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Frisardi Constanze Quartet - String Quartets 2 - COMPACT DISCS [CD]

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Vol. 2 once again demonstrates the unique stylistic quality of Felix Draeseke's works for strings. When the composer turned to the quartet genre, he ventured onto compositional terrain largely regarded as the domain of composers of traditional orientation. Wagner's influence is also found in Draeseke's quartets, though not in the form of an imitation of Wagnerian composing but as a creative rendering of the Classical composers as they had been conveyed to Draeseke by Wagner. The idea of the Inchmelodic threadInch running through the music and unifying it is everywhere in evidence in these works. The composer's third quartet, his op. 66, was regularly performed in Central Germany during his lifetime - for instance, in Leipzig in 1911, when the Gewandhaus Quartet included it on the program for the celebration of the hundredth anniversary of Franz Liszt's birth. Draeseke's op. 66 quartet differs from all of his other works in sonata form in that it is designed in five movements, a structure reminding us both of Beethoven's Quartet in A minor op. 132 and Haydn's early quartet divertimenti. Both spheres, the sublime tone of the InchHeiliger DankgesangInch and the carefree mood of the cassations and serenades, seem to occur in continuous mutual interpenetration in this work. The Inchmost feared contrapuntistInch reveals his strictest mien, while at the same time showing that he is a subtle humorist who in particular delights in play with metrical emphases. Album Tracks 1. String Quartet No. 3 Op. 66 in C sharp minor~Andantino elegiaco 2. String Quartet No. 3 Op. 66 in C sharp minor~Allegro spumante 3. String Quartet No. 3 Op. 66 in C sharp minor~Adagio non tanto, molto espressivo 4. String Quartet No. 3 Op. 66 in C sharp minor~Intermezzo. Allegretto grazioso 5. String Quartet No. 3 Op. 66 in C sharp minor~Finale. Allegro risoluto 6. Scene for Violin & Pi

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  • Genre
    Classical
    Description
    Vol. 2 once again demonstrates the unique stylistic quality of Felix Draeseke's works for strings. When the composer turned to the quartet genre, he ventured onto compositional terrain largely regarded as the domain of composers of traditional orientation. Wagner's influence is also found in Draeseke's quartets, though not in the form of an imitation of Wagnerian composing but as a creative rendering of the Classical composers as they had been conveyed to Draeseke by Wagner. The idea of the Inchmelodic threadInch running through the music and unifying it is everywhere in evidence in these works. The composer's third quartet, his op. 66, was regularly performed in Central Germany during his lifetime - for instance, in Leipzig in 1911, when the Gewandhaus Quartet included it on the program for the celebration of the hundredth anniversary of Franz Liszt's birth. Draeseke's op. 66 quartet differs from all of his other works in sonata form in that it is designed in five movements, a structure reminding us both of Beethoven's Quartet in A minor op. 132 and Haydn's early quartet divertimenti. Both spheres, the sublime tone of the InchHeiliger DankgesangInch and the carefree mood of the cassations and serenades, seem to occur in continuous mutual interpenetration in this work. The Inchmost feared contrapuntistInch reveals his strictest mien, while at the same time showing that he is a subtle humorist who in particular delights in play with metrical emphases. Album Tracks 1. String Quartet No. 3 Op. 66 in C sharp minor~Andantino elegiaco 2. String Quartet No. 3 Op. 66 in C sharp minor~Allegro spumante 3. String Quartet No. 3 Op. 66 in C sharp minor~Adagio non tanto, molto espressivo 4. String Quartet No. 3 Op. 66 in C sharp minor~Intermezzo. Allegretto grazioso 5. String Quartet No. 3 Op. 66 in C sharp minor~Finale. Allegro risoluto 6. Scene for Violin & Pi
    Artist
    Frisardi Constanze Quartet
    Title
    String Quartets 2
    Format
    CD
    Label
    Cpo Records
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Frisardi Constanze Quartet - String Quartets 2   - COMPACT DISCS [CD]
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Vol. 2 once again demonstrates the unique stylistic quality of Felix Draeseke's works for strings. When the composer turned to the quartet genre, he ventured onto compositional terrain largely regarded as the domain of composers of traditional orientation. Wagner's influence is also found in Draeseke's quartets, though not in the form of an imitation of Wagnerian composing but as a creative rendering of the Classical composers as they had been conveyed to Draeseke by Wagner. The idea of the Inchmelodic threadInch running through the music and unifying it is everywhere in evidence in these works. The composer's third quartet, his op. 66, was regularly performed in Central Germany during his lifetime - for instance, in Leipzig in 1911, when the Gewandhaus Quartet included it on the program for the celebration of the hundredth anniversary of Franz Liszt's birth. Draeseke's op. 66 quartet differs from all of his other works in sonata form in that it is designed in five movements, a structure reminding us both of Beethoven's Quartet in A minor op. 132 and Haydn's early quartet divertimenti. Both spheres, the sublime tone of the InchHeiliger DankgesangInch and the carefree mood of the cassations and serenades, seem to occur in continuous mutual interpenetration in this work. The Inchmost feared contrapuntistInch reveals his strictest mien, while at the same time showing that he is a subtle humorist who in particular delights in play with metrical emphases. Album Tracks 1. String Quartet No. 3 Op. 66 in C sharp minor~Andantino elegiaco 2. String Quartet No. 3 Op. 66 in C sharp minor~Allegro spumante 3. String Quartet No. 3 Op. 66 in C sharp minor~Adagio non tanto, molto espressivo 4. String Quartet No. 3 Op. 66 in C sharp minor~Intermezzo. Allegretto grazioso 5. String Quartet No. 3 Op. 66 in C sharp minor~Finale. Allegro risoluto 6. Scene for Violin & Pi

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