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As Bill Orcutt's most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. It's approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish in addition to Orcutt. But while their Tiny Desk Concert gave a whiff of the quartet's easy intimacy, the sterile confines of the virtual recital medium still left a puzzle unsolved how might these brutally mannered bricks of minimalist counterpoint sound on a stage in front of actual breathing bodies?InchThis was the question foremost in my mind when I first saw the quartet in San Francisco a few months before this double live LP was recorded. I was already familiar with the prowess of Eisenberg and Mendoza, two of the most technically intimidating shredders to blast out of the noise/improv underground, and knew Parish as the mastermind behind the epic translation of Orcutt's quartet recordings into a fully notated score. I was ready to be 'blown away'-and I most assuredly was. The quartet navigated Orcutt's jaggedly spiraling right angles into the shining core of the compositions with joyous ease, faithful to the originals in nearly every way (though their tempos were slightly ramped up, Blakey style, to communicate their breathless rush). The renditions were flawless, stellar and inspiring. I had expected nothing less.InchWhich leads us to this album, Four Guitars Live, recorded in November of 2023 at Le Guess Who? festival during the quartet's first European tour. The true essence of this set is not simply in it's faithfulness to the source compositions, but in the group's easy familiarity (no doubt the result of weeks on the road) and the
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As Bill Orcutt's most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. It's approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish in addition to Orcutt. But while their Tiny Desk Concert gave a whiff of the quartet's easy intimacy, the sterile confines of the virtual recital medium still left a puzzle unsolved how might these brutally mannered bricks of minimalist counterpoint sound on a stage in front of actual breathing bodies?InchThis was the question foremost in my mind when I first saw the quartet in San Francisco a few months before this double live LP was recorded. I was already familiar with the prowess of Eisenberg and Mendoza, two of the most technically intimidating shredders to blast out of the noise/improv underground, and knew Parish as the mastermind behind the epic translation of Orcutt's quartet recordings into a fully notated score. I was ready to be 'blown away'-and I most assuredly was. The quartet navigated Orcutt's jaggedly spiraling right angles into the shining core of the compositions with joyous ease, faithful to the originals in nearly every way (though their tempos were slightly ramped up, Blakey style, to communicate their breathless rush). The renditions were flawless, stellar and inspiring. I had expected nothing less.InchWhich leads us to this album, Four Guitars Live, recorded in November of 2023 at Le Guess Who? festival during the quartet's first European tour. The true essence of this set is not simply in it's faithfulness to the source compositions, but in the group's easy familiarity (no doubt the result of weeks on the road) and the

Limited Edition 2 x LP pressed on multi-colored vinyl. 50th Anniversary Edition 45rpm Double LP! Cut by Chris Bellman at Bernie Grundman Mastering! New Stereo Mix By Bob Clearmountain Overseen by Robbie Robertson! When The Band's seminal eponymous second album was released fifty years ago on September 22, 1969, not much more was known about the reclusive group than when they released their landmark debut, Music From Big Pink, to widespread critical praise and bewilderment, just the year before. The band, made up of four Canadians and one American, was still shrouded in mystery, allowing for listeners and the music press to let their imaginations run wild about who these men were and what this music was that sounded unlike anything else happening at the close of the psychedelic '60s. Dressed like 19th century fire-and-brimstone preachers and singing rustic, sepia-toned songs about America and the deep south, The Band - Garth Hudson (keyboards, piano, horn), Levon Helm (drums, vocals, mandolin), Richard Manuel (keyboards, vocals, drums), Rick Danko (bass, vocals, fiddle) and Robbie Robertson (guitar, piano, vocals) - was an enigma, unlike any group that came before or after. And their self-titled InchBrown Album, Inch as it would lovingly be called, cemented their status as one of the most exciting and revolutionary bands in years, on the strength of now-classic songs like InchThe Night They Drove Old Dixie Down, Inch InchUp On Cripple CreekInch and InchRag Mama Rag.Inch Album Tracks 1. Across the Great Divide 2. Rag Mama Rag 3. The Night They Drove Old Dixie Down 1. When You Awake 2. Up on Cripple Creek 3. Whispering Pines 1. Jemima Surrender 2. Rockin' Chair 3. Look Out Cleveland 1. Jawbone 2. The Unfaithful Servant 3. King Harvest (Has Surely Come)

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.