Ensemble Mediterrain - Suite Espanola & Septett Op. 20 - COMPACT DISCS [CD]
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Album Tracks 1. Albeniz Suite Española 1 Op. 47 Sevilla Sevillana 2. Albeniz Suite Española 1 Op. 47 Granada Serenata 3. Albeniz Suite Española 1 Op. 47 Cataluña Curranda 4. Albeniz Suite Española 1 Op. 47 Asturias Leyenda 5. Albeniz Suite Española 1 Op. 47 Cádiz Saeta 6. Albeniz Suite Española 1 Op. 47 Castilla Seguidillas 7. Albeniz Suite Española 1 Op. 47 Cuba Capricho 8. Albeniz Suite Española 1 Op. 47 Aragón Fantasia 9. Beethoven Septet in E Flat Major Op. 20 Adagio - Allegro Con Brio 10. Beethoven Septet in E Flat Major Op. 20 Adagio Cantabile 11. Beethoven Septet in E Flat Major Op. 20 Tempo Di Menuetto 12. Beethoven Septet in E Flat Major Op. 20 Tema Con Variazioni 13. Beethoven Septet in E Flat Major Op. 20 Scherzo. Allegro Molto E Vivace 14. Beethoven Septet in E Flat Major Op. 20 Andante Con Motto Alla Marcia - Presto
- GenreClassicalDescriptionAlbum Tracks 1. Albeniz Suite Española 1 Op. 47 Sevilla Sevillana 2. Albeniz Suite Española 1 Op. 47 Granada Serenata 3. Albeniz Suite Española 1 Op. 47 Cataluña Curranda 4. Albeniz Suite Española 1 Op. 47 Asturias Leyenda 5. Albeniz Suite Española 1 Op. 47 Cádiz Saeta 6. Albeniz Suite Española 1 Op. 47 Castilla Seguidillas 7. Albeniz Suite Española 1 Op. 47 Cuba Capricho 8. Albeniz Suite Española 1 Op. 47 Aragón Fantasia 9. Beethoven Septet in E Flat Major Op. 20 Adagio - Allegro Con Brio 10. Beethoven Septet in E Flat Major Op. 20 Adagio Cantabile 11. Beethoven Septet in E Flat Major Op. 20 Tempo Di Menuetto 12. Beethoven Septet in E Flat Major Op. 20 Tema Con Variazioni 13. Beethoven Septet in E Flat Major Op. 20 Scherzo. Allegro Molto E Vivace 14. Beethoven Septet in E Flat Major Op. 20 Andante Con Motto Alla Marcia - PrestoArtistEnsemble MediterrainTitleSuite Espanola & Septett Op. 20FormatCDLabelDreyer Gaido
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The impressively rich instrumental legacy of Georg Philipp Telemann, one of the most prominent German composers of the late Baroque era, was a complement to the main area of his activity, which was church and opera music. The composer found great satisfaction in running collegium musicum associations, popular in Germany. They were groups of people interested in making music together, most often recruited from the academic youth and the bourgeois 'middle class.' Telemann founded his first collegium in 1702 in Leipzig, where he studied law. At the same time, he significantly transformed the traditional status of such institutions, which so far had been aimed at making music in their own group. Telemann quickly made the collegium musicum an institution organizing more or less regular public concerts in municipal halls, cafes, merchant social clubs, and aca-demic auditoriums; the collegium musicum would also support church ensembles on more important occasions. Telemann continued his co-operation with student collegia throughout his compositional activity, also in Frankfurt and Hamburg, zealously creating new pieces for them. On the present , the Altberg Ensemble presents a selection of Telemann's Suites and Concertos.
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