Robinella & the Cc Stringband - Robinella and The CCstringband - COMPACT DISCS [CD]

While it might be tempting to compare her sound and style to everyone from Norah Jones to Lauryn Hill, 23-year-old MoZella stakes out her own musical territory-pop melodies, jazzy soulful vocals-on her debut EP , a warm-up for her forthcoming full-length premiere. A beguiling blend of natural-born songwriting skills, a distinctive vocal gift and a lifetime steeped in music, MoZella could well be the most exciting new arrival from Detroit in decades. Maverick. 2005. Album Tracks 1. You Wanted It 2. Messiah 3. Can't Stop 4. Amnesia 5. Light Years Away

Album Tracks 1. Su la Cetra Amorosa - Midori Suzuki/Anthonello 2. Partite Sopra Ciaccona - Anthonello 3. Canzon Decima a 2 Soprani - Anthonello 4. Quel Sguardo Sdegnosetto - Midori Suzuki/Anthonello 5. Canzon Quarta - Anthonello 6. Quel Augellin Che Canta - Midori Suzuki/Anthonello 7. Ciaccona - Anthonello 8. Piangono Al Pianger Mio - Midori Suzuki/Anthonello 9. Fantasia Sobre El Canto Del Caballero - Anthonello 10. Amanti Io VI Sò Dire - Midori Suzuki/Anthonello 11. Ciaccona - Anthonello 12. Folias - Anthonello 13. Capona - Anthonello 14. O Vezzosetta Dalla Chioma D'oro - Anthonello

I could not have written it better myself!, remarked an astonished Brahms on hearing the 18-year-old Erno Dohnányi's Opus One (the First Piano Quintet) in the summer of 1895. Often hypercritical and disparaging of other composers, Brahms was so impressed by Dohnányi that he promoted his music in Vienna. Just two years later the elder composer passed away, but he might have remarked similarly about Dohnaìny's Cello Sonata in B flat of 1899. This magnificent composition sounds undeniably like an affectionate homage to him. In 1902, Dohnányi performed the Cello Sonata in Frankfurt with Hugo Becker, one of the most famous cellists and pedagogues of his time, and a few years later Becker would be the dedicatee of Dohnányi's Konzertstu¨ck in D Op.12 for cello and orchestra, which the composer also arranged for cello and piano. Dohnányi and his friend Béla Bartók, three years his junior, always admired each other, though they could not have differed more in terms of style and character, their diametrically opposed approaches particularly apparent in their use of Hungarian folksongs. By contrast to Bartók's innovative ethnomusicological perspective, Dohnányi continued presenting gypsy melodies in the Romantic fashion of Liszt and Brahms, as evidenced in his Ruralia Hungarica Op.32, a cycle of seven pieces scored for various forces, one of them (Op.32d) being for cello and piano. Album Tracks 1. Sonata in B-flat Op. 8~Allegro, ma non troppo 2. Sonata in B-flat Op. 8~Scherzo e Trio, Vivace assai 3. Sonata in B-flat Op. 8~Adagio non troppo 4. Sonata in B-flat Op. 8~Tema con variazioni 5. Konzertstück in D Op. 12 6. Ruralia Hungarica Op. 32d