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Philharmonia Orchestra - Lloyd: The Symphonies Nos. 7-12 - COMPACT DISCS [CD]

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Lloyd became a symphonist despite himself. When he was in his twenties he seemed destined to be a composer of operas and it is likely that, had the vicissitudes of war not intervened, he would have written music for the stage exclusively. In an article for the June 1939 issue of the Musical Monthly Record, Harry Farjeon wondered why music for Lloyd was 'not centred in the concert hall but in the theatre' and quoted the young composer as being 'interested only in opera'. There are strong traces in the symphonies of what might have been the intensely lyrical, cantabile nature of the writing, the intermezzo-like movements, the opera buffa qualities of the finales and the feeling for the long line which runs through those supple and sweeping melodies all denote a born opera composer. In the event his operatic aspirations were cruelly cut short and it is to his courageous, life-affirming twelve symphonies that we must look to chart his development, recovery and eventual triumph. Album Tracks 1. Symphony No. 7 (InchProserpineInch) 2. Symphony No. 9 3. Symphony No. 8 4. Symphony No. 10 (InchNovember JourneysInch) 5. Symphony No. 11 6. Orchestral Suite No. 1 from InchThe SerfInch 7. Symphony No. 12

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  • Genre
    Classical
    Description
    Lloyd became a symphonist despite himself. When he was in his twenties he seemed destined to be a composer of operas and it is likely that, had the vicissitudes of war not intervened, he would have written music for the stage exclusively. In an article for the June 1939 issue of the Musical Monthly Record, Harry Farjeon wondered why music for Lloyd was 'not centred in the concert hall but in the theatre' and quoted the young composer as being 'interested only in opera'. There are strong traces in the symphonies of what might have been the intensely lyrical, cantabile nature of the writing, the intermezzo-like movements, the opera buffa qualities of the finales and the feeling for the long line which runs through those supple and sweeping melodies all denote a born opera composer. In the event his operatic aspirations were cruelly cut short and it is to his courageous, life-affirming twelve symphonies that we must look to chart his development, recovery and eventual triumph. Album Tracks 1. Symphony No. 7 (InchProserpineInch) 2. Symphony No. 9 3. Symphony No. 8 4. Symphony No. 10 (InchNovember JourneysInch) 5. Symphony No. 11 6. Orchestral Suite No. 1 from InchThe SerfInch 7. Symphony No. 12
    Artist
    Philharmonia Orchestra
    Title
    Lloyd: The Symphonies Nos. 7-12
    Format
    CD
    Label
    Lyrita
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Philharmonia Orchestra - Lloyd: The Symphonies Nos. 7-12   - COMPACT DISCS [CD]
Philharmonia Orchestra - Lloyd: The Symphonies Nos. 7-12 - COMPACT DISCS [CD]

Lloyd became a symphonist despite himself. When he was in his twenties he seemed destined to be a composer of operas and it is likely that, had the vicissitudes of war not intervened, he would have written music for the stage exclusively. In an article for the June 1939 issue of the Musical Monthly Record, Harry Farjeon wondered why music for Lloyd was 'not centred in the concert hall but in the theatre' and quoted the young composer as being 'interested only in opera'. There are strong traces in the symphonies of what might have been the intensely lyrical, cantabile nature of the writing, the intermezzo-like movements, the opera buffa qualities of the finales and the feeling for the long line which runs through those supple and sweeping melodies all denote a born opera composer. In the event his operatic aspirations were cruelly cut short and it is to his courageous, life-affirming twelve symphonies that we must look to chart his development, recovery and eventual triumph. Album Tracks 1. Symphony No. 7 (InchProserpineInch) 2. Symphony No. 9 3. Symphony No. 8 4. Symphony No. 10 (InchNovember JourneysInch) 5. Symphony No. 11 6. Orchestral Suite No. 1 from InchThe SerfInch 7. Symphony No. 12

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