A Love Supreme [LP] [VINYL]

180-gram vinyl. Louis Armstrong was one of the most influential figures in the jazz scene. As a trumpeter, singer, and composer he recorded some of the most famous songs the world would ever hear. This Collected combines the songs from his early days with his big hits and collaborations with other artists. Album Tracks 1. West End Blues 2. Ain't Misbehavin' 3. Body and Soul 4. I Got Rhythm 5. I'm in the Mood for Love 6. La Cucaracha 7. Jeepers Creepers 8. When the Saints Go Marching in 9. Perdido Street Blues 10. La Vie en Rose 11. It Takes Two to Tango 12. High Society Calypso 13. Top Hat, White Tie, and Tails 14. When You're Smiling (The Whole World Smiles with You) 15. A Kiss to Build a Dream on 16. Blueberry Hill 17. Hello, Dolly! 1. Faith 2. Mame 3. The Circle of Your Arms 4. What a Wonderful World 5. Bare Necessities 6. Life of the Party 7. Canal Street Blues - King Oliver's Creole Jazz Band 8. Weather Bird - Earl Hines 9. Just a Gigolo - Sebastian New Cotton Club 10. On a Cocoanut Island - the Polynesians 11. You Can't Lose a Broken Heart - Billie Holliday 12. Dream a Little Dream of Me - Ella Fitzgerald 13. Gone Fishin' - Bing Crosby 14. Big Butter and Eggman - Velma Middleton 15. Summertime - Ella Fitzgerald 16. Makin' Whoopee - Oscar Peterson 17. Onkel Satchmo's Lullaby - Die Kleine Gabriele 18. The Five Pennies Saints - Danny Kay

Analogue Productions (Atlantic Series) Celebrating the 75th Anniversary of Atlantic Records! John Coltrane's watershed 1960 featuring the iconic title track and 'Naima' One of the most influential jazz albums of all time! 180-gram 45 RPM double LP Mastered directly from the original master tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing Released in 1960, Giant Steps was a watershed album for John Coltrane, solidifying the saxophone legend's reputation as one of the most influential and innovative musicians in jazz history, as well as delivering jazz to an increasingly mainstream audience, while garnering significant critical acclaim. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked here by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers - who was the only bandmember other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated - replicating the alternate non-Bill Evans lineup featured on 'Freddie the Freeloader' on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos - enabling