Tomter - Maria Magdalena - COMPACT DISCS [CD]
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About this product
The story of Mary Magdalene has been a source of comfort for many women, and research has shown that medieval ballads about Mary Magdalene are often sung by single mothers. The Mary Magdalene ballads, found in Solør, Telemark and Gudbrandsdalen, along with other folk tunes and improvisations, form the musical basis of the vocal element, where Sinikka Langeland uses the recitative form to tell the story while surrounded by works of Johann Sebastian Bach. The instrumental music is meant to intensify the emotions and atmosphere of the story although it is in itself, of course, some of the most beautiful music ever written. Album Tracks 1. Maria Gikk Til Kilden = Mary Went to the Source 2. Fantasia Sopra 'Christ Lag in Todesbanden', BWV 718 3. Maria GÅR Til Graven = Mary Cometh to the Sepulchre 4. Konzert G-Dur, BWV 592 = Konsert I G-Dur, BWV 592 = Concerto in G Major, BWV 592 5. Jesus Viser Seg for Displene = Jesus Shows Himself to the Disciples / Jesus Forlater Displene = Jesus Leaves the Disciples 6. Suite NR. 6 G-Dur, BWV 1012 = Suite NR. 6 I G-Dur, BWV 1012 = Suite No. 6 in G Major, BWV 1012 7. Allein Gott in Der HÖH' Sei Ehr', BWV 676
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- GenreClassicalDescriptionThe story of Mary Magdalene has been a source of comfort for many women, and research has shown that medieval ballads about Mary Magdalene are often sung by single mothers. The Mary Magdalene ballads, found in Solør, Telemark and Gudbrandsdalen, along with other folk tunes and improvisations, form the musical basis of the vocal element, where Sinikka Langeland uses the recitative form to tell the story while surrounded by works of Johann Sebastian Bach. The instrumental music is meant to intensify the emotions and atmosphere of the story although it is in itself, of course, some of the most beautiful music ever written. Album Tracks 1. Maria Gikk Til Kilden = Mary Went to the Source 2. Fantasia Sopra 'Christ Lag in Todesbanden', BWV 718 3. Maria GÅR Til Graven = Mary Cometh to the Sepulchre 4. Konzert G-Dur, BWV 592 = Konsert I G-Dur, BWV 592 = Concerto in G Major, BWV 592 5. Jesus Viser Seg for Displene = Jesus Shows Himself to the Disciples / Jesus Forlater Displene = Jesus Leaves the Disciples 6. Suite NR. 6 G-Dur, BWV 1012 = Suite NR. 6 I G-Dur, BWV 1012 = Suite No. 6 in G Major, BWV 1012 7. Allein Gott in Der HÖH' Sei Ehr', BWV 676ArtistTomterTitleMaria MagdalenaFormatCDLabelLawo Classics
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The story of Mary Magdalene has been a source of comfort for many women, and research has shown that medieval ballads about Mary Magdalene are often sung by single mothers. The Mary Magdalene ballads, found in Solør, Telemark and Gudbrandsdalen, along with other folk tunes and improvisations, form the musical basis of the vocal element, where Sinikka Langeland uses the recitative form to tell the story while surrounded by works of Johann Sebastian Bach. The instrumental music is meant to intensify the emotions and atmosphere of the story although it is in itself, of course, some of the most beautiful music ever written. Album Tracks 1. Maria Gikk Til Kilden = Mary Went to the Source 2. Fantasia Sopra 'Christ Lag in Todesbanden', BWV 718 3. Maria GÅR Til Graven = Mary Cometh to the Sepulchre 4. Konzert G-Dur, BWV 592 = Konsert I G-Dur, BWV 592 = Concerto in G Major, BWV 592 5. Jesus Viser Seg for Displene = Jesus Shows Himself to the Disciples / Jesus Forlater Displene = Jesus Leaves the Disciples 6. Suite NR. 6 G-Dur, BWV 1012 = Suite NR. 6 I G-Dur, BWV 1012 = Suite No. 6 in G Major, BWV 1012 7. Allein Gott in Der HÖH' Sei Ehr', BWV 676
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