Dorota Cybulska-Amsler - Harpsichord Music - COMPACT DISCS [CD]
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Nowadays, the work of François Couperin is commonly associated with harpsichord music of the turn of the Baroque and Classicism. His elaborate miniatures and suites, plenty of brilliant ornaments, are now almost inextricably linked to the canonical harpsichord repertoire. The album by Dorota Cybulska-Amsler makes us aware, however, that François was not the only composer in the Couperin family. As the artist points out, names of members of the Couperin family, originating from the Chaumes-en-Brie region, are already in documents from the 16th century. In 1586, Mathurin Couperin (ca. 1569-ca. 1640), is still making a living mainly from farming, but he obtains the right to practice music for remuneration. His son, Charles I (1595-1654) is going to be the founder of a musical dynasty. Album Tracks 1. Pièces de Clavecin from the Bauyn Manuscript (Ca. 1658) 2. Sizième Ordre de Clavecin from Deuxième Livre de Clavecin (Book 2,1717) 3. Dix-Huitième Ordre from Trosième Livre de Clavecin,(Book 3,1722) 4. Pièces de Clavecin, Op. 1
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- GenreClassicalDescriptionNowadays, the work of François Couperin is commonly associated with harpsichord music of the turn of the Baroque and Classicism. His elaborate miniatures and suites, plenty of brilliant ornaments, are now almost inextricably linked to the canonical harpsichord repertoire. The album by Dorota Cybulska-Amsler makes us aware, however, that François was not the only composer in the Couperin family. As the artist points out, names of members of the Couperin family, originating from the Chaumes-en-Brie region, are already in documents from the 16th century. In 1586, Mathurin Couperin (ca. 1569-ca. 1640), is still making a living mainly from farming, but he obtains the right to practice music for remuneration. His son, Charles I (1595-1654) is going to be the founder of a musical dynasty. Album Tracks 1. Pièces de Clavecin from the Bauyn Manuscript (Ca. 1658) 2. Sizième Ordre de Clavecin from Deuxième Livre de Clavecin (Book 2,1717) 3. Dix-Huitième Ordre from Trosième Livre de Clavecin,(Book 3,1722) 4. Pièces de Clavecin, Op. 1ArtistDorota Cybulska-AmslerTitleHarpsichord MusicFormatCDLabelDux Recording Prod.
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Nowadays, the work of François Couperin is commonly associated with harpsichord music of the turn of the Baroque and Classicism. His elaborate miniatures and suites, plenty of brilliant ornaments, are now almost inextricably linked to the canonical harpsichord repertoire. The album by Dorota Cybulska-Amsler makes us aware, however, that François was not the only composer in the Couperin family. As the artist points out, names of members of the Couperin family, originating from the Chaumes-en-Brie region, are already in documents from the 16th century. In 1586, Mathurin Couperin (ca. 1569-ca. 1640), is still making a living mainly from farming, but he obtains the right to practice music for remuneration. His son, Charles I (1595-1654) is going to be the founder of a musical dynasty. Album Tracks 1. Pièces de Clavecin from the Bauyn Manuscript (Ca. 1658) 2. Sizième Ordre de Clavecin from Deuxième Livre de Clavecin (Book 2,1717) 3. Dix-Huitième Ordre from Trosième Livre de Clavecin,(Book 3,1722) 4. Pièces de Clavecin, Op. 1
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