Bach, J.S. / Pauliner Barockensemble - Festmusiken zu Leipziger Universitatsfeiern - COMPACT DISCS [CD]
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Album Tracks 1. I 2. II 3. III 4. I 5. II 6. III 7. IV 8. V 9. VI 10. VII 11. VIII 12. IX 13. X 14. I 15. II 16. III 17. IV 18. V 19. VI 20. VII 21. VIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. I 12. II 13. III 14. IV 15. V 16. VI 17. VII 18. VIII 19. IX 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. XII 13. XIII 14. XIV 15. XV 16. I 17. II 18. III 19. IV 20. V 21. VI 22. VII 23. VIII 24. IX 25. X 26. XI 27. XII 28. XIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. I 13. II 14. III 15. IV 16. V 17. VI 18. VII 19. VIII 20. IX 1. I./I 2. II./Ii 3. III./Iii 4. IV./Iv 5. V./V 6. VI./Vi 7. VII./Vii 8. VIII./Viii 9. IX./Ix 10. X./X 11. XI./Xi 12. I./Xii 13. II./Xiii 14. III./Xiv 15. IV./XV 16. V 17. VI 18. VII 19. VIII 20. IX
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- GenreClassicalDescriptionAlbum Tracks 1. I 2. II 3. III 4. I 5. II 6. III 7. IV 8. V 9. VI 10. VII 11. VIII 12. IX 13. X 14. I 15. II 16. III 17. IV 18. V 19. VI 20. VII 21. VIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. I 12. II 13. III 14. IV 15. V 16. VI 17. VII 18. VIII 19. IX 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. XII 13. XIII 14. XIV 15. XV 16. I 17. II 18. III 19. IV 20. V 21. VI 22. VII 23. VIII 24. IX 25. X 26. XI 27. XII 28. XIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. I 13. II 14. III 15. IV 16. V 17. VI 18. VII 19. VIII 20. IX 1. I./I 2. II./Ii 3. III./Iii 4. IV./Iv 5. V./V 6. VI./Vi 7. VII./Vii 8. VIII./Viii 9. IX./Ix 10. X./X 11. XI./Xi 12. I./Xii 13. II./Xiii 14. III./Xiv 15. IV./XV 16. V 17. VI 18. VII 19. VIII 20. IXArtistBACH, J.S. / PAULINER BAROCKENSEMBLETitleFestmusiken zu Leipziger UniversitatsfeiernFormatCDLabelQuerstand Records
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Album Tracks 1. I 2. II 3. III 4. I 5. II 6. III 7. IV 8. V 9. VI 10. VII 11. VIII 12. IX 13. X 14. I 15. II 16. III 17. IV 18. V 19. VI 20. VII 21. VIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. I 12. II 13. III 14. IV 15. V 16. VI 17. VII 18. VIII 19. IX 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. XII 13. XIII 14. XIV 15. XV 16. I 17. II 18. III 19. IV 20. V 21. VI 22. VII 23. VIII 24. IX 25. X 26. XI 27. XII 28. XIII 1. I 2. II 3. III 4. IV 5. V 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI 12. I 13. II 14. III 15. IV 16. V 17. VI 18. VII 19. VIII 20. IX 1. I./I 2. II./Ii 3. III./Iii 4. IV./Iv 5. V./V 6. VI./Vi 7. VII./Vii 8. VIII./Viii 9. IX./Ix 10. X./X 11. XI./Xi 12. I./Xii 13. II./Xiii 14. III./Xiv 15. IV./XV 16. V 17. VI 18. VII 19. VIII 20. IX
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Johann Sebastian Bach's stature as a composer of extraordinary talent and widespread influence is so firmly established in Western culture that it is difficult to believe that only 150 years ago his works lay in veritable obscurity, unknown to all but a small group of scholars. It is largely thanks to ohn, who essentially effected a revival of the composer's music through his rediscovery and promulgation of the St Matthew Passion, besides other pieces, that his works are today regarded as pinnacles of music expression. That they are among the most performed and widely attended is in no doubt; in Holland alone, thousands of singers and musicians are involved in dozens of performances of the St Matthew Passion in Holy Week, with hundreds of thousands listening in churches and concert halls, or gathered around the radio, to what has been described as 'the Gospel according to Bach'. Bringing together all of his works, this dynamic 142-CD set offers a resounding impression of this great spirit of our Western culture, presenting dynamic performances - many period-based, many acclaimed by the international press - that are divided according to genre, thus making for a highly user-friendly compendium. The set draws on all periods of his career, tracing the development of a style that was much influenced by contemporary and past fashions but which was always adapted to Bach's own purpose, often far surpassing the models on which he drew. The German composer travelled a great deal from city to city, and the different circumstances of his various positions are reflected in the great range of works comprising his output while his early years are dominated by much keyboard music, on account of the numerous organist posts he held during this period, later positions at various courts accorded him more personal and artistic freedom - in Cothen, for example, Prince Leopold's passion
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