Forever House - Eaves - CASSETTES
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Eaves, the debut album from the raucous avant-grunge outfit ForeverHouse, provides the perfect twisted mix-tape for your apocalyptic roadtrip. In a tour de force of subversive anthems, sloppy math waltzesand wasted love themes, the nine songs that comprise Eaves playfullyconjure decrepit skylines, brazen entitlement, hollow self-bettermentand internet-induced paranoia.Lead vocalist and cellist Meaghan Burke toggles between moments ofseductive crooning and maniacal freak-outs as James Moore (guitar),James Ilgenfritz (bass) and Pete Wise (drums) provide a powerfulrhythm section. All seasoned performers from New York's indie andexperimental scenes, each member of the band brings in a breadth ofinfluences from contemporary classical music, downtown jazz and freeimprovisation.1. Freak Show2. Doppelgänger3. Spiders4. Saints5. New Year's Day6. Entitlement Face7. Slovenly8. Vascectomy Waltz9. Wasteress
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- GenreRockDescriptionEaves, the debut album from the raucous avant-grunge outfit ForeverHouse, provides the perfect twisted mix-tape for your apocalyptic roadtrip. In a tour de force of subversive anthems, sloppy math waltzesand wasted love themes, the nine songs that comprise Eaves playfullyconjure decrepit skylines, brazen entitlement, hollow self-bettermentand internet-induced paranoia.Lead vocalist and cellist Meaghan Burke toggles between moments ofseductive crooning and maniacal freak-outs as James Moore (guitar),James Ilgenfritz (bass) and Pete Wise (drums) provide a powerfulrhythm section. All seasoned performers from New York's indie andexperimental scenes, each member of the band brings in a breadth ofinfluences from contemporary classical music, downtown jazz and freeimprovisation.1. Freak Show2. Doppelgänger3. Spiders4. Saints5. New Year's Day6. Entitlement Face7. Slovenly8. Vascectomy Waltz9. WasteressArtistForever HouseTitleEavesFormatCassetteLabelInfrequent Seams Rec
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Eaves, the debut album from the raucous avant-grunge outfit ForeverHouse, provides the perfect twisted mix-tape for your apocalyptic roadtrip. In a tour de force of subversive anthems, sloppy math waltzesand wasted love themes, the nine songs that comprise Eaves playfullyconjure decrepit skylines, brazen entitlement, hollow self-bettermentand internet-induced paranoia.Lead vocalist and cellist Meaghan Burke toggles between moments ofseductive crooning and maniacal freak-outs as James Moore (guitar),James Ilgenfritz (bass) and Pete Wise (drums) provide a powerfulrhythm section. All seasoned performers from New York's indie andexperimental scenes, each member of the band brings in a breadth ofinfluences from contemporary classical music, downtown jazz and freeimprovisation.1. Freak Show2. Doppelgänger3. Spiders4. Saints5. New Year's Day6. Entitlement Face7. Slovenly8. Vascectomy Waltz9. Wasteress

The Become EP is a collection of 5 songs from the Once Twice Melody sessions. We didn't think they fit in the world of OTM, but later realized they all fit in a little world of their own. To us, they are all kind of scuzzy and spacious, and live in the spirit realm. It's not really where we are currently going, but it's definitely somewhere we have been. We hope you enjoy these tunes, Alex and Victoria/Beach House.Become featuring the songs InchAmerican Daughter, Inch InchDevil's Pool, Inch InchHoliday House, Inch InchBlack MagicInch and the title track, and was produced by Beach House, with mixing by Alan Moulder (track 1), Trevor Spencer (tracks 2, 3, 5), and Caesar Edmunds (track 4), and mastering by Greg Calbi and Steve Fallone at Sterling Sound.Become will be available on Saturday, April 22nd, 2023 as a Record Store Day crystal-clear vinyl exclusive, with a worldwide digital through Sub Pop and Bella Union (in the UK and Europe) on Friday, April 28th and a full worldwide physical (LP/CD/CS) on May 19th, 2023. Details 1. American Daughter 2. Devil's Pool 3. Holiday House 4. Black Magic 5. Become

Hand Habits, the project of Los Angeles-based musician Meg Duffy (they/them), new album Fun House is the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music is more acutely personal and stylistically adventurous than anything you've heard from Hand Habits before. The push/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits it's name. Where previous Hand Habits records could be fairly insular affairs, Fun House feels ebullient, rich, a fully-realized conversation.1. More Than Love2. Aquamarine3. Just to Hear You4. No Difference5. The Answer6. Gold/Rust7. Clean Air8. Control9. Concrete & Feathers10. False Start11. Graves

Sometimes we can only come to know ourselves best when we let others in. Such can certainly be said of NYC multi-instrumentalist and artist Andrya Ambro, and her band Gold Dime, on the eve of their second full-length My House. See, she's played these instruments and crafted these songs her entire life, having honed her decisive sit/stand style of transfixing drumming and provocative singing to a degree of perfectionism. Coming from her previous, highly acclaimed noisy rock duo Talk Normal, Gold Dime's first , 2017's Nerves, was the first time Ambro has had no one to answer to but herself. My House sees a new, more collective effort being made, with Ian Douglas-Moore on bass and John Bohannon (Ancient Ocean J.R. Bohannon) on guitar. And it very much shows. Walking a tightrope between unapologetic art rock and disarming intimacy, she integrates triumphant doubled guitars whose distorted fuzz winks at the mayhem of Les Rallizes Denudes, deep floor toms that quick pivot to galvanizing beats on a bed of dead spinning cymbals, to sometimes spoken, sometimes sung Laurie Anderson-esque words that uplift into a many voiced choir. And the warm bass lines, well they would make Holger Czukay from CAN very proud. My House, according to Ambro, is intended to be something of a gruff father's declaration at dinner, fist slamming on the table, but rather than the stubborn, undying manners that would come with Inchliving under my roof,Inch she only demands that everything be done with the same degree of tireless dedication and authenticity. InchI want every beat to be played with intention. 'Cause why play if you don't mean it?Inch Every moment of this album acts as just that-a demand to own something, whether it be self or art or place in this world. We have no choice but to listen, to respect it. This is her house... well Gold Dime's house.Produced by Andrya Ambro recorded and mixed
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