Brian Eno - Another Green World (180-Gram) - VINYL LP
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Album Tracks 1. Sky Saw 3 27 2. Over Fire Island 1 51 3. St. Elmo's Fire 3 01 4. In Dark Trees 2 32 5. The Big Ship 2 37 6. I'll Come Running 3 50 7. Another Green World 1 42 8. Sombre Reptiles 2 23 9. Little Fishes 1 32 10. Golden Hours 4 00 11. Becalmed 3 55 12. Zawinul/Lava 2 56 13. Everything Merges with the Night 4 03 14. Spirits Drifting 2 47
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- GenreRockDescriptionAlbum Tracks 1. Sky Saw 3 27 2. Over Fire Island 1 51 3. St. Elmo's Fire 3 01 4. In Dark Trees 2 32 5. The Big Ship 2 37 6. I'll Come Running 3 50 7. Another Green World 1 42 8. Sombre Reptiles 2 23 9. Little Fishes 1 32 10. Golden Hours 4 00 11. Becalmed 3 55 12. Zawinul/Lava 2 56 13. Everything Merges with the Night 4 03 14. Spirits Drifting 2 47ArtistBrian EnoTitleAnother Green World (180-Gram)FormatVINYLLabelUniversal Import
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Album Tracks 1. Sky Saw 3 27 2. Over Fire Island 1 51 3. St. Elmo's Fire 3 01 4. In Dark Trees 2 32 5. The Big Ship 2 37 6. I'll Come Running 3 50 7. Another Green World 1 42 8. Sombre Reptiles 2 23 9. Little Fishes 1 32 10. Golden Hours 4 00 11. Becalmed 3 55 12. Zawinul/Lava 2 56 13. Everything Merges with the Night 4 03 14. Spirits Drifting 2 47

Limited 180gm vinyl LP pressing. Though not the earliest entry in the genre (which Eno makes no claim to have invented), Ambient 1 (Music For Airports) was the first album ever to be explicitly labelled 'ambient music'. Eno had previously created similarly quiet, unobtrusive music on albums 'Evening Star', 'Discreet Music', and Harold Budd's 'The Pavilion of Dreams' (which he produced), but this was the first album to give it precedence as a cohesive concept. He gave his explanation of and aspirations for ambient music in this short 1978 essay. Eno conceived the idea for 'Music For Airports' while spending several hours waiting at Cologne Bonn Airport, becoming annoyed by the uninspired sound and the atmosphere it created. The recording was designed to be continuously looped as a sound installation, with the intent of defusing the tense, anxious atmosphere of an airport terminal, by avoiding the derivative and familiar elements of typical 'canned music'. The album features contributions from Robert Wyatt and Rhett Davies. Album Tracks 1. 1/1 (Acoustic and Electric Piano; Synthesizer.) Brian Eno, Rhett Davies, Robert Wyatt 16 30 2. 2/1 (Vocals; Synthesizer.) 20 1. 1/2 (Vocals; Acoustic Piano.) 11 30 2. 2/2 (Synthesizer Only. Lasts 9 38 6 00

Vinyl LP pressing. 2022 . FOREVERANDEVERNOMORE is the 22nd solo studio album from Brian Eno and the first since 2017's Reflection. The album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It's a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, InchBriefly, we need to fall in love again, but this time with Nature, with Civilization and with our hopes for the future.Inch Album Tracks 1. Who Gives a Thought 2. We Let It in 3. Icarus or Blériot 4. Garden of Stars 5. Inclusion 6. There Were Bells 7. Sherry 8. I'm Hardly Me 9. These Small Noises 10. Making Gardens Out of Silence

Brian Eno debut solo album released on Island Records in 1973. A hybrid style of glam rock and art rock, similar to his work with Roxy Music, but more quirky and experimental. It features various guest musicians, including Robert Fripp of King Crimson, members of Roxy Music, Hawkwind, Matching Mole, and The Pink Fairies. Eno developed the work using abstract methods - such as dancing for band members and having them play accordingly, or singing nonsense words to himself that would form the basis of subsequent lyrics. Album Tracks 1. Needles in the Camel's Eye 3 10 2. The Paw Paw Negro Blowtorch 3 00 3. Baby's on Fire 5 15 4. Cindy Tells Me 3 30 5. Driving Me Backwards 5 15 6. On Some Faraway Beach 4 40 7. Blank Frank 3 35 8. Dead Finks Don't Talk 4 20 9. Some of Them Are Old 5 11 10. Here Come the Warm Jets 4 00
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