Tiger House - BLU-RAY
About this product
After injured gymnast Kelly sneaks a visit into her boyfriend's house, the house is attacked by armed robbers, but don't see Kelly. Kelly decides to take on the robbers herself who are holding Kelly's boyfriend and his mother hostage to while their husband/father-banker banker must aid them in a bank scam to protect his family. A savage game of cat and mouse ensues between Kelly and the intruders.
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Blu-raySpecifications
- GenreThrillerDescriptionAfter injured gymnast Kelly sneaks a visit into her boyfriend's house, the house is attacked by armed robbers, but don't see Kelly. Kelly decides to take on the robbers herself who are holding Kelly's boyfriend and his mother hostage to while their husband/father-banker banker must aid them in a bank scam to protect his family. A savage game of cat and mouse ensues between Kelly and the intruders.TitleTiger HouseFormatBlu-rayMPAA RatingRStudioMagnolia Home Ent
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Rating 3.5 out of 5 stars with 10 reviews
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After injured gymnast Kelly sneaks a visit into her boyfriend's house, the house is attacked by armed robbers, but don't see Kelly. Kelly decides to take on the robbers herself who are holding Kelly's boyfriend and his mother hostage to while their husband/father-banker banker must aid them in a bank scam to protect his family. A savage game of cat and mouse ensues between Kelly and the intruders.

After injured gymnast Kelly sneaks a visit into her boyfriend's house, the house is attacked by armed robbers, but don't see Kelly. Kelly decides to take on the robbers herself who are holding Kelly's boyfriend and his mother hostage to while their husband/father-banker banker must aid them in a bank scam to protect his family. A savage game of cat and mouse ensues between Kelly and the intruders.

Lovers of film noir have long treasured this eerie gem, produced during what has come to be regarded as Hollywood's classic noir period (early-1940s to late-1950s). Edward G. Robinson plays an aging farmer with a dark secret he's trying to keep hidden. He and his sister Ellen (Judith Anderson) have raised Meg (Allene Roberts) since she was a little girl, after her parents mysteriously disappeared. But now Meg is coming of age, and bringing a male friend from high school around to help with chores on the farm. The teens are warned against wandering into the nearby woods, where terrifying screams have been heard in the night emanating from an abandoned red house. But curiosity threatens to get the better of them. Director Delmer Dave's enjoyed a successful, 35-year career in Hollywood as a producer, director and writer (he adapted this particular story from a novel first serialized in the Saturday Evening Post in 1945). Better-known for tough westerns and war movies (including 3 10 to Yuma, Broken Arrow and Destination Tokyo), this film was an interesting diversion for him. But credit is also due to cinematographer Bert Glannon, a veteran of numerous noir/crime titles (not to mention work with such acclaimed directors as John Ford and Cecil B DeMille), who was responsible for executing the sort of unexpected camera angles and shadowy lighting that would become the signature of a good film noir. Meanwhile, viewers will also want to watch for a young Julie London, appearing in one of her earliest film roles.

A scorching love triangle ignites between the iconic Jane Fonda (Klute, Coming Home), sultry Lola Albright (Kid Galahad, Lord Love a Duck) and Alain Delon (The Sicilian Clan, Un Flic) in Rene Clement's Joy House (Les Felins). Delon stars as Marc, a dashing young con man on the run from the mob. After seeking refuge in the Riviera villa of the widowed Barbara (Albright) and her curvaceous cousin, Melinda (Fonda), Marc becomes trapped in the passionate snares of both women, who are full of sinister surprises. A neglected masterpiece from director Rene Clement (Forbidden Games, Is Paris Burning?, Rider on the Rain, And Hope to Die), Joy House weaves a wicked web of hidden desires and all-too-human corruptions. Lalo Schifrin (Coogan's Bluff) provides the eerie musical score; Henri Decae (Le Samourai) serves up the sumptuous cinematography.
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