Lasalle / Jans / Riga Chamber Orchestra - Sym for Strings Op 17 / Concertino Op 23 - COMPACT DISCS [CD]

Album Tracks 1. Der Jäger Aus Kurpfalz 2. Es Blies Ein Jäger Wohl in Sein Horn 3. Auf, Auf Zum Fröhlichen Jagen 4. Ich Bin Ein Freier Wildbretschütz 5. Es Gingen Drei Jäger 6. An Einem Sonntagmorgen 7. Es War Ein SCHÜTZ 8. Das Jägerhaus 9. Die Gamsl Schwarz Und Braun 10. Es Wollt' Ein Mädel 11. Es Wollt' Ein Jägerlein Jagen 12. Es Lebt Eine Gräfin 13. Der Jager in Dem Grünen Wald 14. Jetzt FÄNGT Das Schöne Frühjahr An

SWR Vokalensemble - Stefano Gervasoni de Tinieblas - DE TINIEBLAS is a contemporary choral and electronic composition by Stefano Gervasoni, inspired by the Leçons de Ténèbres tradition of the French Baroque. Unlike the biblical Lamentations of Jeremiah, Gervasoni's work draws from José Ángel Valente's modern prose poem cycle Tres lecciones de tinieblas, blending Christian and Kabbalistic Jewish imagery. Written during the COVID-19 pandemic, DE TINIEBLAS uses layered vocal textures and electronics to explore darkness as a transformative, revelatory space, challenging perceptions of it as merely negative, instead emphasizing it's potential for new understanding and growth. Album Tracks 1. Rhizomatic Studies (2023) for Ensemble ? - Alef 2. Rhizomatic Studies (2023) for Ensemble ? - Bet 3. Rhizomatic Studies (2023) for Ensemble ? - Guimel 4. Rhizomatic Studies (2023) for Ensemble ? - Dalet 5. Rhizomatic Studies (2023) for Ensemble ? - He 6. Rhizomatic Studies (2023) for Ensemble ? - Vav 7. Rhizomatic Studies (2023) for Ensemble ? - Zayin 8. Rhizomatic Studies (2023) for Ensemble ? - Jhet 9. Rhizomatic Studies (2023) for Ensemble ? - Tet 10. Rhizomatic Studies (2023) for Ensemble ? - Yod 11. Rhizomatic Studies (2023) for Ensemble ? - Caf 12. Rhizomatic Studies (2023) for Ensemble ? - Lamed 13. Rhizomatic Studies (2023) for Ensemble ? - Mem 14. Rhizomatic Studies (2023) for Ensemble ? - Nun

As a young man, the composer Hans Gál witnessed an artistic turning point, for it was during the First World War that late Romanticism met the modern musical era. Everything was in motion. He himself was however critical of many musical initiatives and admitted InchI had too little in common with my contemporariesInch. Indeed, the orchestral surges of the Wagnerites were just as alien to him as the atonality of the Second Viennese School championed by Alban Berg and Anton Webern. The pared-down sounds of Neoclassicism and the Inchnew objectivityInch of the likes of Paul Hindemith were likewise of little use to Gál. Therefore, in his adherence to tonality and use of sophisticated formal progressions, he created a distinctive style of his own that he steadfastly embraced throughout his life. Album Tracks 1. I. Molto Moderato - Quasi Allegro [10 02] 2. II. Adagio [07 47] 3. III. Allegretto Ritenuto Assai [07 17] 4. Intrata Grave E Maestoso [04 29] 5. Siciliano Andantino [04 44] 6. Fuga Allegro Ma Non Troppo [03 50] 7. Violin Concertino, Op. 52 [17 56] 8. I. Serenade [03 47] 9. II. Scherzino [02 44] 10. III. Cavatina [03 03] 11. IV. Rondo [03 30]