Silesian Philharmonic Orchestra - Accordion Works - COMPACT DISCS [CD]

The motto of this new of Schubert's Symphonies Nos. 3 & 7 in E-major might be InchOn to new horizons!Inch In general, this phrase has positive connotations, and it offers an apt description for the sparkling innovative force driving forward Symphony No. 3 in D-major. Here, Schubert is still in a state of experimentation characterized by youthful energy, having overcome the teething troubles which plagued the previous Symphonies Nos. 1 and 2. Does the phrase, however, also apply to the completion of the score fragment of Symphony No. 7 in E-major? One has to admit that the answer is yes and no. On the one hand, the slow introduction of the Seventh in E-major sounds like something perfectly new (and something newly perfect), on the other, there may have been reasons why Schubert, who impatiently began composing straight into the sketched-out score, left the symphony a mere skeleton. Even in a version completed by another hand, this work is worth exploring, as it builds a bridge from the carefree Symphony No. 6 to Schubert's late works, the Unfinished Symphony and the Great Symphony in C-major. Two departures for new horizons - and they are two different horizons - are what we seek to document with this recording. Album Tracks 1. Symphony No. 3 in D Major, D. 200 2. Symphony No. 7 in E Major, D. 729

Album Tracks 1. Il Viaggio Di Tobia (Oratorio a Cinque Voci) 2. Parta Prima 3. Largo 4. Tobia, Tobia 5. Non Dispero 6. Genitore! 7. Pace Al Core 8. E Di Qual Pace, Oh Dio! 9. Cui Del Ciel 10. Tobia, Quanto Più Denso 11. Così Ridente 12. Amico, or Dimmi 13. Alma Godi 14. Se Della Gran Cariera 15. Di Speranza Sull'ali 16. In Flebili Accenti 17. Anna 18. Di Fortune E Pregi Adorno 19. Azarìa 20. Argenti Labili 21. Or T'accingi a Svenarlo 22. Non Senz'il Voler 23. Consorte 24. Azarìa 25. O Del Gran Monarca 26. Ma Già Dagli Alti Monti 27. Chi Del Ciel 28. Ma Raguele È Qesti 29. E Vostra Pietà 30. Di Speranza Sull'ali 31. Stolt'è L'uom 32. Amico, Io Mai Ti Vidi 33. Spirti Su Su 34. Io Già De' Nuovi Sposi 35. Sposa, De'toi 36. Delle Notti Primiere 37. Se Potrai L'occhio 38. De' Tuoi Degni Precetti 39. Resta, Dunque O Tobia 40. Parte Seconda 41. D'armoniche Trombe E Coro 42. Con Autissimo Fiero Dolor 43. E Qual Remora Infesta 44. Ma Rubelle Sian 45. Tobia 46. Cieli, Rendetemi 47. Tobia, Quanto Più Lieta 48. Di Tua Sposa 49. Or' in SÌ Gran Letizia 50. Tal È L'angue 51. Aure Gioconde 52. Per Rallegrar 53. Tobia, Per Ogni Parte 54. Lagrime a Mille a Mille Deh 55. Tobia, Poich'il Ritorno 56. Itene, O Sposi 57. Troppo De' Favor Suoi 58. Or Qui Rimanti in Pace 59. Intermezzo Strumentale 60. M'induce Il Timore 61. Tobia, S'il Mio Consiglio 62. E Quando Finirete 63. Anna, Deh Ti Consola 64. Erte Cime 65. Alto Signor 66. Ecco I Tuoi Genitori 67. Pur Vi/Ti Abbraccio E Vi/Ti Stringo 68. Chi Ouò Ridir la Gioia 69. Padre, Per Un Momento 70. Dae Gloria Al Re 71. A Te Signor, Mio Dio 72. Alla Gioia Ed Al Diletto 73. Figlio Di Qual Mercede 74. Or'al Polo

Since the 1960s the Polish accordion concerto has enjoyed increasing popularity and in recent years no one has inspired more composers to write for the instrument than Klaudiusz Baran. The three most important Polish concertos are showcased in this album. Marcin Blazewicz's concerto possesses a fascinating wealth of colors with spectacular passages and melodic arabesques cast in a richly communicative language. Mikolaj Majkusiak's youthful Concerto Classico is a virtuosic synthesis of old and contemporary forms, while in 1973 Bronislaw Przybylski wrote a swashbuckling concerto full of the folkloric influence of Polish dances. Album Tracks 5. Concerto polacco~II. Tempo rubato, molto espressivo 8. Concerto Classico~II. Lento drammatico - 9. Concerto Classico~III. Presto con fuoco