Paavo J rvi - Oresund Symphony Jarvi - COMPACT DISCS [CD]

Romuald Twardowski's considerable achievements in the field of choral music constitute a lasting contribution to the repository of the Polish culture. The music is characterized by a great variety of forms and genres, technical mastery, and they are united by the personality of the creator faithful to the Inchunity in diversityInch principle. The Czestochowa Philharmonic Choir InchCollegium CantorumInch conducted by Janusz Siadlak gathered in their repertoire works by Twardowski created over several decades. The present album is entirely devoted to this output, very well reflecting this genre diversity but also the ensemble's remarkably enormous performance capability. Album Tracks 1. Nokturny I, II = Nocturnes I, II (1960) 2. Kolysanki I, II = Lullabies I, II (1960) 3. Maty Koncert Na Orkiestre Wokalna = Small Concerto for Vocal Orchestra (1988) 4. Carmina de Mortuis 5. Lamentations (1979) 6. Exultate, Jubilate (2017) 7. Cantus S. Casimiri (2012) 8. Chwali, Dusze Moja, Gospoda = Praise the Name of the Lord (2000) 9. Blagoslowi Dusze Moja, Gospoda = Praise the Name of the Lord (2005) 10. Wsiakoje Dychanije = All Breath (1994)

The 1750 Project proposes a journey from 1720 to 1750, each stage of which will allow us to discover the richness and specificity of a city's musical life at a key juncture in it's history. For the first episode in the 1750 Project, we stop off in Venice around 1726, at a pivotal moment in the history of music when the meeting of two styles led to an aesthetic turning point. The city, then dominated by Antonio Vivaldi, also welcomed several other leading Italian composers, including the Neapolitan Nicola Porpora and the Milanese Giuseppe Sammartini, who was about to revolutionize the world of wind instruments. The city on the lagoon was a cultural hub and a mandatory destination in the itinerary of many nobles and musicians from northern Europe who wished to round off their training and culture. Several German composers, including Pisendel, Quantz, Hasse and Handel, passed through Venice in the early eighteenth century before returning to their native regions to spread the gospel of Italian music. Let us therefore, for a short while, put ourselves in the shoes of an imaginary traveller discovering the musical life of Venice around 1726. Album Tracks 1. Concerto for Oboe, Strings and Continuo in D minor, RV 454 2. Cantata All'ombra Di Sospetto for Soprano, Traverso and Continuo, RV 687 3. Sonata for Violin and B.C. in a Major, RV 758 4. Sonata for Harpsicord in E minor, K. 162 5. Aria InchPietoso Ciel DifendimiInch for Soprano, Oboe, Strings and Continuo 6. Cantata InchQuesto È Il Platano FrondosoInch for Soprano and B.C 7. Sonata for Oboe and B.C. in C Major, GSM 1323 8. Cantata InchChe Giova Il Sospirar, Povero CoreInch for Soprano, Strings and B.C

Album Tracks 1. Sinf Espressiva I. Lento 2. Sinf Espressiva II. Allegro Scherzando 3. Sinf Espressiva III. Adagio 4. Sinf Espressiva IV. Allegro Risoluto 5. Sinf Seria Part I 6. Sinf Seria Part II