
From the middle of the nineteenth century there was a blossoming of nationalism within the creative arts - very notably in music - in Finland that reflected the political mood in the country. From an international perspective, the dominant stature of Sibelius can often overshadow the wide-ranging works of his peers - something that this album goes some way to redressing. Robert Kajanus was the leading figure in Finnish music before Sibelius became established. His Overtura sinfonica is a late work, from 1926, which epitomises his style. Armas Järnefelt was a friend and fellow student of Sibelius, and eventually became his brother-in-law. Erkki Melartin wrote his incidental music for Prinsessa Ruusunen (Sleeping Beauty) for a production of Zachris Topelius's fairy-tale play at the Finnish Theatre. Ernst Mielck (who cruelly died aged twenty-one) was mentored by Robert Kajanus, who also conducted the première of Mielck's Dramatische Ouvertüre in Helsinki. Selim Palmgren was an acclaimed pianist and composer, and was eventually appointed Professor of Composition at the Eastman School of Music. The overture from his Tuhkimo-Sarja (Cinderella Suite) is particularly exotic. Another pianist-composer, Heino Kaski, spent his career as a teacher, leaving little time for composition. His Prélude is an orchestration of one of his most popular piano miniatures. The work of Uuno Klami is closer to European modernism, reflecting his studies in Paris and Vienna. Leevi Madetoja was perhaps the most talented of Sibelius's small number of private pupils. His Comedy Overture is an orchestral tour-de-force, with echoes of Richard Strauss. He was a native of Oulu, the home of the Oulu Sinfonia, conducted here by it's chief conductor, Rumon Gamba.
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From the middle of the nineteenth century there was a blossoming of nationalism within the creative arts - very notably in music - in Finland that reflected the political mood in the country. From an international perspective, the dominant stature of Sibelius can often overshadow the wide-ranging works of his peers - something that this album goes some way to redressing. Robert Kajanus was the leading figure in Finnish music before Sibelius became established. His Overtura sinfonica is a late work, from 1926, which epitomises his style. Armas Järnefelt was a friend and fellow student of Sibelius, and eventually became his brother-in-law. Erkki Melartin wrote his incidental music for Prinsessa Ruusunen (Sleeping Beauty) for a production of Zachris Topelius's fairy-tale play at the Finnish Theatre. Ernst Mielck (who cruelly died aged twenty-one) was mentored by Robert Kajanus, who also conducted the première of Mielck's Dramatische Ouvertüre in Helsinki. Selim Palmgren was an acclaimed pianist and composer, and was eventually appointed Professor of Composition at the Eastman School of Music. The overture from his Tuhkimo-Sarja (Cinderella Suite) is particularly exotic. Another pianist-composer, Heino Kaski, spent his career as a teacher, leaving little time for composition. His Prélude is an orchestration of one of his most popular piano miniatures. The work of Uuno Klami is closer to European modernism, reflecting his studies in Paris and Vienna. Leevi Madetoja was perhaps the most talented of Sibelius's small number of private pupils. His Comedy Overture is an orchestral tour-de-force, with echoes of Richard Strauss. He was a native of Oulu, the home of the Oulu Sinfonia, conducted here by it's chief conductor, Rumon Gamba.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

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