Brad Mehldau - Apres Faure - COMPACT DISCS [CD]
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Mehldau performs four preludes, from a thirty-seven-year span of Gabriel Fauré's career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau's four compositions that Fauré inspired are presented in a group, sandwiched between two sections featuring the French composer's works. Discussing the Après Fauré album in his note, Mehldau says InchIf the sublime foreshadows our mortality, this music might communicate the austerity of death-Fauré's as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré's music here, to share the way I have engaged with Fauré's question, with you, the listener.InchThis is similar to my After Bach project,Inch he continues. InchThe connections are less overt, but Fauré's harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically-he exploited the instrument's sonority masterfully, as an expressive means. So, for example, in my first 'Prelude,' melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my 'Nocturne,' it is possible to hear the harkening chordal approach in the opening of Fauré's No. 12.Inch Album Tracks 1. Nocturne No. 13 in B Minor, Op. 119 (1921) 2. Nocturne No. 4 in E-Flat Major, Op. 36 (C. 1884) 3. Nocturne No. 12 in E Minor, Op. 107 (1915) 4. Prelude 5. Caprice 6. Nocturne 7. Vision 8. Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) 9. Piano Quartet No. 2 in G Minor, Op. 45 (C. 1887) III. Adagio Non Troppo (Extract)
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- GenreJazzDescriptionMehldau performs four preludes, from a thirty-seven-year span of Gabriel Fauré's career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau's four compositions that Fauré inspired are presented in a group, sandwiched between two sections featuring the French composer's works. Discussing the Après Fauré album in his note, Mehldau says InchIf the sublime foreshadows our mortality, this music might communicate the austerity of death-Fauré's as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré's music here, to share the way I have engaged with Fauré's question, with you, the listener.InchThis is similar to my After Bach project,Inch he continues. InchThe connections are less overt, but Fauré's harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically-he exploited the instrument's sonority masterfully, as an expressive means. So, for example, in my first 'Prelude,' melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my 'Nocturne,' it is possible to hear the harkening chordal approach in the opening of Fauré's No. 12.Inch Album Tracks 1. Nocturne No. 13 in B Minor, Op. 119 (1921) 2. Nocturne No. 4 in E-Flat Major, Op. 36 (C. 1884) 3. Nocturne No. 12 in E Minor, Op. 107 (1915) 4. Prelude 5. Caprice 6. Nocturne 7. Vision 8. Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) 9. Piano Quartet No. 2 in G Minor, Op. 45 (C. 1887) III. Adagio Non Troppo (Extract)ArtistBrad MehldauTitleApres FaureFormatCDLabelNonesuch
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Mehldau performs four preludes, from a thirty-seven-year span of Gabriel Fauré's career, as well as a reduction of an excerpt from the Adagio movement of his Piano Quartet in G Minor. Here Mehldau's four compositions that Fauré inspired are presented in a group, sandwiched between two sections featuring the French composer's works. Discussing the Après Fauré album in his note, Mehldau says InchIf the sublime foreshadows our mortality, this music might communicate the austerity of death-Fauré's as it approached him, but also the apprehension of our own. We find a kinship with the composer finally, in the form of a question that he tossed off into the future, to us. I have composed four pieces to accompany Fauré's music here, to share the way I have engaged with Fauré's question, with you, the listener.InchThis is similar to my After Bach project,Inch he continues. InchThe connections are less overt, but Fauré's harmonic imprint is on all four. There is also a textural influence, in terms of how he presented his musical material pianistically-he exploited the instrument's sonority masterfully, as an expressive means. So, for example, in my first 'Prelude,' melody is welded to a continuous arpeggiation, both part of it and hovering above it; in my 'Nocturne,' it is possible to hear the harkening chordal approach in the opening of Fauré's No. 12.Inch Album Tracks 1. Nocturne No. 13 in B Minor, Op. 119 (1921) 2. Nocturne No. 4 in E-Flat Major, Op. 36 (C. 1884) 3. Nocturne No. 12 in E Minor, Op. 107 (1915) 4. Prelude 5. Caprice 6. Nocturne 7. Vision 8. Nocturne No. 7 in C-Sharp Minor, Op. 74 (1898) 9. Piano Quartet No. 2 in G Minor, Op. 45 (C. 1887) III. Adagio Non Troppo (Extract)

Grand Theft Auto VI: The Album on clear pink with purple splatter vinyl. The 2LP, gatefold jacket includes a Best Buy exclusive 12x24 poster. Atlantic Records and Rockstar Games announce Grand Theft Auto VI: The Album, the upcoming official soundtrack album from the biggest, most immersive evolution of the groundbreaking Grand Theft Auto series yet; Grand Theft Auto VI. Launching November 19 alongside the hotly anticipated game, Grand Theft Auto VI: The Album features 34 original tracks that capture the electric energy of Grand Theft Auto VI’s world of Vice City and Leonida, with a genre-defying roster of the most exciting and preeminent artists in the world.

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