El Ten Eleven - Tautology - COMPACT DISCS [CD]
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Experiencing an unexpected tragedy or loss often provokes a period of self-reflection, a time to contemplate one's own place and purpose in the world. That was true for El Ten Eleven's Kristian Dunn. When a beloved family member passed, Dunn found his own reflections on life emerging in the music he composed. Those expressions led to the creation of Tautology - a sonic meditation on the arc of human life, composed in three parts. Over the course of three discs, Tautology is, in Dunn's words, Incha representation of life from the teenage years, through middle-age, until the end of life.Inch The sounds on the album echo Dunn's own experiences, veering from aggressive metallic riffs to blissful ambient soundscapes. And while there are shared melodies and harmonies through all three records, each one has it's own distinct qualities Tautology I, which represents adolescence, is angsty, aggressive and occasionally depressive; Tautology II is head-noddy and mid-tempo, and represents middle age; while Tautology III, quiet and ambient, represents one's golden years. The music on the first disc, Tautology I, has a heavier sound that might surprise longtime El Ten Eleven fans. InchI wanted to represent what my teenage years were like, when I was full of testosterone and depression, Inch says Dunn. InchWhen you're a teenager everything feels so grandiose and dramatic.Inch The album's second movement, Tautology II, reflects Dunn's current state. InchI'm middle-aged now, and this is the happiest I've ever been. I think that comes across in the music. This record is the one that sounds the most like the El Ten Eleven people are used to.Inch For the final chapter, Tautology III, Dunn composed a transcendent set of ethereal music inspired partly by the loss of a dear family member. InchI don't know what it's like to be elderly. But my grandmother-in-law Frances McMaster was a very in
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CD- GenreRockDescriptionExperiencing an unexpected tragedy or loss often provokes a period of self-reflection, a time to contemplate one's own place and purpose in the world. That was true for El Ten Eleven's Kristian Dunn. When a beloved family member passed, Dunn found his own reflections on life emerging in the music he composed. Those expressions led to the creation of Tautology - a sonic meditation on the arc of human life, composed in three parts. Over the course of three discs, Tautology is, in Dunn's words, Incha representation of life from the teenage years, through middle-age, until the end of life.Inch The sounds on the album echo Dunn's own experiences, veering from aggressive metallic riffs to blissful ambient soundscapes. And while there are shared melodies and harmonies through all three records, each one has it's own distinct qualities Tautology I, which represents adolescence, is angsty, aggressive and occasionally depressive; Tautology II is head-noddy and mid-tempo, and represents middle age; while Tautology III, quiet and ambient, represents one's golden years. The music on the first disc, Tautology I, has a heavier sound that might surprise longtime El Ten Eleven fans. InchI wanted to represent what my teenage years were like, when I was full of testosterone and depression, Inch says Dunn. InchWhen you're a teenager everything feels so grandiose and dramatic.Inch The album's second movement, Tautology II, reflects Dunn's current state. InchI'm middle-aged now, and this is the happiest I've ever been. I think that comes across in the music. This record is the one that sounds the most like the El Ten Eleven people are used to.Inch For the final chapter, Tautology III, Dunn composed a transcendent set of ethereal music inspired partly by the loss of a dear family member. InchI don't know what it's like to be elderly. But my grandmother-in-law Frances McMaster was a very inArtistEl Ten ElevenTitleTautologyFormatCDLabelJoyful Noise Records
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Experiencing an unexpected tragedy or loss often provokes a period of self-reflection, a time to contemplate one's own place and purpose in the world. That was true for El Ten Eleven's Kristian Dunn. When a beloved family member passed, Dunn found his own reflections on life emerging in the music he composed. Those expressions led to the creation of Tautology - a sonic meditation on the arc of human life, composed in three parts. Over the course of three discs, Tautology is, in Dunn's words, Incha representation of life from the teenage years, through middle-age, until the end of life.Inch The sounds on the album echo Dunn's own experiences, veering from aggressive metallic riffs to blissful ambient soundscapes. And while there are shared melodies and harmonies through all three records, each one has it's own distinct qualities Tautology I, which represents adolescence, is angsty, aggressive and occasionally depressive; Tautology II is head-noddy and mid-tempo, and represents middle age; while Tautology III, quiet and ambient, represents one's golden years. The music on the first disc, Tautology I, has a heavier sound that might surprise longtime El Ten Eleven fans. InchI wanted to represent what my teenage years were like, when I was full of testosterone and depression, Inch says Dunn. InchWhen you're a teenager everything feels so grandiose and dramatic.Inch The album's second movement, Tautology II, reflects Dunn's current state. InchI'm middle-aged now, and this is the happiest I've ever been. I think that comes across in the music. This record is the one that sounds the most like the El Ten Eleven people are used to.Inch For the final chapter, Tautology III, Dunn composed a transcendent set of ethereal music inspired partly by the loss of a dear family member. InchI don't know what it's like to be elderly. But my grandmother-in-law Frances McMaster was a very in

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57
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