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Double vinyl LP pressing. When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore. Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache,' warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father.' A lovely and loping 'Soul Eyes' is a perfect closer over it's nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane. The quick, constantly forward-moving Freddie Hubbard standard waltz 'Up Jumped Spring' further shows a relationship between the tenor titans, with the band quoting Trane's 'Olé.' The talent of Mabern is formidable, tasteful, and exciting, as showcased during his rumbling chords during 'Io,' a killer modal track written by Paul Arslanian, as Coleman inserts a memorable singsong line and Queen injects som
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Double vinyl LP pressing. When any recording made by George Coleman is issued, it's an instant event. Though Coleman has always been busy performing, writing, and especially teaching, scant few LPs or CDs have come listeners' way. It is especially thrilling to hear him live in concert performance at the initial site of the then newly minted Yoshi's in Oakland, CA, as his extended techniques and heightened sense of tonal ideas come fully to the fore. Coleman and pianist Harold Mabern, both originally from the fertile jazz scene in Memphis, make the perfect tandem, ably supported by super pros in expatriate drummer Alvin Queen and veteran New York bassist Ray Drummond, both of whom Coleman played with when he was in Europe. There are many solemn, laid-back, and reflective moments from Coleman, as both of the opening tracks, 'They Say It's Wonderful' and 'Good Morning Heartache,' warm slowly and simmer at their easily swinging maximum, with the tenor man progressively squeezing out more and more notes in refined fashion. Never far from the soul of his homeland, 'Laig Gobblin' Blues' is a refreshing modal original by the leader, a 5/4 beat in a 12-bar idea, with 7/4 tossed in cleverly. The dignity and class of Coleman cannot be overemphasized, as he further displays on his neat and clean composition 'Father.' A lovely and loping 'Soul Eyes' is a perfect closer over it's nearly 17 minutes, giving pause to the thought that it was in fact Coleman who influenced John Coltrane. The quick, constantly forward-moving Freddie Hubbard standard waltz 'Up Jumped Spring' further shows a relationship between the tenor titans, with the band quoting Trane's 'Olé.' The talent of Mabern is formidable, tasteful, and exciting, as showcased during his rumbling chords during 'Io,' a killer modal track written by Paul Arslanian, as Coleman inserts a memorable singsong line and Queen injects som

Limited 180gm vinyl LP pressing. Jailbreak is the sixth studio album by Irish hard rock band Thin Lizzy, originally released in 1976. It proved to be the band's commercial breakthrough in the US, and the only Thin Lizzy album with a certification in that country. Jailbreak contains Thin Lizzy's biggest hit in the U.S. InchThe Boys Are Back in TownInch. Album Tracks 1. Jailbreak 2. Angel from the Coast 3. Running Back 4. Romeo and the Lonely Girl 5. Warriors 1. The Boys Are Back in Town 2. Fight or Fall 3. Cowboy Song 4. Emerald

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.