Archaeas - Archaeas - VINYL LP
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Tension, anxiety, ominous energy, and the that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.Inch That's how Violet Archaea, guitarist, singer, and leader of Louisville's The Archaeas describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock 'n' roll from the last fifty years-AC/DC, Johnny Thunders' Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall-but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The Archaeas' roots make sense the bombastic Japanese trio Guitar Wolf and Mark Sultan InchI began working on the first set of Archaeas songs after seeing Wild Zero for the first time,Inch Violet explains. InchBack then I had the drums on my feet Mark Sultan-style. We projected it on a wall and had the audio blasting through a huge PA system. I'm hugely inspired by Seiji.Inch That Wild Zero, a story where rock and roll superheroes Guitar Wolf come to help a trans heroine save the Earth from an influx of alien zombies, resonated with Violet might not be so surprising, as she was coming to terms with being a badass trans musician in Kentucky. As in the film, gender politics don't dominate the Archaeas message-it's more the anxiety and pressure of living in today's world that creates such intense music and feelings. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a , with all the parts racing until the so
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- GenreRockDescriptionTension, anxiety, ominous energy, and the that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.Inch That's how Violet Archaea, guitarist, singer, and leader of Louisville's The Archaeas describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock 'n' roll from the last fifty years-AC/DC, Johnny Thunders' Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall-but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The Archaeas' roots make sense the bombastic Japanese trio Guitar Wolf and Mark Sultan InchI began working on the first set of Archaeas songs after seeing Wild Zero for the first time,Inch Violet explains. InchBack then I had the drums on my feet Mark Sultan-style. We projected it on a wall and had the audio blasting through a huge PA system. I'm hugely inspired by Seiji.Inch That Wild Zero, a story where rock and roll superheroes Guitar Wolf come to help a trans heroine save the Earth from an influx of alien zombies, resonated with Violet might not be so surprising, as she was coming to terms with being a badass trans musician in Kentucky. As in the film, gender politics don't dominate the Archaeas message-it's more the anxiety and pressure of living in today's world that creates such intense music and feelings. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a , with all the parts racing until the soArtistArchaeasTitleArchaeasFormatVINYLLabelGoner Records
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Tension, anxiety, ominous energy, and the that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.Inch That's how Violet Archaea, guitarist, singer, and leader of Louisville's The Archaeas describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock 'n' roll from the last fifty years-AC/DC, Johnny Thunders' Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall-but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The Archaeas' roots make sense the bombastic Japanese trio Guitar Wolf and Mark Sultan InchI began working on the first set of Archaeas songs after seeing Wild Zero for the first time,Inch Violet explains. InchBack then I had the drums on my feet Mark Sultan-style. We projected it on a wall and had the audio blasting through a huge PA system. I'm hugely inspired by Seiji.Inch That Wild Zero, a story where rock and roll superheroes Guitar Wolf come to help a trans heroine save the Earth from an influx of alien zombies, resonated with Violet might not be so surprising, as she was coming to terms with being a badass trans musician in Kentucky. As in the film, gender politics don't dominate the Archaeas message-it's more the anxiety and pressure of living in today's world that creates such intense music and feelings. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a , with all the parts racing until the so
Will Johnson's ninth solo album, No Ordinary Crown, hums with palpable motion. Travelers, runners and conductors fill it's lyrics, and gesticulating storms and emotional highs and lows seep through the instinctual quality of it's rock 'n roll performances. It's also cabled by ephemeral momentum.The songs were conceived in stolen moments and brief windows of time between the responsibilities of family and a multi-hyphenate career. The singer, songwriter, multi-instrumentalist, painter and novelist describes the demo process as Inchfairly jagged,Inch a gathering and stitching of audio snippets recorded via cell phone and dictaphone over a year and half. InchI finalized the songs on short tours where I could hear my thoughts a bit more clearly,Inch he says.InchSomewhere along the line someone advised me to never be afraid to hurt my characters, that I will always be able to get them out of it,Inch he says. InchI do want there to be these small victories and small portals of hope.Inch With No Ordinary Crown, people may behave badly, and the road may get rough, but the reward is in the journey.
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This from the archive of the Munich Philharmonic honours two iconic works from the repertoire of French symphonic music of the late 19th century César Franck's Symphony in D minor and Claude Debussy's Nocturnes. Franck's only symphony testifies to grandeur and French elegance, while Debussy's Nocturnes capture the special atmosphere of the night with all it's twilight colours and movements. In the remastered concert recordings from 1991 and 1983, legendary conductor Sergiu Celibidache interprets the two masterpieces with all their drama and finesse.
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