Victor Rosenbaum - Victor Rosenbaum in Concert - COMPACT DISCS [CD]

Album Tracks 1. Sonata No. 30 in E Major, Opus 109 - I Vivage Ma Non Troppo 2. Sonata No. 30 in E Major, Opus 109 - II Prestissimo 3. Sonata No. 30 in E Major, Opus 109 - III Andante Molto Cantabile Ed Espressivo (Gesangvoll, Mit Inningster Empfindung) 4. Sonata No. 31 in A-Flat Major, Opus 110 - I Moderato Cantabile Molto Espressivo 5. Sonata No. 31 in A-Flat Major, Opus 110 - II Allegro Molto 6. Sonata No. 31 in A-Flat Major, Opus 110 - III Adagio, Ma Non Troppo; Arioso Dolente (Klagender Gesang) 7. Sonata No. 31 in A-Flat Major, Opus 110 - IV Fuga Allegro, Ma Non Troppo; L'istesso Tempo Di Arioso 8. Sonata No. 31 in A-Flat Major, Opus 110 - V L'istesso Tempo Della Fuga Poi a Poi Di Nuovo Vivente (Nach Und Nach Wieder Auflebend) 9. Sonata No. 32 in C minor, Opus 111 - I Maestoso - Allegro Con Brio Ed Appassionato 10. Sonata No. 32 in C minor, Opus 111 - II Arietta Adagio Molto Semplice E Cantabile

For pianist Victor Rosenbaum's fourth album on Bridge Records; the artist turns to the last three piano compositions of Johannes Brahms. Rosenbaum's Schubert was described as a Inchpowerful and poignant record of human experienceInch, and much the same can be said of these profound readings of Brahms's late masterpieces. Pianist Victor Rosenbaum, former chair of the New England Conservatory piano department for more than ten years, has performed widely as soloist and chamber music performer in the United States, Europe, Asia, Israel, and Russia, in such prestigious halls as Alice Tully Hall in New York and the Hermitage in St. Petersburg, Russia. He has collaborated with such artists as Leonard Rose, Arnold Steinhardt, Robert Mann, and the Cleveland and Brentano String Quartets, among others. Festival appearances have included Tanglewood, Rockport, Yellow Barn, Kneisel Hall, Kfar Blum (Israel) and Musicorda, where he is on the faculty. He has been soloist with the Indianapolis and Atlanta symphonies and the Boston Pops. Album Tracks 1. Three Intermezzi, Op. 117 (1892) 2. Six Piano Pieces, Op. 118 (1893) 3. Four Piano Pieces, Op. 119 (1893)

Stars We Lost is the latest instalment in Lammping's sonic experimentation, further pushing the boundaries of modern psychedelia.Starting with their last album InchFlashjacksInch, Mikhail and Jay began incorporating samples into their heavy, riff-based sound, as well as adding drum machines, vintage keyboards, and various production influences, from Lee Scratch Perry to Madlib. From the Fender Rhodes-soaked, fuzzed-out Everlasting Moor, to a Polish vocal sample serving as the backbone to '21 Interlude, the record takes unexpected chances in charting a new path in guitar-based music.While the stylistic changes are evident, well-crafted songs have remained the band's focus. A sonic fevered dream, the EP weaves different themes together, oscillating between joy and dread, memory and the future, and the surface vs. The underbelly of modern urban living. JJ Koscan of the Obelisk writes InchThis S**t is killer and deserves all the ears it can get with it's early '90s weirdness that's somehow also from the late '60s and still the future too because what is time anyway and screw it we're all lost let's ride.Inch1. Everlasting Moor2. Never Phoenix3. Home of Shadows4. '21 Interlude5. Beyond The Veil6. Golem of Garbage Hill (digital only)