Phoebe Rings - Aseurai - COMPACT DISCS [CD]

This album is a compilation which is a fairly typical reflection on the programming of the Spannungen Festival. Most of the pieces in the programme are suggested by the musicians themselves, as they simply want to play those pieces with their colleagues as a way of trying to present unknown music of high caliber that is not often played in usual concert programmes to audiences. The Spannungen Festival is an annual, one-week chamber music festival held in June each year. The concerts are held at the Heimbach hydropower plant, Germany's most beautiful Art Nouveau Power Plant, which is nestled in the idyllic landscape of the Rureifel. The festival first was held in June 1998. Album Tracks 1. Three Preludes for Saxophone and Piano (1926) 2. Sonata for Horn, Trumpet and Trombone FP 33A (1922/45) 3. Cantilène Et Danse for Violin, Saxophone and Piano (1961) 4. Partita for Violin and Piano (1984) 5. Trio for Piano, Oboe and Bassoon FP 43 (1926)

Album Tracks 1. Bouch' Trou (Feat. Didier Lockwood and Thibault Lemoing) 2. Black Nile (Feat. Didier Lockwood and Thibault Lemoing) 3. Lucifer (Feat. Didier Lockwood and Thibault Lemoing) 4. Dédale (Feat. Didier Lockwood and Thibault Lemoing) 5. Naima (Feat. Didier Lockwood and Thibault Lemoing) 6. Les Feuilles Mortes (Feat. Didier Lockwood and Thibault Lemoing) 7. Penthésilée (Feat. Didier Lockwood and Thibault Lemoing) 8. Invitation (Feat. Didier Lockwood and Thibault Lemoing) 9. Arbres Argentés (Feat. Didier Lockwood and Thibault Lemoing) 10. Over the Rainbow (Feat. Didier Lockwood and Thibault Lemoing) 11. Mahjong (Feat. Didier Lockwood and Thibault Lemoing) 12. Parkway Haze (Feat. Didier Lockwood and Thibault Lemoing)

At the end of the 1970's, under the collective title InchYoung AvantgardeInch, the InchNeue Zeitschrift für MusikInch introduced seven composers from the generation which also includes Reinhard Febel. From their opinions it could be deduced that these representatives of the Inchnew tonalityInch are pursuing a radical break Inchwith the avant-garde value system that extends back to Schönberg. They reject not only particular methods of serial and post serial music, but even the concept of a musical avant-garde. Their polemic, against the idea of Inchmaterial tendencyInch as well as their renunciation of a materially oriented historical legitimization of their own compositional practice, conforms to this change in musical thinking. Album Tracks 1. Variationen FÜR Orchester 2. Das Unendliche FÜR Orchester Und Zwei Stimmen 3. Streichquartett