Markus Markl - Cuisean: Music for the Cologne Feast of St. Gereon 1663 - COMPACT DISCS [CD]

Album Tracks 1. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 1 in F Major, Op. 1/1 Grave 2. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 1 in F Major, Op. 1/1 Allegro 3. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 1 in F Major, Op. 1/1 Adagio 4. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 1 in F Major, Op. 1/1 Presto 5. Chiaccona, for 2 Violins & Continuo, Op. 2/12 6. Sonata for Cello & Continuo No. 14 in a Minor Largo 7. Sonata for Cello & Continuo No. 14 in a Minor Allegro 8. Sonata for Cello & Continuo No. 14 in a Minor Aria (Larghetto) 9. Sonata for Cello & Continuo No. 14 in a Minor Allegro E Spirituoso 10. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 10 in F minor, Op. 1/10 Adagio 11. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 10 in F minor, Op. 1/10 Allegro 12. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 10 in F minor, Op. 1/10 Adagio 13. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 10 in F minor, Op. 1/10 Allegro 14. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 2 in G Major, Op. 1/2 Grave 15. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 2 in G Major, Op. 1/2 Allegro 16. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 2 in G Major, Op. 1/2 Grave 17. Sonata a 3 Da Chiesa, for 2 Violins, Cello & Organ No. 2 in G Major, Op. 1/2 Allegro 18. Sonata for Cello & Continuo No. 5 in F Major Adagio 19. Sonata for Cello & Continuo No. 5 in F Major Allegro 20. Sonata for Cello & Continuo No. 5 in F Major Aria Largo 21. Sonata for Cello & Continuo No. 5 in F Major Allegro Stil Di Minuet 22. Sonata a Tre in E minor, Op.1/5 Grave 23. Sonata a Tre in E minor, Op.1/5 Vivace 24. Sonata a Tre in E minor, Op.1/5 Ad

Vinyl LP pressing. 2018 . Ulthar create something uniquely arcane within the Bay Area metal underground. The trio comes together on their debut full length Cosmovore to unleash a feral urgency for dizzying Absu like Black Metal with a Death Metal band's bludgeoning violence. Thematically heavy on weird, supernatural horror and a bizarre Rudimentary Peni surrealism, Ulthar are a difficult to classify spectral entity within the sphere of black metal. Over the course of Cosmovore's 40 minute run time speeds careen forward at primarily unrelenting velocity, the opening title track instantly battering with primal persistence. The album's middle section, a blinding storm of ghastly black dread, leads into the 13+ minute epic 'Dunwich Whore' where the Ulthar universe becomes all consuming with proggy synth bookends, vertiginous tempo variation, grinding technical violence, and thrashed madness. Yet another stellar debut album released under the 20 Buck Spin banner, Ulthar's Cosmovore stands as the monstrous opening salvo of a band only beginning to wage war. Album Tracks 1. Cosmovore 2. Solitarian 3. Infinite Cold Distance 4. Entropy / Atrophy 5. Asymmetric Warfare 6. Dunwich Whore

*BACK IN PRINT!!! Note new price. In the twenty or so years since his brainchild, The Dead Kennedys, officially disbanded, Jello Biafra has made a career of spoken word gigs interspersed with musical collaborations with some of the most compelling figures in underground music. Recording projects and touring with the likes of Melvins, NoMeansNo, DOA, Mojo Nixon, and Lard (with Ministry's Al Jorgensen) among others have kept his Inchpunk as political weaponInch message sharp, but the lack of his own band made these collaborations usually short-lived and left Biafra with a ton of songs that never saw the light of day.Inspired by The Stooges gig on Iggy Pop's 60th birthday in San Francisco, Biafra laid plans for his own 50th birthday party and finally decided it was time to start a band of his own. After cramming practices for a month, the four-piece dubbed themselves Jello Biafra and the Axis of Merry Evildoers! And featured Biafra, Ralph Spight (Victims Family, Freak Accident, Hellworms), Jon Weiss (Sharkbait, Horsey), and Billy Gould (Faith No More) The band took the stage in a sold-out two-night stand at San Francisco's Great American Music Hall. Flush from that exhilarating triumph, nine months of rehearsal and writing followed; they added ace guitarist Kimo Ball (Freak Accident, Carneyball Johnson, Mol Triffid, Griddle), and christened themselves Jello Biafra and the Guantanamo School of Medicine. The Audacity of Hype was produced by Biafra and engineered by hip hop producer and longtime co-conspirator Matt Kelley (Hieroglyphics, The Coup, Digital Underground, Victims Family, Tumor Circus) at Prairie Sun Recording in Cotati, CA, and San Francisco's Hyde Street Studios. The band's twin guitar attack retains some of the space-punk overtones and spy-music-on-meth chaos of The Dead Kennedys while adding a healthy dose of Detroit-style proto-punk flavored with Weiss' ind