After the great success that Il Trovatore received in Paris, Verdi was proposed to compose a French version of the opera to suit the tastes of the local public. The original work, based on the Spanish play El trovador by Antonio García Gutiérrez, had a libretto by Cammarano, which was translated into French by Émilien Pacini. Le Trouvère was first staged in Brussels in 1856 and premiered at the Paris Opera in 1857. In this new version the composer added some music in act 3 for the gypsie ballet scene, extended the finale of act 4 and made several other revisions. The plot is highly dramatic and captivating Verdi portrays strong characters who deal with war, obsession and revenge. To use director Robert Wilson's words Inchthis is a family tragedy, and in many ways, it is a very contemporary story.Inch Wilson's approach to the opera aims at preserving it's emotional strength by using a very essential décor, whose main element is light InchAs a director, when I design the stage and lighting, I think about if what I see can help me hear better. Le Trouvère requires a tremendous amount of concentration, so the set I designed is abstract in order to create a space for the music in the Farnese. I have designed an environment in concrete, creating a juxtaposition to the theatre's ornate interior. [...] Light in my work functions as part of the architectural whole. It is an element which helps us hear and see. Without light there is no space. To light a world that Verdi has described as so dark, one needs light to make the space darker.Inch In the set's background the director also uses some photos by American photographer Robert Rosenkranz. This production was staged in the splendid Teatro Farnese of Parma, which was built in 1628 and belongs to the Complesso Monumentale della Pilotta, one of the oldest museums in Italy. Extra content Interview with the curator of the Muse
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After the great success that Il Trovatore received in Paris, Verdi was proposed to compose a French version of the opera to suit the tastes of the local public. The original work, based on the Spanish play El trovador by Antonio García Gutiérrez, had a libretto by Cammarano, which was translated into French by Émilien Pacini. Le Trouvère was first staged in Brussels in 1856 and premiered at the Paris Opera in 1857. In this new version the composer added some music in act 3 for the gypsie ballet scene, extended the finale of act 4 and made several other revisions. The plot is highly dramatic and captivating Verdi portrays strong characters who deal with war, obsession and revenge. To use director Robert Wilson's words Inchthis is a family tragedy, and in many ways, it is a very contemporary story.Inch Wilson's approach to the opera aims at preserving it's emotional strength by using a very essential décor, whose main element is light InchAs a director, when I design the stage and lighting, I think about if what I see can help me hear better. Le Trouvère requires a tremendous amount of concentration, so the set I designed is abstract in order to create a space for the music in the Farnese. I have designed an environment in concrete, creating a juxtaposition to the theatre's ornate interior. [...] Light in my work functions as part of the architectural whole. It is an element which helps us hear and see. Without light there is no space. To light a world that Verdi has described as so dark, one needs light to make the space darker.Inch In the set's background the director also uses some photos by American photographer Robert Rosenkranz. This production was staged in the splendid Teatro Farnese of Parma, which was built in 1628 and belongs to the Complesso Monumentale della Pilotta, one of the oldest museums in Italy. Extra content Interview with the curator of the Muse
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Eight-disc set includes Back To The Future (1985) Michael J. Fox stars as Marty McFly, a teen from 1985 who accidentally travels back to 1955 in a time machine constructed out of a DeLorean by his friend, frazzled scientist Doc Brown (Christopher Lloyd). Trapped in the past, Marty must restore the timeline by playing matchmaker to his future parents (Crispin Glover and Lea Thompson) while Doc's '50s counterpart tries to help him get back to 1985. Thomas F. Wilson also stars in director Robert Zemeckis' exciting blend of sci-fi, action, and comedy. 116 minutes. Back To The Future Part II (1989) Marty (Michael J. Fox) and Doc (Christopher Lloyd) are back for more adventures in time in this smash sequel. After zipping ahead to the year 2015, the duo returns to an altered 1985, leading to another trip to the 1950s in order to undo the damage caused by Biff Tannen (Thomas F. Wilson) and a sports almanac he brought back from the future. Fox also appears as Marty's kids, Marty, Jr., and Marlene. With Lea Thompson, Elisabeth Shue. 108 minutes. Back To The Future Part III (1990) The third and final entry in the popular time-traveling trilogy finds Marty (Michael J. Fox) heading to the Old West to help his pal Doc (Christopher Lloyd). But while Doc falls head-over-heels for a sweet schoolmarm (Mary Steenburgen), it's Marty's feud with notorious gunslinger and outlaw Buford InchMad DogInch Tannen (Thomas F. Wilson) that may prevent them from ever returning to the present. Lea Thompson co-stars, with Fox also appearing as Marty's ancestor Seamus McFly. 118 minutes.
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