
- Lens
- Front Lens Cap
- Rear Lens Cap
- Lens Pouch
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| Pros for Rokinon - CINE DSX 14mm T3.1 Cinema Lens for Canon EF - Black | |||
|---|---|---|---|
| There were no pros for this product— | There were no pros for this product— | There were no pros for this product— | Image Quality, Price, Ease of use, Low Light Performance, Weight |
| Cons for Rokinon - CINE DSX 14mm T3.1 Cinema Lens for Canon EF - Black | |||
| There were no cons for this product— | There were no cons for this product— | There were no cons for this product— | Autofocus, Noise, Chromatic Aberration |
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