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Ann Hallenberg - Tragedie Cristiane - A theatrical experiment from 1729 - COMPACT DISCS [CD]

SKU: 12187667

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In 1729, nobleman and poet Annibale Marchese (1686-1753) published Tragedie Cristiane, a remarkable collection of ten Italian-language plays. Drawing on the influences of Racine, Corneille, Voltaire, and classical tradition, these innovative dramas are deeply rooted in Jesuit theatrical practices. To realise his vision, Marchese enlisted ten of the most accomplished composers of his time-masters of the so-called Neapolitan School. Their strophic arias, often featuring obbligato harpsichord, vividly reflect each composer's unique style. This recording also includes previously unknown instrumental dances from contemporary Jesuit stage productions. Album Tracks 1. Fanfarde Nouvelle 26. Menuet IV

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  • Genre
    Classical
    Description
    In 1729, nobleman and poet Annibale Marchese (1686-1753) published Tragedie Cristiane, a remarkable collection of ten Italian-language plays. Drawing on the influences of Racine, Corneille, Voltaire, and classical tradition, these innovative dramas are deeply rooted in Jesuit theatrical practices. To realise his vision, Marchese enlisted ten of the most accomplished composers of his time-masters of the so-called Neapolitan School. Their strophic arias, often featuring obbligato harpsichord, vividly reflect each composer's unique style. This recording also includes previously unknown instrumental dances from contemporary Jesuit stage productions. Album Tracks 1. Fanfarde Nouvelle 26. Menuet IV
    Artist
    Ann Hallenberg
    Title
    Tragedie Cristiane - A theatrical experiment from 1729
    Format
    CD
    Label
    Passacaille
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In 1729, nobleman and poet Annibale Marchese (1686-1753) published Tragedie Cristiane, a remarkable collection of ten Italian-language plays. Drawing on the influences of Racine, Corneille, Voltaire, and classical tradition, these innovative dramas are deeply rooted in Jesuit theatrical practices. To realise his vision, Marchese enlisted ten of the most accomplished composers of his time-masters of the so-called Neapolitan School. Their strophic arias, often featuring obbligato harpsichord, vividly reflect each composer's unique style. This recording also includes previously unknown instrumental dances from contemporary Jesuit stage productions. Album Tracks 1. Fanfarde Nouvelle 26. Menuet IV

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