
FREE shipping to
The soundtrack of InchAlzati SpiaInch (Stand Up, Spy), composed by Ennio Morricone, is a masterful example of how music can intensify the atmosphere of a spy film. Released in 1982, the film, directed by Yves Boisset and starring Lino Ventura and Michel Piccoli, is a dark and psychologically intense thriller that explores the dark side of intelligence operations during the Cold War. The film stands out for it's ability to balance narrative tension and reflection, with a protagonist trapped in a world of betrayal and double-crossing. The soundtrack perfectly reflects the soul of the film. Morricone, as always, knows how to skillfully dose minimalism and complexity. The main theme is built on a haunting melody, punctuated by slow and penetrating chords that evoke a sense of mystery and imminent danger. The use of instruments such as the piano, strings and synthesizer creates a hypnotic soundscape, capable of immersing the viewer in the cold and paranoid atmospheres of the plot. A distinctive aspect is the alternation between moments of rarefied delicacy and sudden dramatic crescendos, which reflect the constant emotional tension experienced by Ventura's character. The recurring leitmotif, simple but extraordinarily effective, becomes almost a silent voice that accompanies the viewer into the labyrinth of deceptions of the film. Morricone demonstrates once again his ability to innovate, even in a genre often limited by sound conventions. It is not just background music, but a narrative element in all respects, which amplifies the sense of isolation and inevitability that permeates the story. InchAlzati spiaInch is a film that stands out for it's realistic approach to the spy genre. Lino Ventura offers an extraordinary performance, embodying an ordinary man dragged into a web of secrets he cannot control. Yves Boisset, with his sober but incisive direction, stages a thril
This product doesn't have any reviews yet.

The soundtrack of InchAlzati SpiaInch (Stand Up, Spy), composed by Ennio Morricone, is a masterful example of how music can intensify the atmosphere of a spy film. Released in 1982, the film, directed by Yves Boisset and starring Lino Ventura and Michel Piccoli, is a dark and psychologically intense thriller that explores the dark side of intelligence operations during the Cold War. The film stands out for it's ability to balance narrative tension and reflection, with a protagonist trapped in a world of betrayal and double-crossing. The soundtrack perfectly reflects the soul of the film. Morricone, as always, knows how to skillfully dose minimalism and complexity. The main theme is built on a haunting melody, punctuated by slow and penetrating chords that evoke a sense of mystery and imminent danger. The use of instruments such as the piano, strings and synthesizer creates a hypnotic soundscape, capable of immersing the viewer in the cold and paranoid atmospheres of the plot. A distinctive aspect is the alternation between moments of rarefied delicacy and sudden dramatic crescendos, which reflect the constant emotional tension experienced by Ventura's character. The recurring leitmotif, simple but extraordinarily effective, becomes almost a silent voice that accompanies the viewer into the labyrinth of deceptions of the film. Morricone demonstrates once again his ability to innovate, even in a genre often limited by sound conventions. It is not just background music, but a narrative element in all respects, which amplifies the sense of isolation and inevitability that permeates the story. InchAlzati spiaInch is a film that stands out for it's realistic approach to the spy genre. Lino Ventura offers an extraordinary performance, embodying an ordinary man dragged into a web of secrets he cannot control. Yves Boisset, with his sober but incisive direction, stages a thril

La Cosa Buffa is a 1972 drama and sentimental film based on the novel of the same name by Giuseppe Berto, directed by Aldo Lado and starring Gianni Morandi and Ottavia Piccolo. The film falls into a wide category of cinematographic works that deal with relationships between adults and adolescents, and consequently the soundtrack, composed and orchestrated by Ennio Morricone, lives on a romantic theme and numerous variations whose melodies are mainly entrusted to the strings, the harpsichord and, in several cases, to the inevitable voice of Edda Dell'Orso; the only exceptions, the InchDanceable N.1Inch and InchN.2Inch versions of the title-track, two rhythmic songs of the 60s beat genre. Exactly fifty years after the previous vinyl edition, InchLa Cosa BuffaInch sees the light again in the same , in a special version with a completely renewed artwork characterized by a faithful reproduction of the original poster of the film on the cover. Yellow vinyl edition. Audio remastered by Claudio Fuiano. Album Tracks 1. La Funny Thing 3 07 2. Thinking About Maria 3 28 3. Indecision with Maria 3 10 4. Exercise with Marika 1 55 5. Strange Thoughts 3 09 6. Homecoming 1 44 7. La Funny Thing - Danceable No.1 1 51 8. La Funny Thing - Reprise 4 1 16 9. Like Romeo and Juliet 2 19 10. Raindrops 3 09 11. Incomplete Catalog 9 38 12. La Funny Thing - Danceable N.2 1 44 13. La Funny Thing - Danceable N.5 1 31

Il Gatto (The Cat) is a 1977 film, a comedy often tinged with detective story elements that tells about two brothers, played by Ugo Tognazzi (Amedeo Pegoraro) and Mariangela Melato (Ofelia Pegoraro), who cynically do everything they can to get a building they own cleared of all it's tenants in order to sell it for a profitable sum. The soundtrack of this film, directed by Luigi Comencini and produced by Sergio Leone, was entrusted to Maestro Ennio Morricone, who produced a decidedly varied score in which the addictive funk-rock of InchGli ScatenatiInch, worthy of the best Italian-style detective stories, stands out among other tracks. The main theme is initially reminiscent of the unforgettable InchIndagine su un cittadino al di sopra di ogni sospettoInch, but without the dramatic charge of Elio Petri's masterpiece and, like most of the other tracks, it thrives on folkloristic and popular atmospheres. Album Tracks 1. Il Gatto 3 05 2. L'attico Illuminato 1 56 3. Gli Scatenati 3 37 4. Terrazza 2 57 5. Mariangela E la Seduzione 2 57 6. Ofelia E Il Prete 1 00 7. Samba in Tribunale 2 42 8. Indagine Di Amedeo 1 41 9. Rag Del Commissario 0 57 10. Quartetto Tiberini 5 01 11. Terzo Piano, Interno Due 3 27 12. L'assegno 1 40 13. Le Polpette Avvelenate 0 39 14. Mariangela E la Seduzione (Alternate Version) * 2 57 15. Il Gatto (Alternate Version) * 3 13

La Moglie Più Bella (The Most Beautiful Wife) is a 1970 dramatic film directed by Damiano Damiani, in which a very young Ornella Muti made her debut. The soundtrack, composed by Ennio Morricone and conducted by Bruno Nicolai, remained unreleased until the 90s, with the exception of two songs (the title-track and InchTema di FrancescaInch) that were released on a 45rpm single. This is therefore the first ever vinyl of this soundtrack! Album Tracks 1. La Moglie Più Bella 2. La Moglie Più Bella (Rapimento in Campo Aperto) 3. La Moglie Più Bella 4. La Moglie Più Bella (Nascosta) 5. La Moglie Più Bella (Dramma Lontano) 6. La Moglie Più Bella 7. La Moglie Più Bella (Lupara) 8. La Moglie Più Bella (In Campo Aperto) 9. La Moglie Più Bella 10. La Moglie Più Bella (Ritrovata) 11. Tema Di Francesca 12. La Moglie Più Bella 13. La Moglie Più Bella (In Campo Aperto - Alternate Version) 14. La Moglie Più Bella