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Various Artists - Eternal Tallis / Various - COMPACT DISCS [CD]

SKU: 10580884

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Tallis began his career as organist at the Benedictine Priory at Dover, followed by similar service at Waltham Abbey until the dissolution of the monasteries in 1540. He was then organist at Canterbury Cathedral and in 1543 became a Gentleman of the Chapel Royal, a position he retained until his death. Like Byrd, his pupil, he seems to have remained loyal to the old religion, while continuing to enjoy royal favor. Tallis wrote a quantity of Latin church music and contributed also to the reformed English liturgy, in some cases adapting earlier Latin compositions. One of his most remarkable achievements is the 40-voice Spem in alium. His setting of the Latin Holy Week liturgy Lamentations represents his work at it's height. The composer's name is widely known through the metrical psalm tune known as Tallis's Canon, a setting of God, grant we grace. Album Tracks 1. Sanctus 2. Credo 3. Agnus Dei 4. Agnus Dei

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  • Genre
    Classical
    Description
    Tallis began his career as organist at the Benedictine Priory at Dover, followed by similar service at Waltham Abbey until the dissolution of the monasteries in 1540. He was then organist at Canterbury Cathedral and in 1543 became a Gentleman of the Chapel Royal, a position he retained until his death. Like Byrd, his pupil, he seems to have remained loyal to the old religion, while continuing to enjoy royal favor. Tallis wrote a quantity of Latin church music and contributed also to the reformed English liturgy, in some cases adapting earlier Latin compositions. One of his most remarkable achievements is the 40-voice Spem in alium. His setting of the Latin Holy Week liturgy Lamentations represents his work at it's height. The composer's name is widely known through the metrical psalm tune known as Tallis's Canon, a setting of God, grant we grace. Album Tracks 1. Sanctus 2. Credo 3. Agnus Dei 4. Agnus Dei
    Artist
    Various Artists
    Title
    Eternal Tallis / Various
    Format
    CD
    Label
    Naxos
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Various Artists - Eternal Tallis / Various   - COMPACT DISCS [CD]
Various Artists - Eternal Tallis / Various - COMPACT DISCS [CD]

Tallis began his career as organist at the Benedictine Priory at Dover, followed by similar service at Waltham Abbey until the dissolution of the monasteries in 1540. He was then organist at Canterbury Cathedral and in 1543 became a Gentleman of the Chapel Royal, a position he retained until his death. Like Byrd, his pupil, he seems to have remained loyal to the old religion, while continuing to enjoy royal favor. Tallis wrote a quantity of Latin church music and contributed also to the reformed English liturgy, in some cases adapting earlier Latin compositions. One of his most remarkable achievements is the 40-voice Spem in alium. His setting of the Latin Holy Week liturgy Lamentations represents his work at it's height. The composer's name is widely known through the metrical psalm tune known as Tallis's Canon, a setting of God, grant we grace. Album Tracks 1. Sanctus 2. Credo 3. Agnus Dei 4. Agnus Dei

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One of the leading English composers of his generation, Vaughan Williams was a pupil of Parry, Charles Wood and Stanford, and later of Bruch and Ravel. In his work as a composer he went some way towards creating a specifically English musical idiom, influenced by his interest in folk-song, but colored by his own personal vision and language. Vaughan Williams wrote nine symphonies, the first of these A Sea Symphony, with words taken from Walt Whitman, the second InchA LondonInch Symphony and the third a InchPastoralInch Symphony. The Sixth Symphony, completed in it's first version in 1947, seemed to break new ground and was followed by a seventh, the Sinfonia Antartica.Compositions by Vaughan Williams for solo instrument and orchestra include the pastoral romance The Lark Ascending, for solo violin, and a Concerto accademico for solo violin and string orchestra. There is an attractive concerto for oboe and two more unusual concertos, one for harmonica and the other for bass tuba. Flos campi uses a solo viola and is scored also for a small choir and chamber orchestra. He made direct use of folk-song in his three Norfolk Rhapsodies, his Fantasia on Greensleeves, for solo flute, harp and strings and in his English Folksong Suite for military band, among other works. His Fantasia on a Theme by Thomas Tallis for two string orchestras returns to the 16th century for it's musical inspiration. Album Tracks 1. Agnus Dei 2. Prelude Lento Ma Non Troppo 3. Overture 4. Scene 9. Epilogue 5. Sanctus - Osanna 1

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