Shura Cherkassky - Complete 78 RPM Recordings, 1923-1950 - COMPACT DISCS [CD]
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In his later years, Shura Cherkassky (1909-1995) was regarded as one of the last 'Romantics' - a throwback to the so-called 'golden age' of pianism in the first decades of the 20th century. As a pupil of Josef Hofmann, he had an impeccable pedigree, but we tend to forget his long career meant he was already playing and recording in that 'golden age'. Here then are these early recordings, complete for the first time, starting in the acoustic era with the young prodigy's 1923 Victor discs. Much of the repertoire is unique in his discography, including his only recording of chamber music - the Rachmaninov cello sonata. The Tchaikovsky 2nd Concerto, Cherkassky's earliest concerto recording, has never previously been reissued and reveals the 36-year-old artist at his virtuoso peak.
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- GenreClassicalDescriptionIn his later years, Shura Cherkassky (1909-1995) was regarded as one of the last 'Romantics' - a throwback to the so-called 'golden age' of pianism in the first decades of the 20th century. As a pupil of Josef Hofmann, he had an impeccable pedigree, but we tend to forget his long career meant he was already playing and recording in that 'golden age'. Here then are these early recordings, complete for the first time, starting in the acoustic era with the young prodigy's 1923 Victor discs. Much of the repertoire is unique in his discography, including his only recording of chamber music - the Rachmaninov cello sonata. The Tchaikovsky 2nd Concerto, Cherkassky's earliest concerto recording, has never previously been reissued and reveals the 36-year-old artist at his virtuoso peak.ArtistShura CherkasskyTitleComplete 78 RPM Recordings, 1923-1950FormatCDLabelApr Recordings
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For unalloyed dignity and composure, these performances are hard to equal.' - Gramophone, May 2011 'This is vintage Cherkassky; playing to charm the birds out of the trees' - Gramophone, March 2013 // ICA Classics offers five of the greatest pianists in legendary performances featuring concertos by Beethoven, Brahms, Chopin, Grieg, Liszt and Tchaikovsky. Claudio Arrau, Shura Cherkassky, Georges Cziffra, Emil Gilels and Julius Katchen were all considered iconic pianists of the 20th century - here they are combined in one box set at a fantastic price. Album Tracks 1. Allegro Con Brio - Emil Gilels/New Philharmonia Orchestra 2. Largo - Emil Gilels/New Philharmonia Orchestra 3. Rondo Allegro Scherzando - Emil Gilels/New Philharmonia Orchestra 4. Allegro Con Brio - Emil Gilels/New Philharmonia Orchestra 5. Largo - Emil Gilels/New Philharmonia Orchestra 6. Rondo Allegro - Emil Gilels/New Philharmonia Orchestra 1. Allegro Maestoso - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 2. Romance Larghetto - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 3. Rondo Vivace - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 4. Piano Concerto No. 1 in C minor, Op. 35 - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 5. Andante Con Moto - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 6. Rondo Vivace - Claudio Arrau/Kolner Rundfunk-Sinfonie-Orchester 1. Maestoso - Julius Katchen/Bbc Symphony Orchestra 2. Adagio - Julius Katchen/Bbc Symphony Orchestra 3. Rondo Allegro Non Troppo - Julius Katchen/Bbc Symphony Orchestra 4. Ballade No. 3 in a Flat Major, Op. 47 - Julius Katchen/Bbc Symphony Orchestra 5. Mephisto Waltz No. 1, S514 - Julius Katchen/Bbc Symphony Orchestra 6. Vogel Als Prophet, Op. 82, No. 7 - Julius Katchen/Bbc Symphony Orchestra 7. Triana - Julius Katchen/Bbc Symphony Orchestra 8. Julius Katchen Discusses Mozart's, 'Conc
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Shura Cherkassky was introduced to Nimbus by Wilfred Stiff, then a director of the London agent Ibbs & Tillett. Wilfred recognised a young tag pushing ahead fast at the transition point between LP and CD, one with a fondness for artists whose careers were waning. Accordingly, he dispatched one of his most prestigious names to the Nimbus Studio. Cherkassky was at that time acknowledged as one of the 'great' generation whose undoubted king was Horowitz, but after a long, notable career that began in his mid-teens, his popularity in the concert hall and recording studio had fallen. Shura's late career was in need of a final boost.Cherkassky's first visit lasted four days-31 January to 3 February 1981. He immediately settled in the unusual setting. He stayed in the big house, not in a hotel, and walked into a studio so completely unlike the characterless spaces he had famously grown to decry. Here there was no sterile barrier to his inspiration. The grand Victorian reception room at Wyastone Leys served as a spectacular performance space, it's full-height windows framing commanding views down the Wye Valley. Shura loved it, signing a copy of his Pictures at an Exhibition LP, 'To everyone in Nimbus with love and the most wonderful feeling of inspiration'.The recordings made during these four days are all presented on this . Most of them enjoyed only a brief on LP. Because of their 'analogue' origin they have been denied subsequent re-issues. © Adrian Farmer Album Tracks 1. Prelude and Fugue in E minor Op. 35 No. 1-Prelude 2. Prelude and Fugue in E minor Op. 35 No. 1-Fugue 3. Nocturne in B Major Op. 9 No. 3 4. Ballade No. 1 in G minor Op. 23 5. Nocturne in F minor Op. 55 No. 1 6. Scherzo No. 2 in B-Flat minor Op. 31 7. Mazurka in F-Sharp minor Op. 59 No. 3 8. Kontrabandiste, Spanisches Liederspiel Op. 7 9. InchFlight of the Bumble-BeeInch the Tale o
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