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Lights out, game over. Duma won 2020. Breathtaking by any measure, Kenyan grindcore band Duma's unparalleled debut of blast beats, sky-clawing synth noise and scarred larynx vocals was one of the mightiest things heard in 2020.Duma's self-titled debut is the most incredible injection of life-affirming, outsider energy imaginable in these dark ages; an LP that's bound to cleave opinion and upend preconceptions of what music from East Africa, or anywhere else in the world for that matter, can be. Comprising Martin Khanja (Lord Spikeheart) and Sam Karugu, Duma mete out a jaw-dropping extreme sound rooted in Nairobi's flourishing underground metal scene, where they've previously performed in bands Lust of a Dying Breed and Seeds of Datura. Faithful to the name - translating to InchDarknessInch in Kiyuku - they forge a frankly unprecedented darkside sound, welding trve metal vocals and eschatological synths with the frenetic energy of Central African and breakcore rhythms in transfixing arrangements that just beggar belief. Certainly we can compare them to other outliers of extreme music - the dark cosmic Congolese energy of Nkisi or the cataclysmic sound of Wold/Black Mecha, and Indonesia's beastly Senyawa - but basically Duma are, like all the above, in a field of their own. From the psychoactive rush of militant snares and keening synths in 'Angels and Abysses' to the doomcore dirge of 'Pembe 666' and the exquisite menace of 'Uganda With Sam' and the scorching finale 'The Echoes of The Beyond' they uncannily reshape the game in their own image with every song, bending conventions and styles with profound sense of iconoclastic freedom and possessed discipline.When they performed in Berghain at this year's CTM festival, worlds were shattered into a million tiny pieces. They had technical difficulties; their setup wasn't working as planned, so producer Sam Karugu had to im
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Lights out, game over. Duma won 2020. Breathtaking by any measure, Kenyan grindcore band Duma's unparalleled debut of blast beats, sky-clawing synth noise and scarred larynx vocals was one of the mightiest things heard in 2020.Duma's self-titled debut is the most incredible injection of life-affirming, outsider energy imaginable in these dark ages; an LP that's bound to cleave opinion and upend preconceptions of what music from East Africa, or anywhere else in the world for that matter, can be. Comprising Martin Khanja (Lord Spikeheart) and Sam Karugu, Duma mete out a jaw-dropping extreme sound rooted in Nairobi's flourishing underground metal scene, where they've previously performed in bands Lust of a Dying Breed and Seeds of Datura. Faithful to the name - translating to InchDarknessInch in Kiyuku - they forge a frankly unprecedented darkside sound, welding trve metal vocals and eschatological synths with the frenetic energy of Central African and breakcore rhythms in transfixing arrangements that just beggar belief. Certainly we can compare them to other outliers of extreme music - the dark cosmic Congolese energy of Nkisi or the cataclysmic sound of Wold/Black Mecha, and Indonesia's beastly Senyawa - but basically Duma are, like all the above, in a field of their own. From the psychoactive rush of militant snares and keening synths in 'Angels and Abysses' to the doomcore dirge of 'Pembe 666' and the exquisite menace of 'Uganda With Sam' and the scorching finale 'The Echoes of The Beyond' they uncannily reshape the game in their own image with every song, bending conventions and styles with profound sense of iconoclastic freedom and possessed discipline.When they performed in Berghain at this year's CTM festival, worlds were shattered into a million tiny pieces. They had technical difficulties; their setup wasn't working as planned, so producer Sam Karugu had to im

Standard vinyl LP pressing. Digitally remixed 50th Anniversary edition of The Beatles' musical masterpiece. This Abbey Road features the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album's original stereo mix supervised by his father, George Martin. It is time to experience Abbey Road again! Album Tracks 1. Come Together 2. Something 3. Maxwell's Silver Hammer 4. Oh! Darling 5. Octopus's Garden 6. I Want You (She's So Heavy) 1. Here Comes the Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came in Through the Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty
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