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'Master of Reality' is Black Sabbath's iconic third album, a dark and heavy landmark that helped shape the blueprint for metal. Released in 1971, it dives deeper into the band's signature mix of crushing riffs, brooding atmosphere, and doom-laden lyrics. With classics like 'Sweet Leaf' and 'Children of the Grave', the album combines Sabbath's signature heaviness with a more experimental edge, including the use of down-tuned guitars and eerie, psychedelic elements. The pioneering heavy metal group's third studio album is bolstered by alternative and instrumental bonus tracks on the two disc deluxe version. Album Tracks 1. Sweet Leaf (Remastered 2009) 2. After Forever (Remastered 2009) 3. Embryo (Remastered 2009) 4. Children of the Grave (Remastered 2009) 5. Orchid (Remastered 2009) 6. Lord of This World (Remastered 2009) 7. Solitude (Remastered 2009) 8. Into the Void (Remastered 2009) 1. Weevil Woman '71 2. Sweet Leaf 3. After Forever (Instrumental) 4. Children of the Grave 5. Children of the Grave (Studio Outtake / Instrumental) 6. Orchid (Studio Outtake / Tony Count-In) 7. Lord of This World (Studio Outtake with Piano & Slide Guitar) 8. Solitude (Studio Outtake / Intro & Alternative Guitar Tuning) 9. Into the Void (InchSpanish SidInch Studio Outtake / Alternative Version)

Khruangbin's fourth studio album, A La Sala (InchTo the RoomInch in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald InchDJInch Johnson, Jr. And guitarist Mark InchMarkoInch Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A La Sala is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.The trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A La Sala's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points - whether spaghetti-western film scores (on InchFifteen Fifty-ThreeInch), West African discos (on InchPon PónInch), G-funk fantasias (InchTodavía VivaInch), living room dancing moments (the first single, InchA Love InternationalInch), or even

Limited 180 gram vinyl LP pressing. Digitally remastered edition. Vol. 4 is the fourth studio album by Black Sabbath, released in September 1972. It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal at best. Rock critic Lester Bangs, who had derided the band's first two albums, applauded Vol. 4, writing in Creem, InchWe have seen the Stooges take on the night ferociously and go tumbling into the maw, and Alice Cooper is currently exploiting it for all it's worth, turning it into a circus. But there is only one band that has dealt with it honestly on terms meaningful to vast portions of the audience, not only grappling with it in a mythic structure that's both personal and powerful but actually managing to prosper as well. And that band is Black Sabbath.InchBlack Sabbath was formed in Birmingham in 1968 by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward. Black Sabbath is often cited as pioneers of heavy metal music. The band helped define the genre with a clutch of groundbreaking albums in the '70s. They have sold over 70 million records worldwide. Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. Album Tracks 1. Wheels of Confusion/The Straightener 8 02 2. Tomorrow's Dream 3 12 3. Changes 4 45 4. FX (Instrumental) 1 44 5. Supernaut 4 50 1. Snowblind 5 33 2. Cornucopia[21] 3 55 3. Laguna Sunrise (Instrumental) 2 56 4. St. Vitus' Dance 2 30 5. Under the Sun/Every Day Comes and Goes 5 53

Limited 180 gram black vinyl LP pressing. Digitally remastered edition. Master of Reality is the third studio album by Black Sabbath. Released in July 1971, it is widely regarded as the foundation of doom metal, stoner rock, and sludge metal. It was certified double platinum after having sold over 2 million copies. Master of Reality was Black Sabbath's first and only top 10 album in the US until 13 forty-two years later. Black Sabbath was formed in Birmingham in 1968 by guitarist and main songwriter Tony Iommi, bassist and main lyricist Geezer Butler, singer Ozzy Osbourne, and drummer Bill Ward. Black Sabbath is often cited as pioneers of heavy metal music. The band helped define the genre with a clutch of groundbreaking albums in the '70s. They have sold over 70 million records worldwide. Black Sabbath were inducted into the UK Music Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2006. Album Tracks 1. Sweet Leaf 2. After Forever 3. Embryo 4. Children of the Grave 1. Orchid 2. Lord of This World 3. Solitude 4. Into the Void