Stick In The Wheel - A Thousand Pokes - COMPACT DISCS [CD]
Reviews coming soon
About this product
SITW's fourth studio album is a satirical celebration of mistakes. A joyous lambasting of everyone and everything that's wrong in the world, against the real-time backdrop of global uncertainty, corruption and political unrest. A London Charivari. Rough Music. A gleeful old-fashioned cancelling. A Chaunter's delight. 14th Century recording demons collecting mistakes in a sack. Women mugging rich merchants. Nettles being pissed on. S**t food at Lent. A terrible plan. An undoing. The aftermath of a car crash. Catching people doing something they shouldn't. Nursery rhymes reimagined as death threats. Behind the sarcastic acerbic delivery, Nicola Kearey and Ian Carter convey thoughtful, essential interpretations encouraging us all to check ourselves, through the multi-layered music of cities through time. This is about as far away from pastoral folk music as you can get. In their typical wry city-weary style, a beady eye is cast over those committing wrongs in plain sight, with Kearey narrating a series of tales of people fucking up, or being fucked up, with some brief respite in Lavender - one of London's oldest street melodies - the album being named after the 14th Century story of Tittivilus, the recording demon, who collects scribes' mistakes (pokes) and the idle chatter of the Inchliars with their hairy tonguesInch congregation. Despite this seriousness, the album's working-class dry gallows humour carries a stoic Inchif you don't laugh you'll cryInch feeling amongst the corruption, scandals and barefaced lies we all observe on a daily basis, with a warning that Inchonly you can fix your deficitsInch and Inchit's your words and deeds that matter... and let me tell you, they speak volumesInch. The core of the record imagines a sound of traditional London music, where the musical continuum is unbroken by the population decimated by the world wars, or by gentrification
Format
CDSpecifications
- GenreFolkDescriptionSITW's fourth studio album is a satirical celebration of mistakes. A joyous lambasting of everyone and everything that's wrong in the world, against the real-time backdrop of global uncertainty, corruption and political unrest. A London Charivari. Rough Music. A gleeful old-fashioned cancelling. A Chaunter's delight. 14th Century recording demons collecting mistakes in a sack. Women mugging rich merchants. Nettles being pissed on. S**t food at Lent. A terrible plan. An undoing. The aftermath of a car crash. Catching people doing something they shouldn't. Nursery rhymes reimagined as death threats. Behind the sarcastic acerbic delivery, Nicola Kearey and Ian Carter convey thoughtful, essential interpretations encouraging us all to check ourselves, through the multi-layered music of cities through time. This is about as far away from pastoral folk music as you can get. In their typical wry city-weary style, a beady eye is cast over those committing wrongs in plain sight, with Kearey narrating a series of tales of people fucking up, or being fucked up, with some brief respite in Lavender - one of London's oldest street melodies - the album being named after the 14th Century story of Tittivilus, the recording demon, who collects scribes' mistakes (pokes) and the idle chatter of the Inchliars with their hairy tonguesInch congregation. Despite this seriousness, the album's working-class dry gallows humour carries a stoic Inchif you don't laugh you'll cryInch feeling amongst the corruption, scandals and barefaced lies we all observe on a daily basis, with a warning that Inchonly you can fix your deficitsInch and Inchit's your words and deeds that matter... and let me tell you, they speak volumesInch. The core of the record imagines a sound of traditional London music, where the musical continuum is unbroken by the population decimated by the world wars, or by gentrificationArtistStick In The WheelTitleA Thousand PokesFormatCDLabelFrom Here Records
Reviews
This product doesn't have any reviews yet.
