Tanja Tetzlaff - Silent Woods - COMPACT DISCS [CD]

Album Tracks 1. Allegro Con Moto 2. Adagio Molto Ed Assai Espressivo 3. Maestoso - Allegro 4. Lied Der Soldaten 5. Bauer Unter Der Linde 6. Branders Lied 7. Lied Des Mephistopheles ('Es War Einmal Ein Konig') 8. Lied Des Mephistopheles ('Was Machst Du Mir Vor Liebchens Tur') 9. Gretchen Am Spinnrade 10. Melodram 11. Allegro Con Brio 12. Larghetto 13. Menuetto Allegro 14. Finale Allegro Vivace

Vinyl LP pressing includes digital download. Whilst Eagulls' debut album was a juggernaut of a record, often moving at breakneck speed and intensity, it was also a deeply melodic one and underneath the heady fuzz and gushing charge of the guitars laid a band with just as many pop leanings as they had punk. It's these moments that have been brought to the surface on the new record dense, deeply textured explorations that recall the shimmering opulence of the Cocteau Twins and the ominous gloom of The Smiths and Disintegration/Pornography-era The Cure. Recorded during long days and nights in a converted Leeds Catholic church with returning producer Matt Peel before the album was sent to London to be mixed by Craig Silvey (Portishead, Nine Inch Nails, Depeche Mode, R.E.M), it's as refreshing as it is exhilarating to hear Eagulls' Ullages as they continue to forge a fierce and prominent British voice in the world of music. This record is every bit as dazzling as it's predecessor but it comes along with that most rare and treasured quality of being so in a way that feels new, whilst simultaneously remaining in the existing character and tone of the band. Never has the term 'sophomore slump' been kicked so mercilessly to death as by Eagulls on this album. Album Tracks 1. Heads or Tails 4 49 2. Euphoria 4 51 3. My Life in Rewind 5 33 4. Harpstrings 1 25 5. Velvet 3 44 6. Psalms 3 33 1. Blume 4 19 2. Skipping 4 30 3. Lemontrees 4 32 4. Aisles 3 57 5. White Lie Lullabies 4 21

Among the many instrumental pieces that remained incomplete at Mozart's death there were four particularly beautiful fragments for violin and piano. Timothy Jones has made multiple new completions of these fragments based on Mozart's evolving style during the 1780s, exploring the open-endedness of the fragments and the different directions the music might have taken. Rachel Podger and Christopher Glynn present the world premiere recordings, which include two completions of each Sonata fragment, enabling listeners to take alternative journeys through Mozart's material. Details 1. Mozart Fragment of a Sonata in B Flat for Piano and Violin FR 1782C, Jones Completion 3 2. Mozart Fragment of a Sonata in a for Piano and Violin FR 1784B, Jones Completion 4 3. Mozart Fragment of a Sonata in G for Piano and Violin FR 1789F, Jones Completion 1 4. Mozart Fragment of a Fantasia in C minor for Piano and Violin FR 1782L, Jones Completion 1 5. Mozart Fragment of a Sonata in B Flat for Piano and Violin FR 1782C, Jones Completion 2 6. Mozart Fragment of a Sonata in a for Piano and Violin FR 1784B, Jones Completion 1 7. Mozart Fragment of a Sonata in G for Piano and Violin FR 1789F, Jones Completion 2