Various Artists - Remixes Jid010 (Various Artists) - VINYL LP

Remixes JID020 is the twentieth installment in the Jazz Is Dead catalog. This remix album features London based artists Shabaka Hutchings and Theon Cross, New York tastemaker Melanie Charles, LA based producer Bei Ru, Brazil's DJ Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo LO & Diisko. Remixers sampled the previously Jazz Is Dead records created by Adrian Younge, Ali Shaheed Muhammad and icons including the following Lonnie Liston Smith, Jean Carne, Tony Allen, Henry Franklin, Phil Ranelin, Wendell Harrison, Garrett Saracho, and Katalyst. Album Tracks 1. Don't Believe the Dancers (Remix) 2. Phoenix (Remix) 3. Reflections (Remix) 4. Love Brings Happiness (Remix) 5. Black Rainbow (Remix) 6. African Sun (Remix) 7. Altitude (Remix) 8. Running with the Tribe (Remix)

Remixes JID020 is the twentieth installment in the Jazz Is Dead catalog. This remix album features London based artists Shabaka Hutchings and Theon Cross, New York tastemaker Melanie Charles, LA based producer Bei Ru, Brazil's DJ Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo LO & Diisko. Remixers sampled the previously Jazz Is Dead records created by Adrian Younge, Ali Shaheed Muhammad and icons including the following Lonnie Liston Smith, Jean Carne, Tony Allen, Henry Franklin, Phil Ranelin, Wendell Harrison, Garrett Saracho, and Katalyst. Album Tracks 1. Don't Believe the Dancers (Remix) 2. Phoenix (Remix) 3. Reflections (Remix) 4. Love Brings Happiness (Remix) 5. Black Rainbow (Remix) 6. African Sun (Remix) 7. Altitude (Remix) 8. Running with the Tribe (Remix)

Pietro Locatto writes of his new InchThis recording was not primarily created for the purpose of creating a monographic work based on part of Federico Moreno Torroba's repertoire for guitar, but originates from a personal and deeper need to recognize the relationship with my instrument in an expressive world. A world that can encompass within itself the aspects of my own way of playing, which is closer to how I personally Inchfeel the guitarInch, thus fixing an image, as true as possible, of this first step of my life and my artistic research. I have always been strongly fascinated by the Impressionist pictorial world, or more generally speaking of what actually comprises Art, by virtue of the fact it is able to synthesize a broader picture through micro images. Impressionism is a current which does not claim to elevate itself as an ambassador of Inchhigh idealsInch, it is more hedonistic. It finds it's strength in grasping that disenchanted beauty which originates from the joy itself of enjoying the smaller things of everyday life, that become the celebrated main actor in all it's nuances. This kind of art is born within a context where the rhythms of Man are still marked by it's relationship with the earth. Throughout Spain at the time, even more so than elsewhere, this expressive universe had as it's leading actors landscapes, nature en plein air, popular songs, village dances, changing colours, light, sounds (the Piezas caracteristicas of this record are an emblematic example in this sense). Federico Moreno Torroba's guitar music is heir to this expression. Not only. This is also one of the deepest InchsoulsInch of the guitar, which reveals itself in a completely unique way, both narrator and main integral participant of this reality, of which it is an eloquent spokesman.Inch Album Tracks 1. Suite Castellana (1920) 2. Sonatina (1923) 3. Preludio (1928