Moody Marsden - Real Faith - VINYL LP

Chaosbreed - Brutal returns to vinyl, offering a hard-hitting and unapologetic journey through the depths of raw, classic death metal. Originally released to critical acclaim, this album captures the essence of the early 2000s metal scene with powerful riffs, relentless energy, and a sound that's as aggressive as it is authentic. Chaosbreed, featuring veteran musicians from renowned metal acts like Amorphis and Sentenced, is known for their precision and unfiltered intensity, qualities that have earned them a devoted following. This reissue brings Brutal back to life on high-quality vinyl, allowing fans to rediscover the unyielding soundscapes that define this landmark . Don't miss the opportunity to own a piece of metal history, meticulously crafted for true collectors and enthusiasts of the genre. Album Tracks 1. Beyond the Immortal Spirit of Undying Death (Brutal) 2. Wretched Life (Brutal) 3. Casket Ride (Brutal) 4. Faces of Death (Brutal) 5. Moralized (Brutal) 6. Rotting Alive (Brutal) 7. Demon Skunk (Brutal) 8. Shitgrinder (Brutal) 9. Symptoms of the Flesh (Brutal) 10. F/C/D/C (Brutal) 11. Slutrush (Brutal) 12. An Evil Eye (Brutal)

Originally released in 1994, Real Faith reunites legendary guitarists Micky Moody and Bernie Marsden for a powerful blend of blues rock, soul, and melodic hard rock. Known for their iconic work in Whitesnake's early years, the duo channels that same chemistry into a set of original compositions rich in groove and guitar interplay. The album features a full band lineup, including Peter Stroud on bass, John Trotter on drums, and Josh Phillips on keyboards, with guest appearances by harmonica virtuoso Mark Feltham and a brass section that adds punch and texture. Moody and Marsden trade lead vocals and guitar solos with effortless synergy, delivering performances that are both fiery and refined. The songwriting is rooted in classic blues traditions but infused with contemporary flair and emotional depth. From slow-burning ballads to upbeat rockers, the album showcases their versatility and enduring musicianship. Real Faith stands as a testament to their legacy beyond Whitesnake, offering a mature, soulful take on British blues rock. Ideal for fans of guitar-driven storytelling and timeless rock craftsmanship, this remains a hidden gem in their shared discography. Album Tracks 1. Awakening/My Kind of Woman (Real Faith) 2. Real Faith (Real Faith) 3. Ozone Friendly (Real Faith) 4. Louisa (Real Faith) 5. Six Down and One Yo Go (Real Faith) 6. Fooling with My Heart (Real Faith) 7. Someday (Real Faith) 8. Silver on Her Person (Real Faith) 9. Can't Ever Happen to You (Real Faith) 10. 2000 Miles Back to Hell (Real Faith) 11. I Got a Mind to Get Even (Real Faith) 12. Kinda Wish You Would (Real Faith) 13. All Revved Up (Real Faith) 14. I'll Sing the Blues (Real Faith) 15. Genauso (Real Faith)

Paul Frankenburger left his native Germany in 1933 in response to the National Socialists' rise to power. Up to that point he had been fully immersed in the German tradition and his compositions followed in the footsteps of the great German post-Romantics like Mahler. Yet after arriving to the British Mandate of Palestine, not only did he change his name to Paul Ben-Haim, but his compositional style underwent a profound change as well. Devised by the young violinist Itamar Zorman, this album tracks how the music of the region gradually became an integral part of Ben-Haim's compositions. Six works spanning four decades represent different stages in this process of synthesis between East and West, the transformation of Frankenburger into Ben-Haim. Zorman, a prize-winner in the 2011 Tchaikovsky Competition, is supported by the BBC National Orchestra of Wales and Philippe Bach in the opening Evocation (Yizkor) from 1942, and the Violin Concerto, as well as in the arrangement (by the father of the soloist) of a Toccata, originally composed for the piano. These are interspersed by Three Songs without Words and Berceuse sfaradite, one of Ben-Haim's most popular works, in which Itamar Zorman is partnered by pianist Amy Yang. Also part of the programme is Ben-Haim's last composition for the violin, the Three Studies for Solo Violin, written in 1981 for Yehudi Menuhin.