Ute Kreidler - Du Angenehme Nachtigall - COMPACT DISCS [CD]

Album Tracks 1. The Ruins of the Heart - Diane Thome/Mary Henderson 2. Miranda - John Rahn 3. Saxonomy - Richard Karpen/Michael Brockman 4. Kali - John Rahn 5. Denouement - Richard Karpen

The Bluethroat is a delightful bird which quickly endears itself to anyone fortunate enough to observe it.Although the playing time of a CD is not enough to demonstrate the full repertoire of a singing Bluethroat, the listener should gain a clear impression of this virtuoso's song from the recordings presented here The longer you listen, the more you become aware of the seemingly endless variety of the song with it's numerous and deceptively accurate imitations of other birds' voices and even mimicry of frogs, crickets, peals of bells, and other sounds from the breeding grounds and winter quarters. Little wonder that the Sami people of Lappland call the Bluethroat Inchthe bird of a thousand voicesInch. These recordings of the Bluethroat's song were made with the Sony Digital System PCM 2000 (DAT-Recorder); the Red-spotted Bluethroat with a Neumann RSM 190 stereo-microphone with windshield, and the White-spotted Bluethroat with 2 Sennheiser MKH 30 microphones using the InchBlümleinInch technique; here too, a shield had to be used because of the strong wind. Album Tracks 1. Leise Wasserpieper Und Anflug Des Blauke 2. Anflug Mit InchGlockenInch-Imitation 3. Alpenschneehuhn. Imitation 4. Blaukehlchen-Anflug Mit InchGlockenInch Imitat 5. Morgenwind + Leise Wasserpieper Weit Weg 6. Ein Anderes Rotsterniges Blaukehlchen Si 7. Morgenstimmung Am Neusiedler See (Seewin 8. Leise Grosse Rohrdommel Weit Weg + Fasan 9. + Leise Kuckuck-Weibchen (Qui... Qui 10. Leise Drosselrohrsã¤Nger Singt Weiter Weg 11. + Kuckuck-Weibchen Recht Nah 12. + Drosselrohrsã¤Nger 13. + Teichfrã¶Sche Recht Laut + Weit Weg la

Wolfgang Riehm is a prominent figure in the European new music scene. Riehm's early work, combining contemporary techniques with the emotional volatility of Mahler and of Schoenberg's early expressionist period, was regarded by many as a revolt against the avant-garde generation of Boulez and Stockhausen (with whom he studied). This disc offers a portrait of Riehm's recent compositions, including the fascinating recorder concerto Au bord d'une source, which is loosely based on Franz Liszt's Années de Pèlerinage. Album Tracks 1. Lenz in Moskau 2. Im Nachtigallental 3. Ton FÜR Ton (Weiße Straßen Babylons) 4. Au Bord D'une Source