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Kronberg Academy Soloists Schleswig-Holstein Festival Orchestra Eschenbach - Kammermusik 2 - COMPACT DISCS [CD]

SKU: 10601516

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The final volume of Paul Hindemith's(1895-1963) youthful and fresh Kammermusik series from the 1920s includes Kammermusik Nos. 4-7 performed by Kronberg Academy Soloists and the Schleswig-Holstein Festival Orchestra under a true Hindemith specialist, Christoph Eschenbach, who has won a Grammy for a previous Hindemith album on Ondine. These four works by Hindemith can be considered as full-bodied concertos for violin, viola, viola d'amore and organ. These work feature four young talented soloists, Stephen Waarts, Rimothy Ridout, Ziyu Shenand Christian Schmitt. Hindemith's Kammermusik No. 4 ('Violin Concerto') is scored for a larger orchestra than it's three predecessors and includes 24 instrumentalists. Kammermusik No. 5 ('Viola Concerto') the composer premiered himself by playing the solo part. In total, Hindemith performed this work for 85 times during the next 11 years! In a letter, Hindemith described the viola d'amore as Inchthe most beautiful thing that you can imagine in soundInch. The composer fell in love with the instrument and wrote his Kammermusik No. 6 with this instrument in mind. Hindemith's final Kammermusik (No. 7) was written to a commission by the Southwest German Radio the premiere of this Organ Concerto was transmitted live in 1928. The radio broadcast had a decisive role in the composer's choice of instrumentation.

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  • Genre
    Classical
    Description
    The final volume of Paul Hindemith's(1895-1963) youthful and fresh Kammermusik series from the 1920s includes Kammermusik Nos. 4-7 performed by Kronberg Academy Soloists and the Schleswig-Holstein Festival Orchestra under a true Hindemith specialist, Christoph Eschenbach, who has won a Grammy for a previous Hindemith album on Ondine. These four works by Hindemith can be considered as full-bodied concertos for violin, viola, viola d'amore and organ. These work feature four young talented soloists, Stephen Waarts, Rimothy Ridout, Ziyu Shenand Christian Schmitt. Hindemith's Kammermusik No. 4 ('Violin Concerto') is scored for a larger orchestra than it's three predecessors and includes 24 instrumentalists. Kammermusik No. 5 ('Viola Concerto') the composer premiered himself by playing the solo part. In total, Hindemith performed this work for 85 times during the next 11 years! In a letter, Hindemith described the viola d'amore as Inchthe most beautiful thing that you can imagine in soundInch. The composer fell in love with the instrument and wrote his Kammermusik No. 6 with this instrument in mind. Hindemith's final Kammermusik (No. 7) was written to a commission by the Southwest German Radio the premiere of this Organ Concerto was transmitted live in 1928. The radio broadcast had a decisive role in the composer's choice of instrumentation.
    Artist
    Kronberg Academy Soloists Schleswig-Holstein Festival Orchestra Eschenbach
    Title
    Kammermusik 2
    Format
    CD
    Label
    Ondine
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Kronberg Academy Soloists  Schleswig-Holstein Festival Orchestra  Eschenbach - Kammermusik 2   - COMPACT DISCS [CD]
Kronberg Academy Soloists Schleswig-Holstein Festival Orchestra Eschenbach - Kammermusik 2 - COMPACT DISCS [CD]

The final volume of Paul Hindemith's(1895-1963) youthful and fresh Kammermusik series from the 1920s includes Kammermusik Nos. 4-7 performed by Kronberg Academy Soloists and the Schleswig-Holstein Festival Orchestra under a true Hindemith specialist, Christoph Eschenbach, who has won a Grammy for a previous Hindemith album on Ondine. These four works by Hindemith can be considered as full-bodied concertos for violin, viola, viola d'amore and organ. These work feature four young talented soloists, Stephen Waarts, Rimothy Ridout, Ziyu Shenand Christian Schmitt. Hindemith's Kammermusik No. 4 ('Violin Concerto') is scored for a larger orchestra than it's three predecessors and includes 24 instrumentalists. Kammermusik No. 5 ('Viola Concerto') the composer premiered himself by playing the solo part. In total, Hindemith performed this work for 85 times during the next 11 years! In a letter, Hindemith described the viola d'amore as Inchthe most beautiful thing that you can imagine in soundInch. The composer fell in love with the instrument and wrote his Kammermusik No. 6 with this instrument in mind. Hindemith's final Kammermusik (No. 7) was written to a commission by the Southwest German Radio the premiere of this Organ Concerto was transmitted live in 1928. The radio broadcast had a decisive role in the composer's choice of instrumentation.

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