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Smyphonieorchester des Bayerischen Rundfunks - Symphony No. 4 in E Flat Major - COMPACT DISCS [CD]

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The Dutch conductor Bernard Haitink and the Symphonieorchester des Bayerischen Rundfunks were linked by a long and intensive artistic collaboration, brought to an abrupt end by his death in October 2021. BR-KLASSIK now presents outstanding and as yet unreleased live recordings of concerts from the past years. This recording of Bruckner's Fourth Symphony documents concerts from January 2012 in Munich's Philharmonie i'm Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on he repeatedly stood on the podium of the Symphonieorchester des Bayerischen Rundfunks - either in the Herkulessaal of the Residenz or in the Philharmonie i'm Gasteig. This congenial collaboration lasted more than six decades. The orchestral musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian late Romantic period, Haitink was held in high esteem worldwide. It was on the borderline between High and Late Romanticism, where the style of the times was to change and finally dissolve, that Anton Bruckner once again conjured up the very essence of the Romantic attitude to life with his Fourth Symphony. It was the composer himself who gave the work it's popular title InchRomanticInch; the name appears in much of his correspondence. - This InchRomanticInch symphony conjures up an ideal world in bright, unbroken colours, and looks back on an intact and carefree past. The consistently relaxed and positive mood of the symphony seems all the more astonishing when one considers the complicated history of the work's genesis. The first version of 1874, a year of professional setbacks, was rejected by Bruckner after several plans for a premiere came to nothing; with relentless self-criticism, he referred to it as InchoverladenInch and Inchtoo restlessInch. In 18
  • Details
    • Genre: Classical
    • Description: The Dutch conductor Bernard Haitink and the Symphonieorchester des Bayerischen Rundfunks were linked by a long and intensive artistic collaboration, brought to an abrupt end by his death in October 2021. BR-KLASSIK now presents outstanding and as yet unreleased live recordings of concerts from the past years. This recording of Bruckner's Fourth Symphony documents concerts from January 2012 in Munich's Philharmonie i'm Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on he repeatedly stood on the podium of the Symphonieorchester des Bayerischen Rundfunks - either in the Herkulessaal of the Residenz or in the Philharmonie i'm Gasteig. This congenial collaboration lasted more than six decades. The orchestral musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian late Romantic period, Haitink was held in high esteem worldwide. It was on the borderline between High and Late Romanticism, where the style of the times was to change and finally dissolve, that Anton Bruckner once again conjured up the very essence of the Romantic attitude to life with his Fourth Symphony. It was the composer himself who gave the work it's popular title InchRomanticInch; the name appears in much of his correspondence. - This InchRomanticInch symphony conjures up an ideal world in bright, unbroken colours, and looks back on an intact and carefree past. The consistently relaxed and positive mood of the symphony seems all the more astonishing when one considers the complicated history of the work's genesis. The first version of 1874, a year of professional setbacks, was rejected by Bruckner after several plans for a premiere came to nothing; with relentless self-criticism, he referred to it as InchoverladenInch and Inchtoo restlessInch. In 18
    • Artist: Smyphonieorchester des Bayerischen Rundfunks
    • Title: Symphony No. 4 in E Flat Major
    • Format: CD
    • Label: BR Klassiks
    • Release Date: 09/01/2023
    • Genre: Classical
    • Number Of Discs: 1
  • Other
    • Product Name: Smyphonieorchester des Bayerischen Rundfunks - Symphony No. 4 in E Flat Major - COMPACT DISCS
    • UPC: 4035719002133
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The Dutch conductor Bernard Haitink and the Symphonieorchester des Bayerischen Rundfunks were linked by a long and intensive artistic collaboration, brought to an abrupt end by his death in October 2021. BR-KLASSIK now presents outstanding and as yet unreleased live recordings of concerts from the past years. This recording of Bruckner's Fourth Symphony documents concerts from January 2012 in Munich's Philharmonie i'm Gasteig. Haitink first conducted a Munich subscription concert in 1958, and from then on he repeatedly stood on the podium of the Symphonieorchester des Bayerischen Rundfunks - either in the Herkulessaal of the Residenz or in the Philharmonie i'm Gasteig. This congenial collaboration lasted more than six decades. The orchestral musicians and singers enjoyed working with him just as much as the BR sound engineers. As an interpreter of the symphonic repertoire, and especially that of the German-Austrian late Romantic period, Haitink was held in high esteem worldwide. It was on the borderline between High and Late Romanticism, where the style of the times was to change and finally dissolve, that Anton Bruckner once again conjured up the very essence of the Romantic attitude to life with his Fourth Symphony. It was the composer himself who gave the work it's popular title InchRomanticInch; the name appears in much of his correspondence. - This InchRomanticInch symphony conjures up an ideal world in bright, unbroken colours, and looks back on an intact and carefree past. The consistently relaxed and positive mood of the symphony seems all the more astonishing when one considers the complicated history of the work's genesis. The first version of 1874, a year of professional setbacks, was rejected by Bruckner after several plans for a premiere came to nothing; with relentless self-criticism, he referred to it as InchoverladenInch and Inchtoo restlessInch. In 18

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