Various Artists - Amerikinda: 20 Years Of Dualtone (Various Artists) - VINYL LP

Limited Edition 2 x LP pressed on multi-colored vinyl. 50th Anniversary Edition 45rpm Double LP! Cut by Chris Bellman at Bernie Grundman Mastering! New Stereo Mix By Bob Clearmountain Overseen by Robbie Robertson! When The Band's seminal eponymous second album was released fifty years ago on September 22, 1969, not much more was known about the reclusive group than when they released their landmark debut, Music From Big Pink, to widespread critical praise and bewilderment, just the year before. The band, made up of four Canadians and one American, was still shrouded in mystery, allowing for listeners and the music press to let their imaginations run wild about who these men were and what this music was that sounded unlike anything else happening at the close of the psychedelic '60s. Dressed like 19th century fire-and-brimstone preachers and singing rustic, sepia-toned songs about America and the deep south, The Band - Garth Hudson (keyboards, piano, horn), Levon Helm (drums, vocals, mandolin), Richard Manuel (keyboards, vocals, drums), Rick Danko (bass, vocals, fiddle) and Robbie Robertson (guitar, piano, vocals) - was an enigma, unlike any group that came before or after. And their self-titled InchBrown Album, Inch as it would lovingly be called, cemented their status as one of the most exciting and revolutionary bands in years, on the strength of now-classic songs like InchThe Night They Drove Old Dixie Down, Inch InchUp On Cripple CreekInch and InchRag Mama Rag.Inch Album Tracks 1. Across the Great Divide 2. Rag Mama Rag 3. The Night They Drove Old Dixie Down 1. When You Awake 2. Up on Cripple Creek 3. Whispering Pines 1. Jemima Surrender 2. Rockin' Chair 3. Look Out Cleveland 1. Jawbone 2. The Unfaithful Servant 3. King Harvest (Has Surely Come)

Double vinyl LP pressing. Digitally restored live archive . The Doors supplied plenty of post-Independence Day fireworks on July 5, 1968 when the legendary quartet played the Hollywood Bowl, a concert that is considered to be the band's finest on film. For the first time, the film from the historic performance has been painstakingly restored using the original camera negatives and the audio has been remixed and mastered from original multi-tracks by the group's engineer Bruce Botnick. Live at the Bowl '68 includes three previously unreleased tracks from the performance. Technical issues with the recording of InchHello, I Love You, Inch InchThe WASP (Texas Radio And the Big Beat), Inch and InchSpanish CaravanInch prevented them from being released in the past. Now, through meticulous restoration of the audio, all three will be included, marking the first time the concert has been available in it's entirety. Album Tracks 1. Start Show/Intro 2. When the Music's Over 3. Alabama Song (Whiskey Bar) 4. Back Door Man 5. Five to One 6. Back Door Man (Reprise) 7. The Wasp (Texas Radio and the Big Beat) 8. Hello, I Love You 9. Moonlight Drive 10. Horse Latitudes 11. A Little Game 12. The Hill Dwellers 13. Spanish Caravan 1. Hey, What Would You Guys Like to Hear? 2. Wake Up! 3. Light My Fire 4. Light My Fire (Segue) 5. The Unknown Soldier 6. The End (Segue) 7. The End

I Know I'm Funny haha is Webster's most realized manifestation yet of this emotional and musical alchemy. Continuing to bloom from her 2019 breakthrough and Secretly Canadian debut Atlanta Millionaires Club, Webster's sound draws as much from the lap-steel singer-songwriter pop of the 1970s and teardrop country tunes as it does from the audacious personalities of her city's rap and R&B community. The album began for Webster with the stirring ballad InchIn a Good Way,Inch as in InchYou make me want to cry in a good wayInch-an instantclassic Faye Webster one-liner. It's beguilingly simple, the kind of melody and arrangement that seem to have existed forever. A sense of relief charges the neo-psychedelic pop of InchCheers,Inch where Webster experiments with an overdriven guitar tone. She also collaborated, on InchOverslept,Inch with the Japanese artist Mei Ehara, who she calls the biggest influence on her new music. Webster's music is full of personality. Many of her songs contain bits of girl-group-esque talk-singing, which color her atypical storysongs. Webster says she's in a growth mindset, pushing herself to learn more, to be more vulnerable. InchGrowth is really important to me,Inch she says. InchI hope people will relate to my songs, and not just be like 'this is a good record' but 'this makes me feel something. This is making me think differently, this is making me question things.' I told myself a few years ago that I was going to be more honest in my songwriting, that honesty is the best route to take with music. If I have a voice and people are listening to me, I'm not going to waste it.Inch Album Tracks 1. Better Distractions 2. Sometimes 3. I Know I'm Funny Haha 4. In a Good Way 5. Kind of 6. Cheers 7. Both All the Time 8. A Stranger 9. A Dream with a Baseball Player 10. Overslept (Feat. Mei Ehara) 11. Half of Me