Boston Symphony Chamber Players - The Deutsche Grammophon Recordings - COMPACT DISCS [CD]
Boston Symphony Chamber Players - The Deutsche Grammophon Recordings - COMPACT DISCS [CD]
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- Genre: Classical
- Description: A portrait of the Boston Symphony Chamber Players through the 1970s, through their complete recordings for Deutsche Grammophon and Philips. This diverse range of repertoire receives luxury treatment from the musicians, always centered in beauty of tone and with the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. The Boston Symphony Chamber Players were created in 1964, to play at the Tanglewood Festival before the 'main event' of the Boston Symphony's concerts. Before long, the BSCP became the main event themselves, with a programme of concerts throughout the year, and a busy recording schedule. When the Boston Symphony Orchestra began to record with DG in 1970, so did the Chamber Players. Violinist Joseph Silverstein, cellist Jules Eskin and flautist Doriot Anthony Dwyer all take starring roles on an album of late chamber music by Claude Debussy, and a new booklet essay by Peter Quantrill outlines the importance of these three superb musicians to the profile and the identity of the BSCP. As led by Silverstein, the repertoire of the BSCP also reflects the inclusive nature of the main orchestra's programming. There is high modernism, in an album of modern American chamber music by Ives, Carter and Porter. There is classic modernism, in immaculately prepared accounts of landmark works by Stravinsky and Schoenberg. There are core Romantic classics such as a Dvorák string quintet and the Clarinet Quintet by Brahms. Then there are delicious rarities such as chamber-scale arrangements of Johann Strauss waltzes. This diverse range of repertoire receives luxury treatment from the musicians of the Boston Symphony Chamber Players, always centred in beauty of tone and the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. Co
- Artist: Boston Symphony Chamber Players
- Title: The Deutsche Grammophon Recordings
- Format: CD
- Label: Eloquence Australia
- Release Date: 12/05/2025
- Genre: Classical
- Other
- Product Name: Boston Symphony Chamber Players - The Deutsche Grammophon Recordings - COMPACT DISCS
- UPC: 028948477937
A portrait of the Boston Symphony Chamber Players through the 1970s, through their complete recordings for Deutsche Grammophon and Philips. This diverse range of repertoire receives luxury treatment from the musicians, always centered in beauty of tone and with the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. The Boston Symphony Chamber Players were created in 1964, to play at the Tanglewood Festival before the 'main event' of the Boston Symphony's concerts. Before long, the BSCP became the main event themselves, with a programme of concerts throughout the year, and a busy recording schedule. When the Boston Symphony Orchestra began to record with DG in 1970, so did the Chamber Players. Violinist Joseph Silverstein, cellist Jules Eskin and flautist Doriot Anthony Dwyer all take starring roles on an album of late chamber music by Claude Debussy, and a new booklet essay by Peter Quantrill outlines the importance of these three superb musicians to the profile and the identity of the BSCP. As led by Silverstein, the repertoire of the BSCP also reflects the inclusive nature of the main orchestra's programming. There is high modernism, in an album of modern American chamber music by Ives, Carter and Porter. There is classic modernism, in immaculately prepared accounts of landmark works by Stravinsky and Schoenberg. There are core Romantic classics such as a Dvorák string quintet and the Clarinet Quintet by Brahms. Then there are delicious rarities such as chamber-scale arrangements of Johann Strauss waltzes. This diverse range of repertoire receives luxury treatment from the musicians of the Boston Symphony Chamber Players, always centred in beauty of tone and the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. Co
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A portrait of the Boston Symphony Chamber Players through the 1970s, through their complete recordings for Deutsche Grammophon and Philips. This diverse range of repertoire receives luxury treatment from the musicians, always centered in beauty of tone and with the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. The Boston Symphony Chamber Players were created in 1964, to play at the Tanglewood Festival before the 'main event' of the Boston Symphony's concerts. Before long, the BSCP became the main event themselves, with a programme of concerts throughout the year, and a busy recording schedule. When the Boston Symphony Orchestra began to record with DG in 1970, so did the Chamber Players. Violinist Joseph Silverstein, cellist Jules Eskin and flautist Doriot Anthony Dwyer all take starring roles on an album of late chamber music by Claude Debussy, and a new booklet essay by Peter Quantrill outlines the importance of these three superb musicians to the profile and the identity of the BSCP. As led by Silverstein, the repertoire of the BSCP also reflects the inclusive nature of the main orchestra's programming. There is high modernism, in an album of modern American chamber music by Ives, Carter and Porter. There is classic modernism, in immaculately prepared accounts of landmark works by Stravinsky and Schoenberg. There are core Romantic classics such as a Dvorák string quintet and the Clarinet Quintet by Brahms. Then there are delicious rarities such as chamber-scale arrangements of Johann Strauss waltzes. This diverse range of repertoire receives luxury treatment from the musicians of the Boston Symphony Chamber Players, always centred in beauty of tone and the kind of joyful freedom of phrasing which world-class orchestral musicians produce when liberated from the authority of a baton. Co
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