Boysetsfire - After The Eulogy - VINYL LP
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Boysetsfire may not have been the first political band I ever heard, but the Delaware outfit were undeniably one of the most accessible. They weren't tucked away in academic theory or shouting from unreachable pulpits_they were on the road, playing local VFW halls and grimy all-ages venues that you could actually afford to be in. They brought the revolution to the people, $10 at the door_ and After the Eulogy was my introduction. Yes, they were political. Absolutely. And I happily credit Nat Gray's lyrics specifically for helping me break from the hollow conservatism and half-hearted Catholic guilt that formed the background noise of my upbringing. After the Eulogy wasn't just music, it was an ideological rupture. Without this album or BSF, I might very well have ended up as one of those incomprehensibly frightened and angry uncles on Facebook, raving about microchips in vaccines and confusing memes for peer-reviewed sources. My father would probably say Boysetsfire turned me into pinko commie scum; I'd argue they just helped me become a functional adult with empathy and a working moral compass. But hey, that's a conversation for the Thanksgiving table, not here. After the Eulogy is a near-perfect record. If someone asked me what made Boysetsfire great, this is the album I'd hand them without hesitation. It's where their strengths matured beyond In Chrysalis (see what I did there?). This is the record to showcase the urgency, the catharsis, the blend of fury and melody, and above all, their unflinching sincerity. More than just a political document, Eulogy was a portal into screamo, into post-hardcore, and into the radical notion that vulnerability wasn't weakness but strength, in other words After The Eulogy was a portal beyond the toxic masculinity that ate at my mind like in early adolescence and helped me see beyond the small town walls built for me. Gray, never a
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- GenreRockDescriptionBoysetsfire may not have been the first political band I ever heard, but the Delaware outfit were undeniably one of the most accessible. They weren't tucked away in academic theory or shouting from unreachable pulpits_they were on the road, playing local VFW halls and grimy all-ages venues that you could actually afford to be in. They brought the revolution to the people, $10 at the door_ and After the Eulogy was my introduction. Yes, they were political. Absolutely. And I happily credit Nat Gray's lyrics specifically for helping me break from the hollow conservatism and half-hearted Catholic guilt that formed the background noise of my upbringing. After the Eulogy wasn't just music, it was an ideological rupture. Without this album or BSF, I might very well have ended up as one of those incomprehensibly frightened and angry uncles on Facebook, raving about microchips in vaccines and confusing memes for peer-reviewed sources. My father would probably say Boysetsfire turned me into pinko commie scum; I'd argue they just helped me become a functional adult with empathy and a working moral compass. But hey, that's a conversation for the Thanksgiving table, not here. After the Eulogy is a near-perfect record. If someone asked me what made Boysetsfire great, this is the album I'd hand them without hesitation. It's where their strengths matured beyond In Chrysalis (see what I did there?). This is the record to showcase the urgency, the catharsis, the blend of fury and melody, and above all, their unflinching sincerity. More than just a political document, Eulogy was a portal into screamo, into post-hardcore, and into the radical notion that vulnerability wasn't weakness but strength, in other words After The Eulogy was a portal beyond the toxic masculinity that ate at my mind like in early adolescence and helped me see beyond the small town walls built for me. Gray, never aArtistBoysetsfireTitleAfter The EulogyFormatVINYLLabelSbam Records
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Boysetsfire may not have been the first political band I ever heard, but the Delaware outfit were undeniably one of the most accessible. They weren't tucked away in academic theory or shouting from unreachable pulpits_they were on the road, playing local VFW halls and grimy all-ages venues that you could actually afford to be in. They brought the revolution to the people, $10 at the door_ and After the Eulogy was my introduction. Yes, they were political. Absolutely. And I happily credit Nat Gray's lyrics specifically for helping me break from the hollow conservatism and half-hearted Catholic guilt that formed the background noise of my upbringing. After the Eulogy wasn't just music, it was an ideological rupture. Without this album or BSF, I might very well have ended up as one of those incomprehensibly frightened and angry uncles on Facebook, raving about microchips in vaccines and confusing memes for peer-reviewed sources. My father would probably say Boysetsfire turned me into pinko commie scum; I'd argue they just helped me become a functional adult with empathy and a working moral compass. But hey, that's a conversation for the Thanksgiving table, not here. After the Eulogy is a near-perfect record. If someone asked me what made Boysetsfire great, this is the album I'd hand them without hesitation. It's where their strengths matured beyond In Chrysalis (see what I did there?). This is the record to showcase the urgency, the catharsis, the blend of fury and melody, and above all, their unflinching sincerity. More than just a political document, Eulogy was a portal into screamo, into post-hardcore, and into the radical notion that vulnerability wasn't weakness but strength, in other words After The Eulogy was a portal beyond the toxic masculinity that ate at my mind like in early adolescence and helped me see beyond the small town walls built for me. Gray, never a

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