The King - Soul On My Boots: The Collection - COMPACT DISCS [CD]

In the late 1960s, the American trumpet player and free jazz pioneer Don Cherry (1936-1995) and the Swedish visual artist and designer Moki Cherry (1943-2009) began a collaboration that imagined an alternative space for creative music, most succinctly expressed in Moki's aphorism Inchthe stage is home and home is a stage.Inch By 1972, they had given name to a concept that united Don's music, Moki's art, and their family life in rural Tagårp, Sweden into one holistic entity Organic Music Theatre. Captured here is the historic first Organic Music Theatre performance from the 1972 Festival de jazz de Chateauvallon in the South of France, mastered from tapes recorded during it's original live broadcast on public TV. A life-affirming, multicultural patchwork of borrowed tunes suffused with the hallowed aura of Don's extensive global travels, the performance documents the moment he publicly jettisoned his identity as a jazz musician, and represents the start of his communal InchmysticalInch period, later crystallized in recordings such as Organic Music Society, Relativity Suite, Brown Rice, and the soundtrack for Alejandro Jodorowsky's The Holy Mountain.The musicians in Don Cherry's New Researches, hailing from Brazil, Sweden, France, and the US, converged on Chateauvallon from all over Europe. The five-person band-Don and Moki Cherry, Christer Bothén, Gérard InchDoudouInch Gouirand, and Naná Vasconcelos- performed in an outdoor amphitheater and were joined onstage by a dozen adults and children, including Swedish friends who tagged along for the trip and Det Lilla Circus (The Little Circus), a Danish puppet troupe based in Christiania, Copenhagen. The was lined with Moki's carpets and her handmade, brightly colored tapestries, depicting Indian scales and bearing the words Organic Music Theatre, dressed the stage. As the musicians played, members of Det Lilla, led by Ann

Testigo - Maquinal [COMPACT DISCS] Argentina - Import date 10/07/2016

By the 1950s, Roy Acuff's crown was slipping. He wasn't the star that he had been, but he was still making great records as this collection of ultra-rare sides cut between 1953 and 1958 for Capitol, Decca and MGM shows. Roy was adapting to the changing face of country music, but still making music that was true to his original vision. He re-made some of his biggest hits, including Great Speckled Bird, Lonely Mound Of Clay, Wreck on The Highway, and Precious Jewel. He also recorded some surprisingly good new songs including Goodbye Mister Brown (with Kitty Wells) and I Closed My Heart's Door, which was as powerful a performance as any he ever made. Album Tracks 1. What Will I Do 2. Is It Love or Is It Lies 3. Lonesome Joe 4. Sweep Around Your Own Back Door 5. Don't Say Goodbye 6. Swamp Lily 7. Sixteen Chickens and a Tambourine 8. Rushing Around 9. Whoa Mule 10. Sunshine Special 11. I Closed My Heart's Door 12. I'm Planting a Rose 13. River of Crystal 14. Please Daddy Forgive 15. Streamline Heartbreaker 16. Six More Days 17. The Thief Upon Thee Tree 18. Don't Judge Your Neighbor 19. The Night Spots (Of the Town) 20. The Great Speckled Bird 21. Lonely Mound of Clay 22. Pins and Needles (In My Heart) 23. Wabash Cannon Ball 24. The Great Judgement Morning 25. The Wreck on the Highway 26. The Precious Jewel 27. Night Train to Memphis 1. Little Moses 2. What Do You Think About Me 3. Oh Those Tombs 4. Come Back Little Pal 5. Fire Ball Mail 6. I'm Building a Home (In the Sky) 7. The Great Titanic 8. Goodbye Mr. Brown (& Kitty Wells) 9. Mother Hold Me Tight (& Kitty Wells) 10. Crazy Worried Mind 11. Along the China Coast 12. It's Hard to Love 13. Plant Some Flowers By My Graveside 14. I Wanta Be Loved 15. I Like Mountain Music 16. Jesus Died for Me 17. Thank God 18. Were You Th