Borup-Jorgensen / Larsen - Cavatine - SUPER-AUDIO CD [Super Audio CD (SACD)]
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Axel Borup-Jørgensen was by any definition, a singular figure in Danish music. Despite several major successes, he remained somewhat of a beloved outsider, embracing the modernist ideal throughout his career. Yet, there is an organic lyricism in his music which has been identified as uniquely InchScandinavianInch in nature. The guitar provided Borup-Jørgensen with an ideal medium for musical expression offering both an intimacy and an ephemerality that complimented his increasingly inward looking aesthetic. The current program, meticulously played by Frederik Munk Larsen provides an overview of the composer's guitar music, from his first major composition, the dramatic and gestural Praeambula, Op. 72, (1974-1976) to the late, aphoristic cycle floating islands, Op. 169, (2002), unique in the instrument's literature for being composed entirely in harmonics. Borup-Jørgensen worked closely with musicians at every phase - from pre-compositional strategies to performance - among them, guitarist Frederik Munk Larsen, whose extraordinary virtuosity and attention to the most fragile nuance, draw out the deep melancholy and organic beauty of this fearsomely difficult music. There is little doubt that this new recording will become an extraordinarily important document of 20th Century Guitar music. Details 1. InchFloating islandsInch Op. 169 5a Swebend - Intro 2. Tristrophoni Op. 163 1~I. Introduktion 3. Tristrophoni Op. 163 1~II. 4. Tristrophoni Op. 163 1~III. 5. Tristrophoni Op. 163 1~Epilog 6. Praeambula Op. 72~Praeambula 7. InchFloating islandsInch Op. 169 0 Poco Slentando 8. Morceaux Op. 73~I. 9. Morceaux Op. 73~II. 10. Morceaux Op. 73~III. 11. Morceaux Op. 73~IV. 12. Morceaux Op. 73~V. 13. InchFloating islandsInch Op. 169 2 Ligesom lidt tøvende 14. InchFür gitarreInch Op. 86~Für Gitarre 15. InchFloating islandsInch Op. 16
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- GenreClassicalDescriptionAxel Borup-Jørgensen was by any definition, a singular figure in Danish music. Despite several major successes, he remained somewhat of a beloved outsider, embracing the modernist ideal throughout his career. Yet, there is an organic lyricism in his music which has been identified as uniquely InchScandinavianInch in nature. The guitar provided Borup-Jørgensen with an ideal medium for musical expression offering both an intimacy and an ephemerality that complimented his increasingly inward looking aesthetic. The current program, meticulously played by Frederik Munk Larsen provides an overview of the composer's guitar music, from his first major composition, the dramatic and gestural Praeambula, Op. 72, (1974-1976) to the late, aphoristic cycle floating islands, Op. 169, (2002), unique in the instrument's literature for being composed entirely in harmonics. Borup-Jørgensen worked closely with musicians at every phase - from pre-compositional strategies to performance - among them, guitarist Frederik Munk Larsen, whose extraordinary virtuosity and attention to the most fragile nuance, draw out the deep melancholy and organic beauty of this fearsomely difficult music. There is little doubt that this new recording will become an extraordinarily important document of 20th Century Guitar music. Details 1. InchFloating islandsInch Op. 169 5a Swebend - Intro 2. Tristrophoni Op. 163 1~I. Introduktion 3. Tristrophoni Op. 163 1~II. 4. Tristrophoni Op. 163 1~III. 5. Tristrophoni Op. 163 1~Epilog 6. Praeambula Op. 72~Praeambula 7. InchFloating islandsInch Op. 169 0 Poco Slentando 8. Morceaux Op. 73~I. 9. Morceaux Op. 73~II. 10. Morceaux Op. 73~III. 11. Morceaux Op. 73~IV. 12. Morceaux Op. 73~V. 13. InchFloating islandsInch Op. 169 2 Ligesom lidt tøvende 14. InchFür gitarreInch Op. 86~Für Gitarre 15. InchFloating islandsInch Op. 16ArtistBORUP-JORGENSEN / LARSENTitleCavatineFormatSuper Audio CD (SACD)LabelOur Recordings
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Axel Borup-Jørgensen was by any definition, a singular figure in Danish music. Despite several major successes, he remained somewhat of a beloved outsider, embracing the modernist ideal throughout his career. Yet, there is an organic lyricism in his music which has been identified as uniquely InchScandinavianInch in nature. The guitar provided Borup-Jørgensen with an ideal medium for musical expression offering both an intimacy and an ephemerality that complimented his increasingly inward looking aesthetic. The current program, meticulously played by Frederik Munk Larsen provides an overview of the composer's guitar music, from his first major composition, the dramatic and gestural Praeambula, Op. 72, (1974-1976) to the late, aphoristic cycle floating islands, Op. 169, (2002), unique in the instrument's literature for being composed entirely in harmonics. Borup-Jørgensen worked closely with musicians at every phase - from pre-compositional strategies to performance - among them, guitarist Frederik Munk Larsen, whose extraordinary virtuosity and attention to the most fragile nuance, draw out the deep melancholy and organic beauty of this fearsomely difficult music. There is little doubt that this new recording will become an extraordinarily important document of 20th Century Guitar music. Details 1. InchFloating islandsInch Op. 169 5a Swebend - Intro 2. Tristrophoni Op. 163 1~I. Introduktion 3. Tristrophoni Op. 163 1~II. 4. Tristrophoni Op. 163 1~III. 5. Tristrophoni Op. 163 1~Epilog 6. Praeambula Op. 72~Praeambula 7. InchFloating islandsInch Op. 169 0 Poco Slentando 8. Morceaux Op. 73~I. 9. Morceaux Op. 73~II. 10. Morceaux Op. 73~III. 11. Morceaux Op. 73~IV. 12. Morceaux Op. 73~V. 13. InchFloating islandsInch Op. 169 2 Ligesom lidt tøvende 14. InchFür gitarreInch Op. 86~Für Gitarre 15. InchFloating islandsInch Op. 16
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