The Builders and the Butchers - No Tomorrow - COMPACT DISCS [CD]

The Builders and the Butchers were formed in the fall of 2005 in Portland, Oregon.  The band's first two years consisted of busking, playing house shows, and showing up unannounced anywhere around Portland where people were gathered.  Folks began to take notice and the band transitioned slowly, going from playing on the floor of venues unplugged to gradually adding a mic here, an amp there, until they organically grew into one of the most exciting live acts in the Pacific Northwest.  Even when plugged in, a cornerstone of almost every builders show is playing on the floor at some point during the set.The Builders wrote their sixth studio album Hell & High Water (Badman Recording Co.) together as a band in a boat house in the marina where bass player Willy Kunkle lives. Frontman Ryan Sollee explains further InchThrough the fall and winter of 2019, we would gather weekly, make a fire, drink beer and whisky and try to find some cohesiveness in these tunes. This gathering place was the most inspiring we have had in any creative process for any album up to that date.Inch It ended up being a stark contrast to the year that followed. After laying down the initial studio drum tracks with Dylan Badman Magierek for the album in February 2020, they worked remotely - which pushed the band way past it's usual comfort zone. Album Tracks 1. The River 2. West Virginia 3. Strangers Blood 4. Nebraska 5. Name in the Sky 6. Out of the Rain 7. Stop the Rain 8. God Help Us 9. Hand in the Grave 10. Montana 11. There Is a Fire 12. Sonoran Highway Song

Album Tracks 1. Animã© 2. Lã¡Nguidamente 3. Vivo 4. Allegro Non Troppo 5. Lento 6. Allegro Impetuoso 7. Prelude 8. Allegretto Assai 9. Elegy 10. Scherzo 11. Theme 1 12. Theme 1. Variation 1. Precipitato 13. Theme 1. Variation 2. Molto Agitato 14. Theme 1. Variation 3. Tranquillo 15. Theme 1. Variation 4 16. Theme 1. Variation 5. L'istesso Tempo 17. Theme 1. Variation 6. Presto Bizarro 18. Theme 1. Variation 7 19. Theme 1. Variation 8. Allegro Giocoso 20. Theme 2 21. Theme 2. Variation 9 22. Theme 2. Variation 10 23. Theme 2. Variation 11 24. Theme 2. Variation 12. Teneramente, Solare 25. Theme 2. Variation 13 26. Theme 2. Variation 14 27. Theme 2. Variation 15 28. Themes 1 and 2

On How to Dress Well's fourth LP, Care, Tom Krell sings about what it really means to care - for others, for the world, and for himself - with a voice which has more clarity and depth than ever before. Care is an exploratory, journeying record in which Krell employs a broad range of distinct styles and emotional tones in pursuit of the knowledge of what it really means to be a human in the world and how to do that in the truest way he can. But Care is not a concept album about the act of caring. It is, Krell says, an Inchenactment of care.Inch In other words, he is re-learning how to care for himself and others through this music. The album is a beaming pop record, yet it is a natural step in Krell's evolution. Now four albums deep, Krell has become something of a career artist, teasing out ideas from earlier records even as he pushes his sound in new directions. Care feels personal, like the work of one man rediscovering every component of his rich life, but it's actually the product of a fruitful collaborative relationship with a group of trusted producers, including 21st century dancehall innovator Dre Skull (Drake, Popcaan), ambient sound sculptor Kara-Lis Coverdale, experimental electronic producer, Grammy award nominee, and regular How to Dress Well collaborator CFCF, as well as pop maven Jack Antonoff (Taylor Swift, Sia, Tegan and Sara), who brought a polished sound to upbeat tracks InchLost Youth/Lost YouInch and InchI Was Terrible.Inch The weight of Antonoff's production, and the refined work of mix engineerAndrew Dawson (Kanye West, Sleigh Bells), further accentuate Krell's remarkable growth as an artist. The producers on Care are a diverse group, from many disparate corners of the music industry. Here, for the first time, Krell acts as an executive producer, coaxing unexpected sounds from his collaborators while allowing them to exist in their own separate