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Olena Kushpler writes InchEver since my youth I have been fascinated by the music of Leoš Janácek initially by his vocal works, particularly Jenufa, an opera with an unadulterated 'peasant' tone of such radical authenticity that it transforms itself into avant-garde music. I only discovered Janácek's piano repertoire at a later date, and immediately grasped his basic aesthetic principle he wanted to write a music of truth. Virtuosity for virtuosity's sake had no place in his approach. I understood that the Bohemian master staked out a clear position in the great musical debate of the 1800s. It raged, on the one hand, between formal aesthetics, which viewed music as Inchsonically moving formsInch (in the words of Vienna critic doyen Eduard Hanslick), and, on the other hand, the musical content aesthetics of Berlioz, Schumann, Wagner, and Bruckner, who devoted their efforts to transforming poetry and even philosophy into music. In Janácek, I also feel that he strives to imbue each phrase with profound expression, thereby creating music that reflects his feelings, hopes, and disappointments. Janácek's music draws it's energy from contrasts, which can be violent at times each piece contains moments of brilliant luminosity as well as dramatic conflict. I view his piano cycle On An Overgrown Path as a clearly autobiographical work that reflects the experiences and moods he encountered in real life. The death of his daughter Olga led to profound despair, and the titles of individual pieces reflect how a father's thoughts revolved around the memories of his lost child. Our Evenings, A Blown-Away Leaf, and Words Fail are all individual pieces that foreshadow the tragedy to come. The cycle culminates in The Barn Owl Has Not Flown Away!, and we can note that folk belief viewed the barn owl as an ominous messenger of death.Inch

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57

Limited vinyl LP repressing in gatefold jacket. Bad is the seventh solo studio album by Michael Jackson. It was released on August 31, 1987, nearly five years after Jackson's previous studio album, Thriller. Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Five of the singles hit #1 in the United States, while a sixth charted within the Top Ten, and a seventh charted within the Top Twenty on the Hot 100. Bad peaked at #1 in thirteen countries and charted within the Top Twenty in other territories. Album Tracks 1. Bad 2. The Way You Make Me Feel 3. Speed Demon 4. Liberian Girl 5. Just Good Friends 1. Another Part of Me 2. Man in the Mirror 3. I Just Can't Stop Loving You - Michael Jackson Feat. Siedah Garrett 4. Dirty Diana 5. Smooth Criminal
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