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Matthias Goerne - Bach: Cantatas For Bass - COMPACT DISCS [CD]

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In the autumn of 1726 Bach embarked on a series of solo and dialogue cantatas for the first time, in which the virtuoso skills of individual soloists were given pride of place rather than a choir. The poet of this impressive series of solo and dialogue cantatas has recently been identified as the Leipzig theology student Christoph Birkmann (1703-1771), later a pastor in Nuremberg. He reported that he Inchdiligently kept company with the great master, Herr Director Bach, and his choir, and also attended the Collegia Musica in the winterInch. Among the 'Ich' cantatas of late autumn and winter 1726/27 are the two works recorded here, which have been regarded ever since as pearls of Bach's oeuvre. - Twenty five years after harmonia mundi issued the solo cantatas for bass with Peter Kooj, Collegium Vocale and Philippe Herreweghe, Matthias Goerne, together with Freiburg Baroque, presents two cantatas intimately linked to the celebration of the Lutheran Reformation, as we celebrate it's 500th anniversary. The recording has had a long period of fruition, what with Schubert, Schumann, Mahler, and soon Wagner, but this new disc should make it's own mark on the discography, just as permanently as it's illustrious predecessor. Album Tracks 1. Sinfonia - Freiburger Barockorchester 2. Ich Will Den Kreuzstab Gerne Tragen 3. Mein Wandel Auf Der Welt 4. Endlich, Endlich Will Mein Joch 5. Ich Stehe Fertig 6. Komm, O Tod, Du Schlafes Bruder 7. I. Allegro - Katharina Arfken/Freiburger Barockorchester 8. II. Larghetto - Katharina Arfken/Freiburger Barockorchester 9. III. Allegro Ma Non Tanto - Katharina Arfken/Freiburger Barockorchester 10. Ich Habe Genug 11. Ich Habe Genug! 12. Schlummert Ein, Ihr Matten Augen 13. Mein Gott! Wenn KÖMMT Das Schöne Nun! 14. Ich Freue Mich Auf Meinen Tod

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  • Genre
    Classical
    Description
    In the autumn of 1726 Bach embarked on a series of solo and dialogue cantatas for the first time, in which the virtuoso skills of individual soloists were given pride of place rather than a choir. The poet of this impressive series of solo and dialogue cantatas has recently been identified as the Leipzig theology student Christoph Birkmann (1703-1771), later a pastor in Nuremberg. He reported that he Inchdiligently kept company with the great master, Herr Director Bach, and his choir, and also attended the Collegia Musica in the winterInch. Among the 'Ich' cantatas of late autumn and winter 1726/27 are the two works recorded here, which have been regarded ever since as pearls of Bach's oeuvre. - Twenty five years after harmonia mundi issued the solo cantatas for bass with Peter Kooj, Collegium Vocale and Philippe Herreweghe, Matthias Goerne, together with Freiburg Baroque, presents two cantatas intimately linked to the celebration of the Lutheran Reformation, as we celebrate it's 500th anniversary. The recording has had a long period of fruition, what with Schubert, Schumann, Mahler, and soon Wagner, but this new disc should make it's own mark on the discography, just as permanently as it's illustrious predecessor. Album Tracks 1. Sinfonia - Freiburger Barockorchester 2. Ich Will Den Kreuzstab Gerne Tragen 3. Mein Wandel Auf Der Welt 4. Endlich, Endlich Will Mein Joch 5. Ich Stehe Fertig 6. Komm, O Tod, Du Schlafes Bruder 7. I. Allegro - Katharina Arfken/Freiburger Barockorchester 8. II. Larghetto - Katharina Arfken/Freiburger Barockorchester 9. III. Allegro Ma Non Tanto - Katharina Arfken/Freiburger Barockorchester 10. Ich Habe Genug 11. Ich Habe Genug! 12. Schlummert Ein, Ihr Matten Augen 13. Mein Gott! Wenn KÖMMT Das Schöne Nun! 14. Ich Freue Mich Auf Meinen Tod
    Artist
    Matthias Goerne
    Title
    Bach: Cantatas For Bass
    Format
    CD
    Label
    Harmonia Mundi
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Matthias Goerne - Bach: Cantatas For Bass   - COMPACT DISCS [CD]
Matthias Goerne - Bach: Cantatas For Bass - COMPACT DISCS [CD]

In the autumn of 1726 Bach embarked on a series of solo and dialogue cantatas for the first time, in which the virtuoso skills of individual soloists were given pride of place rather than a choir. The poet of this impressive series of solo and dialogue cantatas has recently been identified as the Leipzig theology student Christoph Birkmann (1703-1771), later a pastor in Nuremberg. He reported that he Inchdiligently kept company with the great master, Herr Director Bach, and his choir, and also attended the Collegia Musica in the winterInch. Among the 'Ich' cantatas of late autumn and winter 1726/27 are the two works recorded here, which have been regarded ever since as pearls of Bach's oeuvre. - Twenty five years after harmonia mundi issued the solo cantatas for bass with Peter Kooj, Collegium Vocale and Philippe Herreweghe, Matthias Goerne, together with Freiburg Baroque, presents two cantatas intimately linked to the celebration of the Lutheran Reformation, as we celebrate it's 500th anniversary. The recording has had a long period of fruition, what with Schubert, Schumann, Mahler, and soon Wagner, but this new disc should make it's own mark on the discography, just as permanently as it's illustrious predecessor. Album Tracks 1. Sinfonia - Freiburger Barockorchester 2. Ich Will Den Kreuzstab Gerne Tragen 3. Mein Wandel Auf Der Welt 4. Endlich, Endlich Will Mein Joch 5. Ich Stehe Fertig 6. Komm, O Tod, Du Schlafes Bruder 7. I. Allegro - Katharina Arfken/Freiburger Barockorchester 8. II. Larghetto - Katharina Arfken/Freiburger Barockorchester 9. III. Allegro Ma Non Tanto - Katharina Arfken/Freiburger Barockorchester 10. Ich Habe Genug 11. Ich Habe Genug! 12. Schlummert Ein, Ihr Matten Augen 13. Mein Gott! Wenn KÖMMT Das Schöne Nun! 14. Ich Freue Mich Auf Meinen Tod

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After releasing all the Brandenburg Concertos and Orchestral Suites, Zefiro joins forces with authoritative singer Dominik Woerner to investigate the intriguing relationship between bass voice and reed instruments in Bach's sacred cantatas. InchJohann Sebastian Bach's son Carl Philipp Emanuel tells us of his father's talent as a singer 'He had a good penetrating voice of wide range and good singing style.' It is therefore not surprising that the three church cantatas for solo bass are among his most exquisite and personal vocal works. Singing voice and instruments enter into a special relationship in these pieces. The dense yet sensitive polyphony is filled with a warmth and tenderness that seems to bring us closer to Bach, who is otherwise so 'hermetically closed'. The 'I' voice in the poems of cantatas BWV 56 and 82 becomes the composer's voice. Bach's solo cantatas are precious gems whose subtle beauties go straight to the listener's heart.Inch - Peter Wollny Album Tracks 1. Cantata InchIch Habe GenungInch, BWV 82 2. From Cantata InchO Ewigkeit, Du DonnerwortInch, BWV 20 3. Cantata InchDer Friede Sei Mit DirInch, BWV 158 4. From Cantata InchAch Wie Flüchtig, Ach Wie NichtigInch, BWV 26 5. Cantata InchIch Will Den Kreuzstab Gerne TragenInch, BWV 56 6. From Cantata InchNimm Von Uns, Herr, Du Treuer GottInch, BWV 101

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