Carsten Dahl Trinity - Mirrors Within - VINYL LP
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When pianist Carsten Dahl went into the studio with his perennial fellow musicians, the bassist Niels Bo Davidsen and the drummer Stefan Pasborg, it was with a special dogma Not to say a word throughout the recording. The album was created in a continuous sequence of first takes and everything was improvised without previous agreements or ideas except 'Falling Down' and 'How I Hear Beauty' based on some chords Dahl scratched down on a piece of paper in the studio. There is a natural, fluent and electric feeling in the music. The trio creates a series of intense pieces most of them no longer than 3-4 minutes, but together they constitute a suite-like process with stimulating variation in form and expression. 'To me Mirrors Within is the picture of the collective and the universal', Dahl says. 'In the music we mirror ourselves in one another. But the mirror can also break and behind it is black'. Hereby he insinuate the both bright and dark sides of his own artist life. He has spoken in public about trauma, therapy and medicine. Music, painting and poetry are his creative responses. Mirrors Within points in the direction of the inner landscapes of music, those places in the mind where music can become 'sound that bleeds, infect and flourish', as written in the Brøndums Encyklopædi. Dahl, Davidsen & Pasborg have developed a special musical dialect together. We are way beyond instrumental skills, which are top class, but it is about much more than that. The best way perhaps to summarize the activities is with the word empathy. Not as a feeling, but as an ability to participate in a mutual human action which otherwise could not be realized. Album Tracks 1. The Prayer 2. Turning Left 3. Old Rag 4. Mysterious Room 5. A Minor Disgrace 6. Coma 7. Falling Down Down 8. New Rag 9. How I Hear Beautiful
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- GenreClassicalDescriptionWhen pianist Carsten Dahl went into the studio with his perennial fellow musicians, the bassist Niels Bo Davidsen and the drummer Stefan Pasborg, it was with a special dogma Not to say a word throughout the recording. The album was created in a continuous sequence of first takes and everything was improvised without previous agreements or ideas except 'Falling Down' and 'How I Hear Beauty' based on some chords Dahl scratched down on a piece of paper in the studio. There is a natural, fluent and electric feeling in the music. The trio creates a series of intense pieces most of them no longer than 3-4 minutes, but together they constitute a suite-like process with stimulating variation in form and expression. 'To me Mirrors Within is the picture of the collective and the universal', Dahl says. 'In the music we mirror ourselves in one another. But the mirror can also break and behind it is black'. Hereby he insinuate the both bright and dark sides of his own artist life. He has spoken in public about trauma, therapy and medicine. Music, painting and poetry are his creative responses. Mirrors Within points in the direction of the inner landscapes of music, those places in the mind where music can become 'sound that bleeds, infect and flourish', as written in the Brøndums Encyklopædi. Dahl, Davidsen & Pasborg have developed a special musical dialect together. We are way beyond instrumental skills, which are top class, but it is about much more than that. The best way perhaps to summarize the activities is with the word empathy. Not as a feeling, but as an ability to participate in a mutual human action which otherwise could not be realized. Album Tracks 1. The Prayer 2. Turning Left 3. Old Rag 4. Mysterious Room 5. A Minor Disgrace 6. Coma 7. Falling Down Down 8. New Rag 9. How I Hear BeautifulArtistCarsten Dahl TrinityTitleMirrors WithinFormatVINYLLabelStoryville Records
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When pianist Carsten Dahl went into the studio with his perennial fellow musicians, the bassist Niels Bo Davidsen and the drummer Stefan Pasborg, it was with a special dogma Not to say a word throughout the recording. The album was created in a continuous sequence of first takes and everything was improvised without previous agreements or ideas except 'Falling Down' and 'How I Hear Beauty' based on some chords Dahl scratched down on a piece of paper in the studio. There is a natural, fluent and electric feeling in the music. The trio creates a series of intense pieces most of them no longer than 3-4 minutes, but together they constitute a suite-like process with stimulating variation in form and expression. 'To me Mirrors Within is the picture of the collective and the universal', Dahl says. 'In the music we mirror ourselves in one another. But the mirror can also break and behind it is black'. Hereby he insinuate the both bright and dark sides of his own artist life. He has spoken in public about trauma, therapy and medicine. Music, painting and poetry are his creative responses. Mirrors Within points in the direction of the inner landscapes of music, those places in the mind where music can become 'sound that bleeds, infect and flourish', as written in the Brøndums Encyklopædi. Dahl, Davidsen & Pasborg have developed a special musical dialect together. We are way beyond instrumental skills, which are top class, but it is about much more than that. The best way perhaps to summarize the activities is with the word empathy. Not as a feeling, but as an ability to participate in a mutual human action which otherwise could not be realized. Album Tracks 1. The Prayer 2. Turning Left 3. Old Rag 4. Mysterious Room 5. A Minor Disgrace 6. Coma 7. Falling Down Down 8. New Rag 9. How I Hear Beautiful
Renowned Danish pianist and composer Carsten Dahl is set to his new album, Interpretations The Norway Sessions with his Golden Ratio Trio feat. Swedish bassist Daniel Franck and Danish drummer Jakob Hoyer on vinyl on Storyville Records.This recording presents 13 original compositions, two by Dahl, one by Franck and ten by all three musicians.Interpretations presents two distinct recording sessions that offer contrasting textures. The first session is characterized by a warm, melodically precise ambiance, while the second session embraces a rawer, more aggressive edge. This duality in expression ensures that the music remains compelling and evocative, with every nuance and detail thoughtfully crafted. The interplay between Hoyer's delicate drumming, Franck's resonant bass, and Dahl's emotive piano creates a rich tapestry of sound, revealing layers of meaning and intensity.Interpretations showcases Dahl's matured approach to the piano trio . Over the years, Dahl's style has evolved from his early bop influences to a more nuanced and sophisticated voice, drawing comparisons to jazz luminaries such as Bill Evans and Keith Jarrett. Dahl's unique interplay of melody and rhythm now incorporates influences from European classical music, with inspirations ranging from Bach to Rachmaninoff, all while remaining deeply rooted in the jazz tradition.Dahl describes the album with his signature poetic and introspective approach, stating InchWe interpret the wind's sigh and the blood that bubbles inside us.InchHe likens the creative process to a spiritual excavation, seeking the profound roots of musical expression. The trio's approach is akin to the artistic philosophy of Pablo Picasso-where creativity emerges not from striving, but from a receptive and intuitive interplay. Dahl likens their work to Inchsmall paintings where the picture dictates the interpretations, and where the
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