sterreichisch-Ungarische Haydn-Philharmonie - Portrait - BLU-RAY AUDIO
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sterreichisch-Ungarische Haydn-Philharmonie - Portrait [BLU-RAY AUDIO] date 08/27/2013
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- GenreClassicalDescriptionsterreichisch-Ungarische Haydn-Philharmonie - Portrait [BLU-RAY AUDIO] date 08/27/2013Artiststerreichisch-Ungarische Haydn-PhilharmonieTitlePortraitFormatBlu-Ray AudioLabelMDG
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sterreichisch-Ungarische Haydn-Philharmonie - Portrait [BLU-RAY AUDIO] date 08/27/2013

Blu-ray on TACET means use like a simple CD player. Enjoy either stereo or 5.1 as desired; switch over with a simple button push. The representation of detail compared with those of other recordings is unmatched. And the love of these four musicians for Joseph Haydn is heard in each and every note. 'Once again, the Auryn Quartet shows itself to be the ideally matched partner for Haydn's world of thought... hardly another ensemble will be able to hold a candle to them.' (klassik-heute)

Details 1. Allegro 2. Menuet - Trio 3. Adagio 4. Menuet - Trio 5. Allegro Molto 6. Allegro Molto 7. Menuet - Trio 8. Adagio 9. Menuet - Trio 10. Finale. Presto 11. Presto 12. Menuet - Trio 13. Adagio 14. Menuet. Allegretto - Trio 15. Finale. Allegro 16. Adagio 17. Menuet - Trio 18. Scherzo. Presto 19. Menuet - Trio 20. Presto

Ståle Kleiberg's concertos unfold in the space between poetry, passion and playfulness. This is contemporary music with which listeners can easily engage, but which does not for one moment compromise artistic quality. InchI try to form the musical expression so that it corresponds with my experience of life; or, to put it another way, to form it so that it is in accord with my conception of what it means to be a human being,Inch says Kleiberg about himself and his music. When the pandemic hit the world with full force in 2020, preparations for this album had been under way for some time. A recording involving a symphony orchestra and three soloists can hardly be arranged on a Monday and executed on a Tuesday - to put it mildly. There are many pieces of the jigsaw puzzle that must somehow find their place. When Norway went into lockdown in March 2020, the pieces were ready, contracts and agreements signed, and the recording dates booked. We wondered how it would all pan out. We even wondered for a while if the recordings could take place at all. Fortunately, the flexibility and the readiness to find creative solutions to new problems shown by everyone involved meant that we were able to get the job done in spite of all the difficulties. In fact, we experienced a personal presence and greater attention to detail than ever before, rather like recording chamber music with the sonic palette of the full orchestra.
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