Compare similar products
![Stick In The Wheel - A Thousand Pokes - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/27a58c7f-40b0-41c3-ab76-5ec5d56d86b4.jpg;maxHeight=422;maxWidth=264?format=webp)
SITW's fourth studio album is a satirical celebration of mistakes. A joyous lambasting of everyone and everything that's wrong in the world, against the real-time backdrop of global uncertainty, corruption and political unrest. A London Charivari. Rough Music. A gleeful old-fashioned cancelling. A Chaunter's delight. 14th Century recording demons collecting mistakes in a sack. Women mugging rich merchants. Nettles being pissed on. S**t food at Lent. A terrible plan. An undoing. The aftermath of a car crash. Catching people doing something they shouldn't. Nursery rhymes reimagined as death threats. Behind the sarcastic acerbic delivery, Nicola Kearey and Ian Carter convey thoughtful, essential interpretations encouraging us all to check ourselves, through the multi-layered music of cities through time. This is about as far away from pastoral folk music as you can get. In their typical wry city-weary style, a beady eye is cast over those committing wrongs in plain sight, with Kearey narrating a series of tales of people fucking up, or being fucked up, with some brief respite in Lavender - one of London's oldest street melodies - the album being named after the 14th Century story of Tittivilus, the recording demon, who collects scribes' mistakes (pokes) and the idle chatter of the Inchliars with their hairy tonguesInch congregation. Despite this seriousness, the album's working-class dry gallows humour carries a stoic Inchif you don't laugh you'll cryInch feeling amongst the corruption, scandals and barefaced lies we all observe on a daily basis, with a warning that Inchonly you can fix your deficitsInch and Inchit's your words and deeds that matter... and let me tell you, they speak volumesInch. The core of the record imagines a sound of traditional London music, where the musical continuum is unbroken by the population decimated by the world wars, or by gentrification
![Stick In The Wheel - Follow Them True - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/ce1da1b8-762c-4536-be3b-88d66125c925.jpg;maxHeight=422;maxWidth=264?format=webp)
2018 . East London five piece folk band Stick In The Wheel are headed by singer Nicola Kearey, and guitarist/producer Ian Carter. Their debut From Here (2015) was fRoots magazine Album of the Year and a MOJO Folk Album of the Year, with four BBC Folk Award nominations since their inception in 2013. They are known for Kearey's fierce, working-class delivery, culturally and politically switched on, the group have been widely commended for their timely appraisal of English Folk, and their skill in telling stories through song that reconnect modern audiences to the past - drawing unexpected parallels between then and now. Album Tracks 1. Over Again 2. Weaving Song 3. Witch Bottle 4. White Copper Alley 5. Follow Them True 6. 100,000 Years 7. Abbots Bromley 8. Roving Blade 9. Unquiet Grave 10. Blind Beggar 11. Poor Old Horse 12. Red Carnation 13. As I Roved Out
![Stick In The Wheel - Hold Fast - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/3c285821-28b0-4a3b-bcef-50353f412ff6.jpg;maxHeight=422;maxWidth=264?format=webp)
Stick In The Wheel (singer Nicola Kearey, and guitarist/producer Ian Carter), blend the traditional with their own innovative and unique sound.Their debut From Here (2015) and second album Follow Them True (2018) received much critical acclaim; with the Guardian describing their music as 'razor-sharp, direct and fantastic'. Their third album Hold Fast is the creation of a band who are politically motivated, unapologetically raw, experimental and genuine. It's a made-under-pressure, no-punches-pulled unique and vivid collection of protest music in it's true sense, and in times like these it makes Stick In The Wheel one of Britain's most essential bands.Hold Fast was written and recorded in the six months preceding the global pandemic. As the impending situation closed in, there was Incha real sense of urgency, how it was crucial to get it right, a feeling that we can't mess it up,Inch says Carter. With most of the work taking place at the band's own studio, there was an intensity to the sessions, with Carter ultimately moving into the studio to produce and mix it as the world went into lockdown. Given the timing, the album's key themes of struggle and seem salient now more than ever. Kearey says, InchThis record is about working hard in the face of adversity, focusing on the positive, questioning the canon and making an offering with hope and resilience for the future.Inch Album Tracks 1. A Tree Must Stand in the Earth 2. Budg & Snudg 3. Top Knot 4. Villon Song 5. Gold So Red 6. Fake Away 7. Soldier Soldier 8. Possible Reasons for Eventual Admission to the Asylum 9. Drive the Cold Winter Away 10. Nine Herb Charms 11. Forward
![Stick In The Wheel - Endurance Soundly Caged - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/5a1b087a-ba77-4b86-86f7-a192c28e945a.jpg;maxHeight=422;maxWidth=264?format=webp)
These fresh new arrangements recorded at the renowned Eastcote Studios burst with vital energy, as Stick In The Wheel present live favourites from their recent touring band Siân Monaghan on drums, George Hoyle on bass, along with Ian Carter's trademark dobro and synths and Nicola Kearey's unmistakable voice. Whereas Tonebeds for Poetry reflected their prolific studio experiments, Endurance Soundly Caged captures the intensity of the last two years' live shows. The raw holler of Bedlam - recently featured in The Essex Serpent (AppleTV) - hardens through to a revitalized, heavier White Copper Alley's S*x-worker fable, drawing a line to a supercharged version of Villon Song, a 2020 favorite of both Iggy Pop and Marc Riley. Robot, taken from Tom Cox's short story of the same name, is an all-new version of the menacing folk-horror saga that has mesmerised recent live audiences. An synth-led and autotuned As I Roved Out weaves a 10th Century charm into it's other-worldly pastoral, whilst psychedelic Gold So Red conjures a final spell from one of the oldest surviving carols. The title is taken from a line in Bedlam, from the 1672 songbook InchPills to Purge MelancholyInch. The last two years saw SITW studio album Hold Fast (2020), and 2021's more abstract mixtape, Tonebeds for Poetry (#2 Guardian Contemporary AotY), as well as the collaborative project Perspectives on Tradition (2022 with Nabihah Iqbal, Olugbenga & Jon1st). Their relentless approach to questioning traditional music forms is matched only by the energy with which they play it. Album Tracks 1. Bedlam 2. White Copper Alley 3. Robot 4. As I Roved Out 5. Villon Song 6. Gold So Red
Specs
Be the first to ask a question.
We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.